> Hi,
>
> Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der
> 94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
> The result can be seen here [1]. The 28-page score is based on the IMSLP
> score
> (first edition 1871) of this piece.
[Dutch]Werkelijk meest
2009/4/15 Anthony W. Youngman :
> Just like a page has a top and bottom margin, and your usable area is
> usually what's left (but may lose some to a header and/or footer space), so
> from left to right you normally have left and right margin with usable area
> being what's left, you sometimes lose
hi wilbert,
On 15 Apr 2009, at 23:06, Wilbert Berendsen wrote:
Just to learn LilyPond better I've engraved the splendid Organ
Sonata "Der
94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
The result can be seen here [1]. The 28-page score is based on the
IMSLP score
(first edi
Anthony W. Youngman schrieb:
I don't know there is one. Why should there be?
Just like a page has a top and bottom margin, and your usable area is
usually what's left (but may lose some to a header and/or footer
space), so from left to right you normally have left and right margin
with usable
First, currently the output has "Bm" for my chord, but actually I would
like to have it as 'Bm \super "omit3"/A'. (No, I don't really mind about
the midi output. :) )
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this
Hello,
looking at the beautiful Reubke score I ask myself again why do I have
to add another link to my list, when we have a working repository for
music: Mutopia.
Following closely discussions on this mailing-list you will notice
that tons of scores are engraved with Lilypond. (Applause!) And mo
Dag Simon Bailey,
op donderdag 16 april 2009, schreef je:
> nice. that is an amazing piece of work. congratulations. and i'm
> intrigued: can you recommend a good recording? (preferably available
> via itunes...)
Thomas Trotter made a very good recording, although the organ (Klais) sounds a
Op donderdag 16 april 2009, schreef Hajo Dezelski:
> looking at the beautiful Reubke score I ask myself again why do I have
> to add another link to my list, when we have a working repository for
> music: Mutopia.
It is my intention to submit this score to Mutopia!
(And others I created as well)
Op donderdag 16 april 2009, schreef -Eluze:
> beautiful and powerful!
>
> on which OS are you?
Linux.
> I just compiled the whole score under windows/xp-sp3 with 512 MB RAM and I
> can confirm it used up to 665MB main memory - and of course it took a long
> time to finish: 46 minutes!
That'd mai
Hello Wilbert,
It was not my intention to kind of "force" you to submit the score to
Mutopia. It was more a general reflection about the interactions
between Lilypond and Mutopia.
On topic: I havent worked with Google code yet (only with the other
apps). Could you describe in short how you organi
2009/4/16 Hajo Dezelski :
> - Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
> - Are there any hidden fences which I am not able to see?
> - Are the copyright-restrictions the reason for keeping scores hidden?
> - Is Mutopia not worth contributing?
> - Why is Mutopi
Hi all,
I don't know the proper english names for it [...]
I haven't found any sources in english, but there is an article in
German on wikipedia:
Here's what Robert Bringhurst's "The Elements of Typographic Style"
has (pg. 170):
measure = width of text block
spine margin or back
Op donderdag 16 april 2009, schreef Hajo Dezelski:
> On topic: I havent worked with Google code yet (only with the other
> apps). Could you describe in short how you organized your workflow?
Googlecode works very easy. It provides a free SVN repository for code or
documentation that must have som
Op donderdag 16 april 2009, schreef Arno Rog:
> [Dutch]Werkelijk meesterlijk Wilbert![/Dutch]
[Dutch] (bloost) Dank, Dank! [/Dutch]
> Magnificent score, exemplary use of incorporating separate ly-files into
> one score, makes me realize there is still só much to learn!!!
Me too :-) I learnt a lo
- Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
- Are there any hidden fences which I am not able to see?
- Are the copyright-restrictions the reason for keeping scores hidden?
- Is Mutopia not worth contributing?
- Why is Mutopia not the official music code repository
Download the version 2.12.2 says that support the format MusicXml. But I do not
work. You have to be anything else?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Invoking-m
usicxml2ly#Invoking-musicxml2ly
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Joana
> Se
> "Hajo" == Hajo Dezelski writes:
Hajo> So my questions:
Hajo> - Why do Lilyond Engravers have inhibitions to store their
Hajo> score in Mutopia?
I average at least one piece a week, and I sometimes get behind just the
overhead to put my work up on my own site, let alone submi
In message
<7958d8c70904160057l5d36e23et24e0cbeb75085...@mail.gmail.com>, Francisco
Vila writes
2009/4/15 Anthony W. Youngman :
Just like a page has a top and bottom margin, and your usable area is
usually what's left (but may lose some to a header and/or footer space), so
from left to right y
If youve run the Lilypond install program then its already installed...
It will only convert from musicxml, not to musicxml.
Nick
From: Joana [mailto:joana...@gmail.com]
Sent: Thursday, 16 April 2009 23:15
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: MusicXml and Lilypond 2.
2009/4/16 Anthony W. Youngman :
>> This is only true if you could set a negative binding margin, and even
>> in this case you could encounter problems with the paper size.
>> Otherwise, how would you specify big outer margins for a book?
>
> Umm. I'd never met that. Bearing in mind other people hav
Carl D. Sorensen wrote:
>
>
>
> 2. Will the transition always be in the middle, or would it be preferable
> to
> define the transition point (e.g. 3/4 dashed, 1/4 solid).
>
>
>
Actually, I found out that the "editorial" dashed slur is used in a very
"simple" manner in critical editions sco
Hi all
I have some (pitched) music that I want to output to midi as a snare
drum (other percussion based instruments - bass drum, tom-tom...) for
rhythm practice.
How can I do this?
\version "2.12.2"
music = {
\time 4/4
\tempo 4 = 150
\relative c'{
c4. g c16
Am Donnerstag, den 16.04.2009, 07:56 -0500 schrieb r...@uber.name:
> > - Why do Lilyond Engravers have inhibitions to store their score in Mutopia?
> > - Are there any hidden fences which I am not able to see?
> > - Are the copyright-restrictions the reason for keeping scores hidden?
> > - Is Mutop
Hi,
I'm trying to write a music function that does certain parts of \partcombine's
job (mainly to remove duplicate dynamics and text). All works as expected,
except that when running lilypond I get "Two simultaneous mark events" warnings
for each staff other than the first. Could anyone tell me a
Dear all,
I am sorry if this may look like a silly question: I tryed searching but
maybe the solution is so simple and yet I can't see it.
Typing this:
\time 4/4
g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
Francisco Vila gmail.com> writes:
> How could all Mutopia sources be updated to a recent version?
> Impossible, I guess.
Not impossible, but it would take a __lot__ of work.
> Does Mutopia have any version control system? If I'm not wrong, it is
> all email-based.
Subversion is used internally.
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it will be fully implemented in
2.13.1.
As a preview, here's some slurs that were output by the new code.
Please let me know if these are acceptable, or if y
Righteous.
Not to impede your efforts, but can the same idea be applied to
ties--the variable thickness, not the half & half?
Carl D. Sorensen wrote:
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it
Actually, the tie calls the slur code, so I think it's already done. But
I'll check it out more thoroughly.
Carl
On 4/16/09 10:27 PM, "David Stocker" wrote:
> Righteous.
>
> Not to impede your efforts, but can the same idea be applied to
> ties--the variable thickness, not the half & half?
>
2009/4/17 Jayaratna :
> \time 4/4
> g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
> g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
>
> I get a very odd beaming. Do I have to manual beam all the piece in order to
> get beamings of 1/4?
It may be due to the way the 32n
version "2.12.2"
qBeam = {
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 2 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 4 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-se
Arno Rog wrote:
Hi,
Just to learn LilyPond better I've engraved the splendid Organ Sonata "Der
94ste Psalm" by Julius Reubke (1834-1858) with LilyPond 2.13.1.
The result can be seen here [1]. The 28-page score is based on the IMSLP score
(first edition 1871) of this piece.
[Dutch]Werkel
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