2009/1/16 Francisco Vila :
> May the opera be a great success!
Hehe, thank you :-)
Actually, I have turned this opera into a piece of advertisment for
LilyPond (I have demanded in my contract that they put a LilyPond logo
on all posters and flyers). I have also mentioned LilyPond in other
yet to
2009/1/16 Francisco Vila :
> May the opera be a great success!
Hehe, thank you :-)
Actually, I have turned this opera into a piece of advertisment for
LilyPond (I have demanded in my contract that they put a LilyPond logo
on all posters and flyers). I have also mentioned LilyPond in other
yet to
Francisco Vila wrote:
Hi all,
Valentin Villenave, one of our LilyPond gurus has been briefly
interviewed on a good quality Spanish magazine, Opera Actual[1]; I
enclose an English translation in the attached zip. Feel free to
improve the English wording or spelling of my translation draft. I
still
2009/1/16 Jonathan Kulp :
> Thanks for sending this, Francisco! Congratulations, Valentin! I found
> only a couple of things to fix in the English translation. Patch attached.
>
> Jon
Thank you, latest version will always be at
http://www.paconet.org/opera-actual-v-villenave.zip
--
Francisco V
On Thursday 15 January 2009, you wrote:
> David Raleigh Arnold wrote:
> > On Wednesday 14 January 2009, you wrote:
> >
> >> David Raleigh Arnold wrote:
> >>
> >>> On Wednesday 14 January 2009, chip wrote:
> >>>
> >
> >
> >> Gnarly is an understatement. Those lines of hieroglyphics
Hello,
Simply put, I find the default bars in lilypond too thick - whether
they be the bars automatically put between beats, or the ones inserted
by using \bar "something".
Is there any way to make them thinner?
--
$0='!/msfQ0yjoV!fe!sfldbi!psup!pmpT'x19xor print+map{("\e[7m \e[0m",
chr ord(chop$
I hope you refer to what you see on a printed paper copy and not to what
you see on
the screen using Acrobat reader. As has been discussed on the mailing
list, there are
some issues with how the bar lines show up on the screen.
/Mats
Fibonacci Prower wrote:
Hello,
Simply put, I find the d
Gilles Thibault proposed the function \shiftMusic #1 { }. How can I
loop through an arbitrary range (for example: #-7 .. #14)?
Thanks for any help
Thomas
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I'm using Evince, not Acrobat reader.
Could you please point me to a previous discussion on the subject?
2009/1/16 Mats Bengtsson :
> I hope you refer to what you see on a printed paper copy and not to what you
> see on
> the screen using Acrobat reader. As has been discussed on the mailing list,
What does the hard-copy print-out look like?
Here's a start; there are other (and lengthier) discussions as well.
http://www.mail-archive.com/lilypond-user@gnu.org/msg15017.html
http://www.mail-archive.com/lilypond-user@gnu.org/msg32997.html
--
Neil Thornock, D.M.
Assistant Professor of Music
On Thu, Jan 15, 2009 at 8:09 AM, Reinhold Kainhofer
wrote:
> Well, I don't know an easy way to do it after the conversion. However, I just
> added a command-line switch --no-rest-positions (or short --nrp) to
> musicxml2ly, which does not convert the exact position of pitched rests and
> instead c
On Fri, Jan 16, 2009 at 11:18 AM, Fibonacci Prower
wrote:
> I'm using Evince, not Acrobat reader.
Evince has a problem with the barlines (it's a bug). On Ubuntu, I work
in Evince while I'm writing, but I print the final PDF from Adobe
Acrobat.
Andrew
___
I figured it out - without any special trickery or anything else.
My piece is arrange as follows, a very truncated version of an 8 horn
piece -
\include ""
\version ""
\header {}
\paper {}
global = {\key g \major and more stuff }
\trumpetnotes1 = { a b c d e f g }
trptnotes1 = \relative c''' {
Andrew Hawryluk writes:
> Evince has a problem with the barlines (it's a bug). On Ubuntu, I work
> in Evince while I'm writing, but I print the final PDF from Adobe
> Acrobat.
Alternatively, you can just "lpr" the pdf.
-- Johan
___
lilypond-user mai
The following lilypond code:
c1:16
should (in my opinion) produce a whole note, with the slashes for
tremolo repeats inside the staff (see the attached scan). However,
lilypond creates something which has the tremolo indication in the
ledger lines (see second image). This doesn't look goo
Hi Lasse,
The following lilypond code:
c1:16
should (in my opinion) produce a whole note, with the slashes for
tremolo repeats inside the staff (see the attached scan).
Why should it look like the scan?
That is, what engraving reference (e.g., Gardner Read) do you have
which indicate
Hi Kieran,
Why should it look like the scan?
That is, what engraving reference (e.g., Gardner Read) do you have
which indicates that the tremolo should be inside the staff?
I do not have any engraving reference; however I am going by 20+ years
of experience playing music (this sort of thing sh
2009/1/16 Chip :
> I figured it out - without any special trickery or anything else.
Of course, but you do need manual adjustments.
> \transpose g d \relative c''' { \transpose d g << \trptnotes2>> }
\transpose always does chromatic transposition, ie keeping a fixed
interval of the same type of
On Thu, Jan 15, 2009 at 03:50:20PM +1100, Brett Duncan
wrote:
> Add further definitions in chExceptionMusic like this:
>
> chExceptionMusic = {
> 1-\markup {m \super \arpeggioGuitar }
> 1-\markup { \super \arpeggioGuitar }
> }
>
> You can add as many chord definitions as you need -
Francisco Vila wrote:
2009/1/16 Chip :
I figured it out - without any special trickery or anything else.
Of course, but you do need manual adjustments.
I can live with that. Maybe someday a tool will be written and built
into Lily to do the transposition, until then, I'll make the
Am 17.01.2009 um 01:08 schrieb Lasse Rempe:
Hi Kieran,
Why should it look like the scan?
That is, what engraving reference (e.g., Gardner Read) do you have
which indicates that the tremolo should be inside the staff?
I do not have any engraving reference; however I am going by 20+
years o
Hello:
I found Mike Wiering's "nwc2ly" program on lily's faq page when in 2007. I
downloaded the demo of nwc 2.0" which fully functions with minor limitation. I
asked the nwc producer whether they'll implement musicxml export, because the
nwc scriptorium is the only electronic music repository
Fibonacci Prower wrote:
Hello,
Simply put, I find the default bars in lilypond too thick
I find the "default bars", and other output, exactly the right weight
when it's 3 feet away on my music stand!
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Among Gardner Read, Kurt Stone, and Ted Ross, none
specifically discuss this. But Lasse's case of putting
the tremolo beams within the staff is much easier to
defend than anything else.
I offer the following argument:
1) all stems in non-polyphonic situations should reach
or cross the middle l
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