Reinhold Kainhofer kainhofer.com> writes:
>
> Hi all,
> I'm running into several problems with figured bass while writing another
> large orchestral piece. Attached is a sample file highlighting these issues:
>
And while we're at it, is it possible to enlarge the figured bass?
The figures are
David Stocker wrote:
Thanks, Marc and Carl for making this happen. I'll post some editorial
suggestions here for how bends should look soon (next week, really!
I've had occasion to work on it this week)
David
Hi,
Some progress here?
Regards,
\r
_
Valentin Villenave wrote Wednesday, January 07, 2009 12:21 AM
Greetings,
NR1.2.4 says:
Known issues and warnings
Automatically kneed cross-staff beams cannot be used together with
hidden staves.
Why?
The following piece of code works well (and if you uncomment the
last
line, an ugly #76
Hi,
Find attached a small snippet. It's a melody with two verses associated to
it. The two verses have the same lyrics for the first measure and both end
with a melisma on the last note. Then there is a rest and a note. On this
last note only the first verse have a piece of lyrics. The melisma is
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Am Montag, 15. Juni 2009 10:26:09 schrieb Arno Rog:
> Reinhold Kainhofer kainhofer.com> writes:
> > Hi all,
> > I'm running into several problems with figured bass while writing another
> > large orchestral piece. Attached is a sample file highlightin
>
> Hi Arno,
>
> could you please tell me what path the variable sTemplatePath contains?
>
Hi Samuel
I've got it working now.
First I had OOoLilyPond_0.3.3.oxt installed.
I removed it via the extnesion-manager and installed OOoLilyPond-0.4rc1.oxt.
This installation of rc1 generated an error i
Op maandag 15 juni 2009, schreef lasconic:
> Any idea why the melisma is so long on second verse? Why it does not stop
> on the rest, just like the first verse? How can I solve it?
The second verse has an extra space.
When you use associatedVoice, you don't need to set the length of the
syllabes.
Samuel,
I have translated the page into Spanish (except the old news).
http://www.paconet.org/ooolilypond/
I you want, link it from yours.
Later I'll put a Spanish version of the sample ODT file and screenshot.
2009/6/13 Samuel Hartmann :
> I'm glad to announce version 0.4.0 of OOoLilyPond, th
Hello!
I try to typeset a fragment-example which does not start at the
beginning of a piece. I want to show, that there are ties that connect
the example to the previous and to the next notes in the piece. That is,
I want something like (this is a minimal example. The ~ causes error, it
is put her
2009/6/14 Father Gordon Gilbert :
> When I look at the PDF display of my pieces, I can't point-and-click from
> that to my file. I'm using jEdit 4.3pre16 with LilyPondTool, and LilyPond
> 2.12.1 on Ubuntu Jaunty. Basically, when I point to a note, my application
> windows blink, but I am not tran
You can use the \repeatTie command to get the connecting tie before the
first note, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Long-repeats#Normal-repeats
In this particular situation, it might also make sense to add invisible
notes before and after the snippet and use ordina
In a few days, I will release a new version of LilyPondTool having the PDF
viewer as a dockable window. That will make much better point-and-click
experience.
> 2009/6/14 Father Gordon Gilbert :
>> When I look at the PDF display of my pieces, I can't point-and-click
>> from
>> that to my file. I'
Thanks for your quick answer. Unfortunatly it does not solve the problem.
Here is the result of your code:
http://www.nabble.com/file/p24032925/proposition-1.png
The problem is "problem" should be aligned with the second G, above 'sang'.
The space above "drink" should be blank.
So let me reformu
On Mon, Jun 15, 2009 at 13:12 +0200, Mats Bengtsson wrote:
> You can use the \repeatTie command to get the connecting tie before the
> first note, see
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Long-repeats#Normal-repeats
Thank you! This created the beginning tie. (I had tried be
Hi Lasconic,
Thanks for your quick answer. Unfortunatly it does not solve the
problem.
Here is the result of your code:
http://www.nabble.com/file/p24032925/proposition-1.png
The problem is "problem" should be aligned with the second G, above
'sang'.
The space above "drink" should be blank
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Am Montag, 15. Juni 2009 12:38:05 schrieb Wilbert Berendsen:
> \version "2.12.2"
> #(ly:set-option 'point-and-click #f)
>
> melody =
> {
> \clef treble
> \key c \major
> \time 6/8
> r4. r8 e'8 [ c'8 ] |
> d'16 [ e'16 ] d'4~ d'4. |
> r
Reinhold Kainhofer wrote:
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Am Montag, 15. Juni 2009 10:26:09 schrieb Arno Rog:
Reinhold Kainhofer kainhofer.com> writes:
Hi all,
I'm running into several problems with figured bass while writing another
large orchestral piece. Attached is a sample
Dear list,
I'm encountering the same problem as James Bailey in February 2008: I'm trying
to convert MusicXML-files to LilyPond-files. Here are the messages I get:
/Applications/LilyPond\ ver.\
2.12.2/LilyPond.app/Contents/Resources/bin/musicxml2ly
/Users/PLS/Desktop/elite.xml
Reading MusicXML
Hi, - I'm new to this forum and Lilypond. Having completely converted to
Linux Fedora now that there are no more reasons to be running a Windows OS.
The last obstacle was finding a replacement for Finale.My use of
Lilypond will be mainly transcription/transposition. Can anyone suggest
Read in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Inside-the-staff#Selecting-notation-font-size
for information on how to change the size of the notes. However,
LilyPond also has built-in support specifically for cue notes, so that
you don't even need to repeat the music if you
Dear Patrick,
Yes, it is possible to get these symbols. See this snippet:
\version "2.13.0"
% Inspired by slashed-digit from scm/define-markup.scm:
#(define-markup-command (slashed-char layout props ch) (char?) "A character,
with slash."
(let*
((mag (magstep (chain-assoc-get 'font-size props 0)))
(
I've got some things typed out, but I still need to write explanations
for the placement and display of objects, and suggestions for the
program behavior. As soon as I have those written out, I'll post the
first batch. I'll try to get it done today or tomorrow.
David
Grammostola Rosea wrote:
> One question to the community:
> When I compile this file I get the message:
> :3:1: error: syntax error, unexpected '}'
> I don't know why!
Your music functions have a '}' too much.
Your structure is like this:
\context Voice << $x { ... } >> }
The last bracket generates the error.
Actually y
Bertalan,
That sounds like a great idea. But until I got this email from Francisco, I
had no idea that did anything -- now I can see that is also a
great tool for switching windows ...
Thanks so much -- lemme know when that version is out, and I will upgrade.
Blessings,
Gordon+
On 15/06/200
Stefan Thomas wrote:
One question to the community:
When I compile this file I get the message:
:3:1: error: syntax error, unexpected '}'
I don't know why!
You have an ending brace too much in each of your music function
definitions, i.e. replace
verkuerzter= #(define-music-function (parser l
Oh, yes, thanks!
2009/6/15 Mats Bengtsson
>
>
> Stefan Thomas wrote:
>
>> One question to the community:
>> When I compile this file I get the message:
>> :3:1: error: syntax error, unexpected '}'
>> I don't know why!
>>
> You have an ending brace too much in each of your music function
> defini
Dear community,
I have a problem with different Beam-Gruops in different 5/8-bars. The first
bar looks lke expected, the 2nd doesn't. How can I change the 2nd Bar to
proper beam-groups of 3+2 8th-notes?
Here the example:
\version "2.13.0"
\layout { \context { \Staff \consists "Measure_grouping_engr
I've started working on a new system for doing vertical layout in one pass
(ie. positioning and stretching the systems simultaneously). This should
give better default behaviour than the current code and it should also allow
easier and more useful overrides. I plan to merge the code after 2.14 is
r
Stefan Thomas wrote:
> When I compile this file I get the message:
> :3:1: error: syntax error, unexpected '}'
> I don't know why!
Mats Bengtsson wrote:
> You have an ending brace too much in each of your music function
> definitions
Tao Cumplido wrote:
> Your music functions have a '}' too much
Thank you all for your help. The \markup \null does the trick and it can be
used in timed lyrics.
--
View this message in context:
http://www.nabble.com/Verses-and-melisma-too-long-tp24031368p24037164.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
__
In message , Carl D. Sorensen
writes
But there is a (to me) surprisingly large contingent of users who claim that
there is no well-defined connection between chord names and chord notes, and
that they want total control over the symbols to be displayed. And the
lyricChordNames functionality is
Is there a simple way to adapt the indent program used for C sources to do
proper indenting of Lilypond sources?
Or perhaps, is there another automatic indenting tool for Lilypond?
Thanks for your help,
Antonio Palamà
--
___
lilypond-user mailing
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Am Montag, 15. Juni 2009 17:25:54 schrieb Joe Neeman:
> I've started working on a new system for doing vertical layout in one pass
> (ie. positioning and stretching the systems simultaneously).
That's really great news, because the vertical stretchin
Stefan Thomas wrote Monday, June 15, 2009 4:11 PM
Dear community,
I have a problem with different Beam-Gruops in different 5/8-bars.
The first
bar looks lke expected, the 2nd doesn't. How can I change the 2nd
Bar to
proper beam-groups of 3+2 8th-notes?
Here the example:
\version "2.13.0"
\l
Wol et al:
Let's take the notes C, Eb, F, Ab. Which chord is that? What's the
root?
You can easily go from the name to the notes, but not the other way
round.
We *could* parse it from the first note, i.e. in relative mode
and
would display as the same chord (close harmony), bu
"pal...@inwind.it" wrote:
> Is there a simple way to adapt the indent program used for C
> sources to do proper indenting of Lilypond sources? Or perhaps,
> is there another automatic indenting tool for Lilypond?
I use LilyPondTool for jEdit, which has auto-indenting. There are
others, of course,
On Mon, Jun 15, 2009 at 12:17:56PM -0700, Mark Polesky wrote:
>
> "pal...@inwind.it" wrote:
> > Is there a simple way to adapt the indent program used for C
> > sources to do proper indenting of Lilypond sources? Or perhaps,
> > is there another automatic indenting tool for Lilypond?
>
> I use Li
Hi Francisco,
Thanks for the translation. I have updated the web-site with a link.
regards,
Samuel
2009/6/15 Francisco Vila :
> Samuel,
>
> I have translated the page into Spanish (except the old news).
>
> http://www.paconet.org/ooolilypond/
>
> I you want, link it from yours.
>
> Later I'll
How do I properly remove one accidental from a chord? I found I
was able to replace the stencil with an empty-stencil, but there's
still a space left where it would have been.
I see that accidental-placement-interface has an internal property
called accidental-grobs, but I don't know how to acces
Martin Tarenskeen wrote:
> These editor apply indentation while editing. But I would also like a
> tool that can (re-)indent lilypond files AFTER they have already been
> created. Just like the "indent" tool for C programs. Maybe this is
> already possible with Vim or Frescobaldi, but I don't k
Anthony W. Youngman wrote:
In message , Carl D. Sorensen
writes
But there is a (to me) surprisingly large contingent of users who
claim that
there is no well-defined connection between chord names and chord
notes, and
that they want total control over the symbols to be displayed. And the
lyr
On Mon, Jun 15, 2009 at 09:41:02PM +0200, Martin Tarenskeen wrote:
> On Mon, Jun 15, 2009 at 12:17:56PM -0700, Mark Polesky wrote:
> >
> > I use LilyPondTool for jEdit, which has auto-indenting. There are
> > others, of course, and IIUC some that are only available for
> > linux.
>
> These editor
Mark Polesky wrote:
How do I properly remove one accidental from a chord? I found I
was able to replace the stencil with an empty-stencil, but there's
still a space left where it would have been.
I see that accidental-placement-interface has an internal property
called accidental-grobs, but I d
Joe Neeman wrote:
I've started working on a new system for doing vertical layout in one
pass (ie. positioning and stretching the systems simultaneously). This
should give better default behaviour than the current code and it should
also allow easier and more useful overrides. I plan to merge th
Jonathan Kulp wrote:
> The crude method would be to put the wrong pitch (i.e. use "b"
> instead of "bf"), which would take care of the spacing problems,
> but of course if you need correct MIDI output then this would
> jack it up. I thought there might be a way to use the \tweak
> command for thi
Mark Polesky wrote:
Jonathan Kulp wrote:
The crude method would be to put the wrong pitch (i.e. use "b"
instead of "bf"), which would take care of the spacing problems,
but of course if you need correct MIDI output then this would
jack it up. I thought there might be a way to use the \tweak
com
On 6/15/09 2:37 PM, "Jonathan Kulp" wrote:
> Joe Neeman wrote:
>> I've started working on a new system for doing vertical layout in one
>> pass (ie. positioning and stretching the systems simultaneously). This
>> should give better default behaviour than the current code and it should
>> also
2009/6/15 Mark Polesky :
> I see that accidental-placement-interface has an internal property
> called accidental-grobs, but I don't know how to access it, or if
> I could even change it from scheme if I wanted to.
Use ly:grob-object.
\relative c' {
\override Staff.AccidentalPlacement #'positi
2009/6/15 Mark Polesky :
> jEdit has the following options in the Edit->Indent menu:
> Indent Lines
I've used this extensively when editing snippets, but it's always been
a bit annoying since it fails to indent << and >>.
Regards,
Neil
___
lilypond-
Hi, folks, I have attached two files for a sextet. The reason for the format
is I have to break them out into parts, but I'm willing to hand-generate
those if that's the best solution. I'm having three problems having to do
with staves.
1. How do I make the percussion staves Percb, Percd, and Perc
Here goes an attached example. The figure in eps was created in Inkscape an
imported to Lilypond inside the lyrics option:
acordes = \lyricmode {
\markup { \epsfile #UP #1.6 # "VI.eps" }
}
Hugo Ribeiro
Brazil
p.s. acordes means 'chords'
2009/6/14 Patrick Schmidt
> Dear list,
>
> is it pos
> - -) It should be possible to keep one context (in particular
> FiguredBass) as close as possible to another staff (yes, we have
> that already by disabling stretching above).
For piano music, a centered line for dynamics should be supported
somehow.
Werner
_
Dear Stefan,
thanks for your snippet. That's about what I was looking for. I like your idea
of jointly building a library of functional/degree theory symbols. I will
experiment with your code. In my attachment I produced the symbols with the
LaTeX package »harmony«. Maybe it is possible to use
Dear all,
Swiftly and with style: Frescobaldi-0.7.11 :)
http://lilykde.googlecode.com/files/frescobaldi-0.7.11.tar.gz
Sole improvement over 0.7.10 is the elimination of some more crashes. No new
features.
enjoy! Please report bugs and wishes to
http://code.google.com/p/lilykde/issues/list
Wilb
Dear Hugo,
thanks for your hint. I tried out Inkscape today. Indeed it is not very
difficult and the result looks good. Thank you also for the information on how
to use these graphic files in LilyPond. Did you see the solution of Stefan
Thomas?
muitos cumprimentos
Patrick
Original-Nac
2009/6/15 Qian Li :
> 1. How do I make the percussion staves Percb, Percd, and Percf two- or
> single-line instead of five-line? I tried \new DrumStaff \with in the \new
> Voice blocks but it only made extra blank staves at the bottom.
This works for me:
Percb = \new DrumStaff \with {
\ove
On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote:
Wol et al:
Let's take the notes C, Eb, F, Ab. Which chord is that? What's the
root?
You can easily go from the name to the notes, but not the other
way round.
We *could* parse it from the first note, i.e. in relative mode
and
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