Francisco Vila wrote:
2009/6/17 Federico Bruni <brunol...@gmx.com>:
But what about the starting partial measure?
*How can I tell in the midi score section: "hey, substitute the \partial in
the first measure with a rest"?*
If I can set this variable, I can remove the voices I wrote specifically for
the MIDI.
And my score would get back to normal size :)
You define a variable for the upbeat measure twice. Once with partial
for the printed score, once with rests for the MIDI. Then put the
appropriate variable in sequence with the rest of the music,
separately for each score section. I'll bake a working example if it
is not clear.
An alternative that perhaps is even simpler, is to use the \tag and
\keepWithTag features, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-editions-from-one-source#Using-tags
for a general description and
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00314.html
for an example where it's used to make different versions in midi and
printed output.
/Mats
--
=============================================
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: mats.bengts...@ee.kth.se
WWW: http://www.s3.kth.se/~mabe
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