Hi,
I'm trying to export a lilypond score to MIDI (then I want to import
it in TuxGuitar).
I have 2 problems:
1. the score starts with a partial measure, but the MIDI can't
understand that...so when I import it in TuxGuitar, the notes are not
placed correctly in the bars.
There's any cool
Federico Bruni wrote:
Hi,
I'm trying to export a lilypond score to MIDI (then I want to import it
in TuxGuitar).
I have 2 problems:
Just a quick explanation.
I know it may seem weird exporting from Lilypond to TuxGuitar (most of
people is interested about the other way around, from .tg 2 .
2009/6/17 Federico Bruni :
> 1. the score starts with a partial measure, but the MIDI can't understand
> that...so when I import it in TuxGuitar, the notes are not placed correctly
> in the bars.
> There's any cool workaround?
> I know TuxGuitar does not support partial measure.. Maybe I should wr
2009/6/17 Federico Bruni :
> 3. the MIDI output is polyphonic according to timidity (I think, see below),
> but not when I import it in TuxGuitar:
>
> Playing Guitar/Tablature/Bach/bourree.midi
> MIDI file: Guitar/Tablature/Bach/bourree.midi
> Format: 1 Tracks: 2 Divisions: 384
> Sequence: contro
> "Federico" == Federico Bruni writes:
Federico> Hi, I'm trying to export a lilypond score to MIDI (then I
Federico> want to import it in TuxGuitar). I have 2 problems:
Federico> 1. the score starts with a partial measure, but the MIDI
Federico> can't understand that...so when I import it
Francisco Vila wrote:
I think that tailored scores for MIDI output are
the standard way of doing things. In a perfect world, the score you
code for printing with lilypond would serve without any modifications
to produce a perfect MIDI show, but there is still a large gap between
those worlds, gi
On Tue, Jun 16, 2009 at 3:32 PM, Cameron Horsburgh wrote:
> At Mon, 15 Jun 2009 18:25:54 +0300,
> Joe Neeman wrote:
> >
> > [1 ]
> > [1.1 ]
> >
> > [1.2 ]
> > I've started working on a new system for doing vertical layout in one
> pass (ie. positioning and
> > stretching the systems simultaneo
Peter Chubb wrote:
Federico> 2. the repeats and alternatives are not displayed
Federico> correctly. I've read about this workaround:
Federico>
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Repeats-in-MIDI#Repeats-in-MIDI
\unfoldRepeats will still work.
Do like this:
\score {
Francisco Vila wrote:
2009/6/17 Federico Bruni :
3. the MIDI output is polyphonic according to timidity (I think, see below),
but not when I import it in TuxGuitar:
Playing Guitar/Tablature/Bach/bourree.midi
MIDI file: Guitar/Tablature/Bach/bourree.midi
Format: 1 �Tracks: 2 �Divisions: 384
Sequ
At Wed, 17 Jun 2009 14:24:18 +0300,
Joe Neeman wrote:
>
> On Tue, Jun 16, 2009 at 3:32 PM, Cameron Horsburgh
> wrote:
>
>
> I produce a lot of conductor's scores (with one system to a page) but
> I've always found the spacing to detract a lot from the overall
> excellence of th
2009/6/17 Federico Bruni :
> Francisco Vila wrote:
>>
>> 2009/6/17 Federico Bruni :
>>>
>>> 3. the MIDI output is polyphonic according to timidity (I think, see
>>> below),
>>> but not when I import it in TuxGuitar:
>>>
>>> Playing Guitar/Tablature/Bach/bourree.midi
>>> MIDI file: Guitar/Tablature/
Francisco Vila wrote:
From your message I understood that you wanted one tab, not two. But
what I did not understand is that you do want polyphony and for some
reason you don't get any. What are exactly the symptoms that make you
say there is not polyphony? Two voices merged on a track should
Federico Bruni wrote:
Francisco Vila wrote:
I think that tailored scores for MIDI output are
the standard way of doing things. In a perfect world, the score you
code for printing with lilypond would serve without any modifications
to produce a perfect MIDI show, but there is still a large gap b
Mats Bengtsson wrote:
Please note that Francisco did not say that you have to repeat any of
the actual music in your LilyPond file. It should be easy to obtain the
things that have been discussed in this thread using only two separate
\score blocks for the printed version and the MIDI version
Hi Joe,
What I would *really* love are high-level commands to set intra-piece
(section) system-count and page-count options.
For example, I'd like to say that in an ABA form piece, the B section
must be on two pages (whereas the leading A and trailing A' sections
can be "auto-flowed" by Lil
2009/6/17 Federico Bruni :
> But what about the starting partial measure?
> *How can I tell in the midi score section: "hey, substitute the \partial in
> the first measure with a rest"?*
>
> If I can set this variable, I can remove the voices I wrote specifically for
> the MIDI.
> And my score woul
Francisco Vila wrote:
2009/6/17 Federico Bruni :
But what about the starting partial measure?
*How can I tell in the midi score section: "hey, substitute the \partial in
the first measure with a rest"?*
If I can set this variable, I can remove the voices I wrote specifically for
the MIDI.
And m
2009/6/17 Federico Bruni :
> An example would be very useful..
>
> I don't know hot to add the two new variables in sequence with the rest of
> the music.
firstPartial = { \partial 4 e'8 fis' }
secondPartial = { \partial 4 g8 fis }
firstRests = { s2. e'8 fis' }
secondRests = { s2. g8 fis }
fi
Francisco Vila wrote:
2009/6/17 Federico Bruni :
But what about the starting partial measure?
*How can I tell in the midi score section: "hey, substitute the \partial in
the first measure with a rest"?*
If I can set this variable, I can remove the voices I wrote specifically for
the MIDI.
An
2009/6/17 Ted Walther :
> Neil, great work on Sacred Harp stuff.
Thank you. :)
I think this was one of my first attempts at LilyPond hacking.
>
> In minor keys, the sixth degree is played half a step higher than is
> written. Can you alter the minor mode so that when I correctly write
> the six
Neil Puttock wrote:
2009/6/17 Ted Walther :
Neil, great work on Sacred Harp stuff.
Thank you. :)
I think this was one of my first attempts at LilyPond hacking.
In minor keys, the sixth degree is played half a step higher than is
written. Can you alter the minor mode so that when I correctl
Jonathan Kulp wrote:
> Can't you just a modal key signature instead of a tonal one?
> You're describing the Dorian mode, after all. If the tonic is
> G, then tell Lilypond the key is D minor and you should be all
> set.
Even better:
\key g \dorian
- Mark
Mark Polesky wrote:
Jonathan Kulp wrote:
Can't you just a modal key signature instead of a tonal one?
You're describing the Dorian mode, after all. If the tonic is
G, then tell Lilypond the key is D minor and you should be all
set.
Even better:
\key g \dorian
Is that already a pre-defined
On Wed, Jun 17, 2009 at 04:28:29PM -0700, Mark Polesky wrote:
Jonathan Kulp wrote:
Can't you just a modal key signature instead of a tonal one?
You're describing the Dorian mode, after all. If the tonic is
G, then tell Lilypond the key is D minor and you should be all
set.
Even better:
\key
Ted Walther wrote:
On Wed, Jun 17, 2009 at 04:28:29PM -0700, Mark Polesky wrote:
Jonathan Kulp wrote:
Can't you just a modal key signature instead of a tonal one?
You're describing the Dorian mode, after all. If the tonic is
G, then tell Lilypond the key is D minor and you should be all
set.
I am working on a piece with no time signature or bar engraver.
However, I do want to
have a few bars here and there, and a bar to end the piece. I am using
the SATB vocal
score on this page: http://lilypond.org/doc/v2.12/Documentation/user/lilypond-
learning/Vocal-ensembles#Vocal-ensembles
Is the
On 18.06.2009, at 03:30, Kalen Mercer wrote:
I am working on a piece with no time signature or bar engraver.
However, I do want to
have a few bars here and there, and a bar to end the piece. I am
using the SATB vocal
score on this page: http://lilypond.org/doc/v2.12/Documentation/
user/lily
On Tue, Jun 16, 2009 at 3:52 AM, Joe Neeman wrote:
> On Mon, Jun 15, 2009 at 9:05 PM, Reinhold Kainhofer
> wrote:
>>
>> -BEGIN PGP SIGNED MESSAGE-
>> Hash: SHA1
>>
>> Am Montag, 15. Juni 2009 17:25:54 schrieb Joe Neeman:
>> > I've started working on a new system for doing vertical layout i
Mats Bengtsson wrote:
An alternative that perhaps is even simpler, is to use the \tag and
\keepWithTag features, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-editions-from-one-source#Using-tags
for a general description and
http://lists.gnu.org/archive/html/lilypo
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