Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
Kobel:
> today at the train station I stumbled across the German LinuxUser
> magazine, featuring an article about music engraving. I found myself
> surprised and happy, seeing LilyPond mentioned in the first place
Thanks for
Hi Everyone
I've been experimenting with Lilypond to see how I might project music with an
overhead projector for sing-alongs. While playing with the png format option I
noticed that the png image is always cropped to be 859x pixels (which
corresponds the "Letter" size, I believe). I say "cr
On 22 Sep 2009, at 01:09, Joseph Wakeling wrote:
Currently Lilypond's transposition is tonal only, with the 'smart
transpose' snippet providing a Scheme function to minimise accidental
use. Unfortunately this function is incompatible with quarter-tone
notation.
Discussing with Graham Breed, I
Hans Aberg wrote:
>> What you see is that
>>
>> (i) without naturalizeMusic, transposition fails: transposition alone
>> leaves the final pitch being 'g+5/4' which has no accidental
>
> I think is just a bug. Somehow the sharp drops out.
It's not so much a bug as a notational impossibilit
On 22 Sep 2009, at 11:16, Joseph Wakeling wrote:
Hans Aberg wrote:
What you see is that
(i) without naturalizeMusic, transposition fails: transposition
alone
leaves the final pitch being 'g+5/4' which has no accidental
I think is just a bug. Somehow the sharp drops out.
It's not
Jan Nieuwenhuizen wrote:
Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
Kobel:
today at the train station I stumbled across the German LinuxUser
magazine, featuring an article about music engraving. I found myself
surprised and happy, seeing LilyPond mentioned in the fi
Hans Aberg wrote:
> The correct accidental is a # plus a !/4. It then does not change the
> scale degree. This will also be correct in if the sharp and microtonal
> accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, which quite obviously does not exist.
> In
On Tue, Sep 22, 2009 at 09:40:59AM +0200, Jan Nieuwenhuizen wrote:
> Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
> Kobel:
>
> > today at the train station I stumbled across the German LinuxUser
> > magazine, featuring an article about music engraving. I found myself
>
2009/9/22 Federico Bruni :
>> http://www.linux-user.de/Downloads/LUCE/2009/lu-ce_2009-10.pdf
>>
>
> The article about lilypond is not there.
> It should be at page 46, but this pdf is only 34 pages..
It is, just search for "LilyPond", page 46 is at page "17 of 24" of the PDF
> This is the cor
On Tue, Sep 22, 2009 at 11:46:32AM +0200, Federico Bruni wrote:
> Jan Nieuwenhuizen wrote:
>> Thanks for mentioning this. I found it can be downloaded from
>>
>> http://www.linux-user.de/Downloads/LUCE/2009/lu-ce_2009-10.pdf
>>
>> Any volunteers for adding this to web/publications?
>>
>
> The
Op dinsdag 22-09-2009 om 11:46 uur [tijdzone +0200], schreef Federico
Bruni:
> Jan Nieuwenhuizen wrote:
> > Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
> > Kobel:
> >
> > Thanks for mentioning this. I found it can be downloaded from
> >
> > http://www.linux-user.d
Francisco Vila wrote:
2009/9/22 Federico Bruni :
� � http://www.linux-user.de/Downloads/LUCE/2009/lu-ce_2009-10.pdf
The article about lilypond is not there.
It should be at page 46, but this pdf is only 34 pages..
It is, just search for "LilyPond", page 46 is at page "17 of 24" of the PDF
Op dinsdag 22-09-2009 om 11:12 uur [tijdzone +0100], schreef Graham
Percival:
> On Tue, Sep 22, 2009 at 09:40:59AM +0200, Jan Nieuwenhuizen wrote:
> > Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
> > Kobel:
>
> Added to Documentation/general/community.itexi
Thanks!
> No
2009/9/21 Alexander Kobel :
> Und für "das täglich Brot" eines Chor- oder Orchesterleiters -
> einfache, vierstimmige Chorsätze und Stimmenauszüge für einzelne
> Instrumente - ist LilyPond schon für Fast-Neueinsteiger das schnellste
> Programm, dass ich bisher gesehen habe. Kein Griff zur Maus ist
On 22 Sep 2009, at 11:49, Joseph Wakeling wrote:
The correct accidental is a # plus a !/4. It then does not change the
scale degree. This will also be correct in if the sharp and
microtonal
accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, ...
Yes, s
Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
Kobel:
> Spätestens beim Schlusswort des Autors befiel mich jedoch das kalte
> Grausen ob der Recherche: "wenn [...] Sie einzelne Stimmen
> transponieren wollen, ist hier Neuschreiben angesagt[.]" Mitnichten!
> \transpose c d
Henning Hraban Ramm wrote:
and at least in my installation
of 1.13 there's no german.ly (must investigate further...)
No, but there is a deutch.ly, so
\include "deutch.ly"
is probably what Alexander had in mind.
/Mats
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Henning Hraban Ramm schrieb:
> and at least in my installation of 1.13 there's no german.ly (must
> investigate further...)
Try "deutsch.ly" :-)
Ole
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Hans Aberg wrote:
> I think LilyPond, once it has found the correct scale degree, computes
> the interval offset. As there is none for this particular offset, it
> typesets nothing. It should report at least a warning, though. The value
> stored inside should though be correct.
Yes, I think this i
Henning Hraban Ramm wrote:
Thank you for the effort!
The letter looks good, but I'd leave out the MIDI input (even if
someone's working on midi2ly again),
Hm. Good point. It's not quite in the core...
and at least in my installation
of 1.13 there's no german.ly (must investigate further...)
Fo
>
>
> Henning Hraban Ramm wrote:
> > and at least in my installation
> > of 1.13 there's no german.ly (must investigate further...)
> >
> No, but there is a deutch.ly, so
> \include "deutch.ly"
> is probably what Alexander had in mind.
>
> /Mats
should be "deutsch.ly"
Thomas
>
> _
Jan Nieuwenhuizen wrote:
Op maandag 21-09-2009 om 22:47 uur [tijdzone +0200], schreef Alexander
Kobel:
Spätestens beim Schlusswort des Autors befiel mich jedoch das kalte
Grausen ob der Recherche: "wenn [...] Sie einzelne Stimmen
transponieren wollen, ist hier Neuschreiben angesagt[.]" Mitnich
On 22 Sep 2009, at 13:44, Joseph Wakeling wrote:
So I think you need to add a choice of glyph. LilyPond is too
primitive
to treat # and b and other accidentals as operators acting on all
intervals.
Well, the point is that a glyph for 5/4 sharp is nonsensical. A
contemporary music player wou
On 9/21/09 5:09 PM, "Joseph Wakeling" wrote:
> As I mentioned a little while back, I'm working on a specialist notation
> section on contemporary music for the Notation Reference. And, as I
> also mentioned, I'm going to be trying to implement and/or motivate some
> feature development to sup
On 22 Sep 2009, at 15:00, Carl Sorensen wrote:
If you get the chromatic transposition working properly, I'll commit
to
helping you get it embedded in LilyPond.
My impression is that this works properly, only that LilyPond does not
have the capacity to treat # and b as operators that can be
Hello,
I typeset music weekly for display using Powerpoint. I'm attaching the
template I use. Once I have all the page breaks set the way I want, I
run lilypond in terminal (Linux) to generate the final png images.
lilypond -fpng -dresolution=300 filename.ly
The resolution doesn't need to
Stephen Corey wrote:
Hello,
I typeset music weekly for display using Powerpoint. I'm attaching the
template I use. Once I have all the page breaks set the way I want, I
run lilypond in terminal (Linux) to generate the final png images.
lilypond -fpng -dresolution=300 filename.ly
The resol
2009/9/22 Stephen Corey :
> You can get a different
> scale by changing
>
> #(set-global-staff-size 40)
>
> to whatever size works best for you.
For various reasons, this does not give the same appearance as an
enlarged size of 20. I'd use always a big resolution instead, if
necessary.
--
Franc
Hello,
In the following code, the beam goes between the staves when
\RemoveEmptyStaffContext is commented out but goes above the top
staff when it's used.
This means you have to explicitly state all the stem directions to
get the beam to go in the middle of the staves when using
\Remov
Hi Stephen
Thanks a lot for your prompt and detailed reply. Your example certainly makes
it look better. The dimensions are now 2550x3300 instead of 859x. Should it
have been 1024x768?
Thanks again
Johan Hoogenboezem
Gauteng, South Africa
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