On 26 dec 2008, at 21:35, James E. Bailey wrote:
Try:
upperVoice = \relative c'' {
%
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
}
lowerVoice = \relative c' {
%
s1 |
c8[ d] e4 f g |
s1 |
c8[ d] e4 f g
}
textOne = \lyricmode {
% You know how to write ly
On 26 dec 2008, at 18:41, Antanas Budriūnas wrote:
Hello Lily-users,
after few arrangements and engraving from my own manuscripts I'm
trying to move my composing work to Lilypond (without paper sheets). I
guess this is rare but IMHO worth to try.
Till now I puzzle over a problem each time when
Am 27.12.2008 um 01:07 schrieb Graham Percival:
On Sat, Dec 27, 2008 at 01:01:19AM +0100, James E. Bailey wrote:
he still omitted the easiest part of helping which could have
simple been, \override TextScript #'extra-offset = #'( 0.0 . -5.0),
instead of the wonderful instruction in how to pr
Am 27.12.2008 um 09:59 schrieb Arjan Bos:
On 26 dec 2008, at 21:35, James E. Bailey wrote:
Try:
upperVoice = \relative c'' {
%
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
c8 d e4 f g |
}
lowerVoice = \relative c' {
%
s1 |
c8[ d] e4 f g |
s1 |
c8[ d] e4 f g
}
textOne = \l
2008/12/26 Antanas Budriūnas :
> I can imagine some intermediate element between Staff (StaffGroup) and
> Score in the Lilypond hierarchy, which includes sevaral staves but
> neither starts new line nor puts clef, key and time signature.
You could try \stopStaff and \hideNotes, then \startStaff an
On 27 dec 2008, at 10:45, James E. Bailey wrote:
How is a voice (almost) implicit? I explicitly create the first
voice "unbeamed notes" and then I explicitly create the second voice
"beamed notes". Both voices are explicitly created.
Mmm, My Bad. Entschuldigung. You do explicitly create t
What exactly is the difference between \lyricsto and \set
associatedVoice? The documentation isn't very explicit on this point,
and I've come to situation where I think I need to use \set
associatedVoice because the output is different from the \lyricsto
output.
The important issue here i
Arjan Bos writes:
> Will this help you?
I don't think so. At least, if I understand Antanas correctly.
Assume you have a piece of music that consists of several sections.
For example, intro, verse1, chorus, verse2, chorus, bridge, verse3,
chorus, coda.
The normal way to program this in LilyPo
2008/12/27 james :
> What exactly is the difference between \lyricsto and \set associatedVoice?
I don't know, but trying to rewrite your example at my traditional
method, the TextFour syllable mysteriously dissapears, have I missed
something?
instrument = \relative c' {
\context Voice = "Number
2008/12/27 Francisco Vila :
> 2008/12/27 james :
>> What exactly is the difference between \lyricsto and \set associatedVoice?
>
> I don't know, but trying to rewrite your example at my traditional
> method, the TextFour syllable mysteriously dissapears, have I missed
> something?
>
> instrument =
Thanks Arjan, thanks Francisco for replies.
Perhaps due my poor English you both misunderstood me.
There is a simplified example:
%
\version "2.11.65"
xi = \relative c' { << {e f} {c d}>> }
xii = \relative c'' { << {g f} {e d}>> }
xiii = \relative c' { << {e d} {c b}>> }
{ \xi \x
According to my understanding:
If you use lyricsto or associatedVoice you needn't (possibly must not)
add duration to syllables. Their purpose is to synchronize the
syllable's position to the notes of a voice.
Normally you use lyricsto. But there can be situations when in one
stanza the rhythm
2008/12/27 Antanas Budriūnas :
> Thanks Arjan, thanks Francisco for replies.
> Perhaps due my poor English you both misunderstood me.
> There is a simplified example:
> { \xi \xii \xi \xiii }
> %
>
> Would be nice that all this code results the same score as from
>
hello out there,
I am a LilyPond novice and just getting familiar with it.
But one question is there which does not seem to
be answered in a satisfactory way:
How do I insert a tempo indication such as Allegro,
Adagio and the like above the beginning of the staff?
I'd be very grateful if anyb
Hello,
2008/12/27 Francisco Vila :
> 2008/12/27 Antanas Budriūnas :
>> Thanks Arjan, thanks Francisco for replies.
>> Perhaps due my poor English you both misunderstood me.
>> There is a simplified example:
>
>> { \xi \xii \xi \xiii }
>> %
>>
>> Would be nice that all this code res
2008/12/27 Antanas Budriūnas :
>> You get something close by means of
>> { \new Voice \xi \xii \xi \xiii }
>
> Only *close* :) As well as with \new Staff I get all notes on one
> staff instead of voices on separate staves. Imagine an orchestral
> score :)
What you are looking for is a sort of con
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Dienstag, 23. Dezember 2008 19:34:24 schrieb Hajo Baess:
> hello out there,
>
> I am a LilyPond novice and just getting familiar with it.
> But one question is there which does not seem to
> be answered in a satisfactory way:
>
> How do I insert a t
2008/12/27 Francisco Vila :
> What you are looking for is a sort of container which you could put
> your music in. Something like a multi-voice variable, a "module" that
> one could easily drop-in into existing staves or sequential pieces of
> music without having to bother about anything else. Thi
Doesn't \parallelMusic enable you to do this? See "Writing music in
parallel" in section 1.5.2 Multiple voices of the Notation Reference.
Trevor
- Original Message -
From: "Antanas Budriūnas"
To:
Sent: Saturday, December 27, 2008 2:06 PM
Subject: Re: rearrange music flow
Thanks
-- Forwarded message --
From: João Pais
Date: Fri, Dec 26, 2008 at 8:35 PM
Subject: Lylipond and space-time notation
To: han...@xs4all.nl
Hello,
I wanted to ask about Lylipond's ability to work with space-time
notation. That is, with notation that is distributed in the layout
ac
On 12/27/08 5:00 AM, "Johan Vromans" wrote:
> Arjan Bos writes:
>
>> Will this help you?
>
> I don't think so. At least, if I understand Antanas correctly.
>
> Assume you have a piece of music that consists of several sections.
> For example, intro, verse1, chorus, verse2, chorus, bridge,
On 12/27/08 9:25 AM, "Antanas Budri?nas" wrote:
> Hello,
>
> 2008/12/27 Francisco Vila :
>> 2008/12/27 Antanas Budri?nas :
>>> Thanks Arjan, thanks Francisco for replies.
>>> Perhaps due my poor English you both misunderstood me.
>>> There is a simplified example:
>>
>>> { \xi \xii \xi \xiii
2008/12/27 Carl D. Sorensen :
>
> Aha! I got it! The secret was to explicitly name the Staff and Voice
> contexts, and use \context instead of \new.
>
> \version "12.0.0"
> intro = <<
> \context Staff = "StaffOne" {
>\context Voice = "VoiceOne" {
> c''4 c''
>}
> }
> \context Staf
Greetings,
Been following
http://nicolas.sceaux.free.fr/index.php/2008/11/30/26-building-lilypond-from-git-sources-on-mac-os-105-intel.
When I run make, this happens:
chmod 755 out/lilypond-invoke-editor
/opt/local/bin/perl
/Users/leethal/Code/src/lilypond/buildscripts/out/help2man
out/lilypond-in
2008/12/27 Carl D. Sorensen :
> \version "12.0.0"
Parsing...
error: program too old: 2.12.0 (file requires: 12.0.0)
:-)
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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2008/12/27 Trevor Daniels :
> Doesn't \parallelMusic enable you to do this? See "Writing music in
> parallel" in section 1.5.2 Multiple voices of the Notation Reference.
Yes, parallelMusic is a workarround (like mentioned earlier creating
heap of variables).
But Carl alredy nicely solved this pu
On Sat, Dec 27, 2008 at 10:37:35AM +0100, James E. Bailey wrote:
>
> Am 27.12.2008 um 01:07 schrieb Graham Percival:
>
>> Of course I omitted that. You're assumed to have read the
>> Learning Manual. In particular, LM 4.5.1 and 4.5.2.
>
> So wait, the most useful piece of information, the piece o
Look up \tempo in the manual section 1.6.3 on metronome marks.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Hajo Baess
> Sent: Wednesday, 24 December 2008 05:
2008/12/27 Graham Percival :
> On Sat, Dec 27, 2008 at 10:37:35AM +0100, James E. Bailey wrote:
>>
>> Am 27.12.2008 um 01:07 schrieb Graham Percival:
>>
>>> Of course I omitted that. You're assumed to have read the
>>> Learning Manual. In particular, LM 4.5.1 and 4.5.2.
>>
>> So wait, the most us
On 12/27/08 11:05 AM, "Francisco Vila" wrote:
> 2008/12/27 Carl D. Sorensen :
>> \version "12.0.0"
>
> Parsing...
> error: program too old: 2.12.0 (file requires: 12.0.0)
>
> :-)
d'oh!
Carl
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I were doing this on HEAD. Changed to 2.10.9-1, and (for some reason) doing
make, then make all (both yielding errors) and then make worked.
After running a couple of minutes, though, this happened:
out/lexer.cc:384: error: no 'int yyFlexLexer::yywrap()' member function
declared in class 'yyFlexLe
Just as curiosity:
I was adding some lyrics to Carl's example and when the number of
sylables is less than the number of notes, on each appearance of
\intro lyrics go downstairs.
\version "2.11.65"
intro = <<
\context Staff = "StaffOne" {
<<
\context Voice = "VoiceOne" {
c''4 d''
}
"Carl D. Sorensen" writes:
> intro = <<
> \context Staff = "StaffOne" {
> \context Voice = "VoiceOne" {
> c''4 c''
> }
> }
> \context Staff = "StaffTwo" {
> \context Voice = "VoiceTwo" {
> c'4 c'
> }
> }
> >>
>
> verseOne = <<
> \context Staff = "StaffOne" {
On 27 dec 2008, at 21:07, August Lilleaas wrote:
I were doing this on HEAD. Changed to 2.10.9-1, and (for some
reason) doing make, then make all (both yielding errors) and then
make worked.
After running a couple of minutes, though, this happened:
out/lexer.cc:384: error: no 'int yyFlexLe
On Sat, Dec 27, 2008 at 10:56:18PM +0100, Arjan Bos wrote:
>
> On 27 dec 2008, at 21:07, August Lilleaas wrote:
>
>> I were doing this on HEAD. Changed to 2.10.9-1, and (for some reason)
>> doing make, then make all (both yielding errors) and then make worked.
>>
>> After running a couple of minut
The problem is that the configure program finds the wrong FlexLexer.h
file. Mac OS X comes with a version of flex that is older than the
one needed for lilypond. If you have installed a newer version of flex,
the FlexLexer.h file you want is not in /usr/include which is the one
that configure wi
Am 27.12.2008 um 19:37 schrieb Graham Percival:
On Sat, Dec 27, 2008 at 10:37:35AM +0100, James E. Bailey wrote:
Am 27.12.2008 um 01:07 schrieb Graham Percival:
Of course I omitted that. You're assumed to have read the
Learning Manual. In particular, LM 4.5.1 and 4.5.2.
So wait, the mos
> Oh, perhaps I haven't made this clear. I have read the learning
> manual. I do not have it memorised. I don't use extra offset all
> that often. I asked for help because the ways I know of how to move
> the object, (namely looking in the IR for things that might control
> positioning the obje
Hi all,
I just released Frescobaldi, a brand new LilyPond music score editor for KDE4.
It aims to be powerful, yet lightweight and easy to use, and it currently has
most features of LilyKDE (the KDE3 Kate plugin):
* Enter LilyPond scores, build and preview them with a mouseclick
* Point-and-clic
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