2009/7/16 Graham Percival :
> Moved to the official server:
> http://lilypond.org/~graham/
> 4) suggestions. Yes, these are still valuable, but we could have
> all the "hey, try out this blue-shaded color scheme" ideas in
> the world. But if nobody is working on the .css file, then
> nothing
On Thu, Jul 16, 2009 at 10:07:29AM +0300, Dmytro O. Redchuk wrote:
> 2009/7/16 Graham Percival :
> > Moved to the official server:
> > http://lilypond.org/~graham/
>
> > 4) suggestions. Yes, these are still valuable, but we could have
> > all the "hey, try out this blue-shaded color scheme" idea
On 16 Jul 2009, at 04:42, Graham Percival wrote:
Moved to the official server:
http://lilypond.org/~graham/
4) suggestions. Yes, these are still valuable, but we could have
all the "hey, try out this blue-shaded color scheme" ideas in
the world. But if nobody is working on the .css file,
On Thu, 16 Jul 2009 10:45:38 +0200, Hans Aberg wrote:
3) proofreading, checking, etc:
http://lilypond.org/~graham/Download.html#Download
With "Linux" one usually means "GNU/Linux" - the operative system is
GNU, and the kernel is Linux. (Like Mac OS X/Mach.)
And the GNU/Linux and FreeBS
> "Tom" == Tom Weissmann writes:
>> - what does the symbol in quotation marks mean mean (visualise it
>> rotated clockwise by about 30 degrees) ":||:"?
Tom> It could be a kind of simile mark, which would make sense because
Tom> it marks a repetition of the words and a near repetition of the
Kieren MacMillan sympatico.ca> writes:
>
> Hello all,
>
> Is the fontsize of the lyric tie glyph user-settable?
> [v2.13, if it matters...]
>
> Thanks,
> Kieren.
>
I don't see any simple way, but you can copy the default (mostly in
define-markup-commands.scm), tweak it to suit, and override
2009/7/16 胡海鹏 - Hu Haipeng :
> So, how to correctly add these different two verses?
Try the following:
Split the music into named voice blocks, inside of the repeat structure.
\repeat ... {
\new Voice = "name" { }
}
then apply them your lyrics, a block a time, with lyricsto
<<
...
I'm used to seeing the movement you describe notated as a line between the
two fingering indications, which I fake with a shifted glissando with
truncated ends:
%===
guide = #(define-music-function (parser location padleft padright) (number?
This is expected when you mix the repeat structure with variables and
the top score structure. What I suggested is to open new voice blocks
without touching the top repeat structure. You don't really need
variables to do this, and I talked about voice names, not variable
names. More below.
2009/7/
Thank you for your advice. I ever read this in NR, but wasn't sure whether it
works. Now again the example. I don't know whether the variables are correct,
but it really can't work! The error is unexpected \alternative, perhaps because
I assigned it to another voice. How to hack on it?
Regards
To whom it may concern:
Help!
I have a problem with getting ties to work over a barline. Essentially, I
am working with two layers. In m. 1, layer one is hidden (with a hidden
rest) and in m.2, there are 3 half notes, which show up just fine (the piece
is in 3/2 time). In layer two, m.1, I hav
\tieNeutral
--
oiram/bin/selom
\version "2.12.2"
\header { }
\score {
\new Staff {
\key fis \major
\clef "bass"
<< % create LH staff; needs two simultaneous voices
\new Voice { % create LH voice one
\voiceOne
\relative c { % start of LH voice one notes
\time 3/2
s1. |
\once \override NoteColu
Thank you. Then, is this ok? It can compile, but I don't know 1) whether the
lyrics are correctly aligned; and 2) whether the second and third new voices
change stems to weird directions.
Regards
Haipeng
\version "2.13.3"
music = \relative c' {
\clef treble \time 4/4
\repeat volta 2
On Thu, 16 Jul 2009 02:58:00 +0200, Tom Weissmann wrote:
> Hello,
>
> I'm using Lilypond to add a hymn to a LaTeX document. I'm very
> impressed!
>
> A couple of questions:
>
> - how can I avoid indenting the first line of music? - what does the
> symbol in quotation marks mean mean (visualise
Hu,
You are very close to the solution!
Your \new Voice inside the alternative is an expression that gets the
value of the very next block surrounded by curly braces (and only the
first one). That's why the 'alt' lyrics does not fill the second
alternative.
Also, you obtain 'sol' vertically alig
Jesús Guillermo Andrade wrote:
How can I put it below the chord symbol?
These marks, i.e. RehearsalMark, are normally put above everything else.
This is done by having the corresponding engraver in the Score context.
You can move the engraver down to where your melody is by doing
\layout {
\
I want to move the breath marks from in the staff to above the staff in this
example:
\version "2.12.2"
\relative c'' {
c \breathe d e \breathe f
}
Can anyone tell me how to do this?
Thanks!
-
Josh Nichols
SDG
_
Michael Lauer wrote:
> I don't see any simple way, but you can copy the default (mostly in
> define-markup-commands.scm), tweak it to suit, and override the
> LyricText stencil.
Michael,
your solution is *much* more convenient for the user than mine, but I
think mine looks a little better since
Josh Nichols wrote:
I want to move the breath marks from in the staff to above the staff in
this example:
\version "2.12.2"
\relative c'' {
c \breathe d e \breathe f
}
Hi.
Use
\version "2.12.2"
\relative c'' {
c \breathe d
\override Voice . BreathingSign #'Y-offset = #3
e \b
Graham Percival wrote:
> >> 2. In 2.2.6, partial measures and gracenotes are covered. In the
> >> previous
> >> chapter, autobeaming is covered. Put them all together and, wham!
> >> A partial measure starting with a gracenote turns off autobeaming,
> >> even if it's explicitly turned on:
>
Hello,
I published this score (not this file, since I merge my settings into it
now)) to WIMA as its first Chinese music. But the editor gave me some points on
collision:
> - avoiding slurs overwriting note shapes or performance directions, for
> example the right hand phrasing slur bar 18-2
On 7/16/09 6:14 PM, "hhpmu...@163.com" wrote:
> Hello,
> I published this score (not this file, since I merge my settings into it
> now)) to WIMA as its first Chinese music. But the editor gave me some points
> on collision:
>
>> - avoiding slurs overwriting note shapes or performance direc
I am working on typesetting Pavane pour une infante Defunte by Ravel but am
having trouble with the score layout. It is as follows:
\score {
\new StaffGroup <<
\new Staff { \global \flutes }
\new Staff { \global \hautbois }
\new Staff { \global \clarinettes }
\new Staff { \global \cors }
>>
\new P
When this error appears it's normally something like a missing curly brace.
I can't try to compile your example b/c I don't have all of the source, but
it looks like there might be un-terminated grandstaves near the bottom--see
where I put comments below...
Jon
On Thu, Jul 16, 2009 at 9:37 PM, Ka
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