Re: Guitar tablature fret selection problem

On Sunday 08 June 2008 07:44:00 Marc Hohl wrote: > Torquil Macdonald Sørensen schrieb: > > Hello, I am having no luck trying to get lilypond to specify fret 12 on > > the third string, for the first note in this example: > > > > \new TabStaff { g4\3 f\3 e\3 c\4 } > > You have to specify the octave

setting max-stretch to a high value still leaves some space at the bottom

Can someone please explain to me how lilypond's vertical page layout works? In particular, I'm writing a full score with one system per page, so I want that one system to exactly stretch to the full page. I'm doing this by setting max-stretch to some very high value. Unfortunately, there is alway

Re: Wish to specify staff length and note "justification"

I suggest you to include small chunks of staff with the desired notes into columns of your ooo table, that way always will be aligned, despite of whatever you want to put in the table. Or, the staff has to be continuous? 2008/6/8 Adam Orris <[EMAIL PROTECTED]>: > Hello, > > I want to align Lilypo

Question about inserting a bracket: snippet "Bracketed passages"

Hi a user on the German Lilypond-Forum would like to insert several brackets one after the other in his score, as indicated with the snippet "bracketed passages". But the use of the \breathe obviously prevents to be put more than one time without anything in between. Does anybody have a quick

Re: constructing a jazz piece

On Wed, Apr 9, 2008 at 9:38 PM, Mats Bengtsson <[EMAIL PROTECTED]> wrote: > > This can certainly be a good practice to separate out annotations or > dynamics and such. This is one aspect of separating musical content from > typesetting layout. i'm happy to find a way to "globalize" rehearsal mar

Re: constructing a jazz piece

Hi Bernie, i'm happy to find a way to "globalize" rehearsal marks, double bar lines, etc. can anyone help me figure out why my /global block is creating a new staff below my instrument staves each time? Your code adds the \global in its own (implicit) Staff: \new StaffGroup = "hor

Re: setting max-stretch to a high value still leaves some space at the bottom

Le 8 juin 08 à 16:21, Reinhold Kainhofer a écrit : Can someone please explain to me how lilypond's vertical page layout works? In particular, I'm writing a full score with one system per page, so I want that one system to exactly stretch to the full page. I'm doing this by setting max-stretc

Re: double notes in stemless notation?

If you show how you combine these two lines of music in the same stave, it's easier to provide a relevant answer. /Mats Ivo Bouwmans wrote: Hallo all, I am writing four-part choral music in a stemless notation on two staves. Here's a brief example: notesOne = { \relative { \override St

Place to write piano dynamics

Hello, everybody! It is my first posting to this list. I am blind programmer from Russia and music takes a very important part in my life. Lilypond is just brilliant software for me. Now I can make my own music publications by myself. Great thanks to everybody, who made it possible! There is o

incorrect beams in 16th quintuplet

hello list, sorry, i guess this must be in the docs somewhere, perhaps it has been discussed in the list before, but i can't really find a solution... when writing irregular 16th-note quintuplets (one 8th-note and three 16ths) i get incorrect beaming groups, depending where the 8th note is place

Re: incorrect beams in 16th quintuplet

You might take a look at http://lists.gnu.org/archive/html/lilypond-user/2008-05/msg00481.html Am 09.06.2008 um 04:24 schrieb luis jure: hello list, sorry, i guess this must be in the docs somewhere, perhaps it has been discussed in the list before, but i can't really find a solution... wh

Re: incorrect beams in 16th quintuplet

This post from the archive solves the problem in Luis' third line of code, but not the fourth. I've been fiddling with this for the last half hour and can't make the fourth line beam the 16th notes as a single group and still connect with the 8th note. Weird. Jon James E. Bailey wrote: You

different rehearsal mark settings in score and part

Hi, I'm now working on a extreme serious piece, the suite about the earthquake. So I want my score to be very formal. I don't know how the remove empty staff function works. I added rehearsal marks only above piccolo and violin I parts, but I don't know whether the marks will let the parts a

Re: incorrect beams in 16th quintuplet

On Sun, 2008-06-08 at 23:24 -0300, luis jure wrote: > hello list, > > sorry, i guess this must be in the docs somewhere, perhaps it has been > discussed in the list before, but i can't really find a solution... > > when writing irregular 16th-note quintuplets (one 8th-note and three > 16ths) i ge