I have several old (< LilyPond 2.11) small music examples with only
some staves, where I changed the default spacing with e.g. "\override
Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-12 . 4)".
Since Lilypond 2.11. this does not work anymore (See attachments).
What is the preferred solution n
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }If
I have the following:
%=
version "2.12.2"
relative c'' {
>
}
%=
Lilypond is alternately placing the dotted eighth notes in the upper
voice to the left and then th
Not that this solves your particular problem, but it seems pretty
consistent to me: when the upper note falls on a line, it's to the
left, when it's on a space, to the right. Probably because of the
dot. Actually, it is because of the dot placement. If you change d8.
to d8~ d16, they are al
After a bit of fiddling, this gives pretty much the desired output:
\version "2.12.2"
\relative c'' {
<< {
d8. e16 \once \override Dots #'extra-offset = #'(0 . 0.5) c8. d16
b8. c16
\once \override Dots #'extra-offset = #'(0 . 0.5) a8. b16
} \\ {
c8[ b] \o
And the weakness is pretty apparent. Lilypond does a great job of
placing notes, but in my opinion, the placement of dots when the
notehead falls on a line is less than appealing.
El 11.02.2009, a las 11:52, Nick Payne escribió:
After a bit of fiddling, this gives pretty much the desired ou
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I neve
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I neve
Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of these
types of chords. Currently I am writing in those extensions by hand
beca
On 2/10/09 9:09 PM, "Tim McNamara" wrote:
>
> But with jazz lead sheets there has been one problem, which has been
> commented on in some previous threads- the use of routine jazz chord
> extensions. I have not been able to figure out how to get LP to
> print anything like a m7b5 or a 7#9 or
Hi there,
When I load a Lilypond postscript file into Photoshop
I get the error message “this file uses one or more
fonts which are unavailable on this machine”. The.ps file
is displayed without noteheads.
Can I download and install the “Feta” font separately?
Would this sort the problem?
El 11.02.2009, a las 16:05, jeremy tranter escribió:
Hi there,
When I load a Lilypond postscript file into Photoshop
I get the error message “this file uses one or more
fonts which are unavailable on this machine”. The.ps file
is displayed without noteheads.
Can I download and install the “Fe
Chip wrote:
Thanks Mats,
Maybe that section of the LSR should be re-titled to "Demonstrating
most headers" ;)
Regards,
No, it clearly demonstrates what happens to all headers.
In particular, it highlights the fact that not all headers are
typeset at the score level. From a pedagogical point o
Mats Bengtsson wrote:
Chip wrote:
Thanks Mats,
Maybe that section of the LSR should be re-titled to "Demonstrating
most headers" ;)
Regards,
No, it clearly demonstrates what happens to all headers.
In particular, it highlights the fact that not all headers are
typeset at the score level. Fro
Chip wrote:
One thing I find odd, probably because I don't fully understand, is
this: I have a .ly file that has 10 \score blocks. I place
print-all-headers = ##t in the \paper block so I can define sub pages
headers seperately from the top level \book headers. I first define:
title, subtitle
2009/2/11 Chip
> I am guessing there is probably an override that I can use to have the
> instrument header not appear on the subsequent pages?
> thanks,
> Chip
>
>
I have found this in notation reference:
<
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Creating-titles
>
He
t between book level and
score level. Thanks, that helps me understand them a bit more.
--
Chip
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signature database 3844 (20090211) __
The message was checked
Mats Bengtsson wrote:
Chip wrote:
One thing I find odd, probably because I don't fully understand, is
this: I have a .ly file that has 10 \score blocks. I place
print-all-headers = ##t in the \paper block so I can define sub pages
headers seperately from the top level \book headers. I first de
eader 'instrument' to
'subsubtitle' the instrument name is now not appearing on the subsequent
pages because the \score level headers are taking their place.
--
Chip
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signature database 3844 (20090211) ___
Tim McNamara wrote:
On Feb 11, 2009, at 6:11 AM, M Watts wrote:
Tim McNamara wrote:
I have not been able to figure out how to get LP to print anything
like a m7b5 or a 7#9 or a 7b9 using \chordmode. This is difficult
with a song like "Angel Eyes" which has a good half-dozen of these
types
Note: copied to lilypond-user; we like to keep discussions on list.
On 2/11/09 5:00 PM, "Tim McNamara" wrote:
>
>
> On Feb 11, 2009, at 6:50 AM, Carl D. Sorensen wrote:
>
>> On 2/10/09 9:09 PM, "Tim McNamara" wrote:
>>
>>
>> There are two issues at play here, and I think it will be help
Sorry to pest this forum with the the same problem again, but I would not be
happy if it fell into the oblivion. Can someone perhaps see a solution for
the vowel-centered lyrics also on the slured notes where the default
alignment is left-aligned and can be changed to the centered by adding the
sp
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