Op zondag 13 april 2008, schreef Jay Anderson:
> I tried << {c d e f} {c' d e f} >> but it didn't look right so I
> resorted to a function. Is there an easier way to do this?
Possibly:
bassnotes = { c16 d e f g c bes a g es fis a g es r8 }
\new Voice <<
\clef bass
\relative c,, \bassnotes
Op zondag 13 april 2008, schreef Stefan Thomas:
> I see an invisible barline.
Cool :-)
but seriously, you'd write \bar "|." (without the spaces inside the quotes)
best regards, :-)
Wilbert Berendsen
--
LilyKDE, LilyPond for KDE: http://lilykde.googlecode.com/
I would be interested in such a solution as well, since I just got a new
Laptop from
my employer with Windows Vista and no administrators rights to install
any new programs.
Interstingly enough, one exception is MikTeX, which can be installed in
the local users
directory without any administrat
Hi all !
I'm looking for a way to display a text on several lines with parenthesis
around the line (no bracket, round parenthesis). I tried \columns and
\center-align. That's ok to stack texts but how can I put parenthesis around
? (like \bracket does for squared bracket).
Thks a lot !
Example :
Hi,
I recently made a set of classes that try to translate data from
SuperCollider to the Lilypond format. Useful if you want to see this
data in a traditional notated score rapidly and use this in a
composition.
Since my experience with Lilypond is minimal, I would appreciate very
much some cri
Thank you for the hint. I´ve read it before. But I don´t know what it means:
"This setting overrides selection using font-family, font-series and
font-shape." I thought *after* changing the font it *is* possible to change
the font-shape.
My question is: Is it possible to change the font-name *and
The setting of font-name is a low-level setting which means that the
other properties
will not even be considered. If you want a bold version of the font,
then specify the
font name of that version. For example, the manual shows how to use
"Vera Bold".
/Mats
coffer wrote:
Thank you for the
I've used just about every notaion program that exists, but I still like to
just write out my sheets on staff paper with a pencil prior to entering the
data into a formal notaion software like lilypond or whatever.
It would be wonderful if I could generate lilypond source code from a
hand-written
Am 14.04.2008 um 17:50 schrieb Rick Hansen (aka RickH):
I've used just about every notaion program that exists, but I still
like to
just write out my sheets on staff paper with a pencil prior to
entering the
data into a formal notaion software like lilypond or whatever.
It would be wonde
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 14. April 2008 schrieb Rick Hansen (aka RickH):
> I've used just about every notaion program that exists, but I still like to
> just write out my sheets on staff paper with a pencil prior to entering the
> data into a formal notaion software
Finale and Sibelius have OCR plugins or addons, and I've used one of them
as a demo (I'm 99.9% sure it was Sibelius) and it was atrocious. It would
take longer to fix all its mistakes than it would to just enter your music
from scratch, I think. Maybe the version you buy is better than the demo
when I run this..
\relative c' {
\times 4/5 {c16[ d e8.]}}
I don't get the two first sixtenths beamed together...
How do I beam everything inside that tuplet together?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
\relative c' {
\times 4/5 {c16[ \set stemLeftBeamCount = #2 \set stemRightBeamCount =
#1 d e8.]}}
padovani escreveu:
when I run this..
\relative c' {
\times 4/5 {c16[ d e8.]}}
I don't get the two first sixtenths beamed together...
How do I beam everything inside that tuplet together?
_
Am 2008-04-14 um 19:41 schrieb Tim Reeves:
Myriad (the makers of Harmony Assistant) have a program called PDF-
to-Music that does pretty well, but then you're stuck with the file
in their closed-source format.
They've also OMeR as "standalone" music OCR, but it saves only in
Myriad's MUS fo
Am 2008-04-14 um 21:27 schrieb fiëé visuëlle:
Am 2008-04-14 um 19:41 schrieb Tim Reeves:
Myriad (the makers of Harmony Assistant) have a program called PDF-
to-Music that does pretty well, but then you're stuck with the
file in their closed-source format.
They've also OMeR as "standalone" mu
Just curious if there's a place to find lilypond templates, particularly one
for an orchestra score? I'm having too many errors while trying to program
my own layout with partcombine and staffgroup not getting along with one
another. Thanks.
___
lilypon
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 14. April 2008 schrieb Tim Reeves:
> Finale and Sibelius have OCR plugins or addons, and I've used one of them
> as a demo (I'm 99.9% sure it was Sibelius) and it was atrocious.
Yes, I also tried a few. But SmartScore Pro produces really g
I am really stuck and would appreciate some help. I have tried just
about every which way there is and I apparently don't understand the
concept here.
I am trying to enter braces at the beginning of the song. I was
suggested that they should go in the set stanza part of the lyrics and I
agr
Hi everybody,
I'd like to thank David and the two Trevors for their input on this issue.
I've decided to follow the approach of examples in isolation for the
majority of cases, plus fuller examples where warranted.
Once I've added a few snippets, we'll get a clearer idea of what's
likely to work
Hi Alexander,
On 11/04/2008, Alexander Kobel <[EMAIL PROTECTED]> wrote:
> I think there's another drawback of the snippet.
> I had a very similar problem, trying to add marks like "Moderato (* =
> 63)", yet using rehearsal marks at the same time for sectioning the piece.
> Problem is, Lily ca
Hi all,
LilyKDE 0.5.1 has been released, fixing the menu actions that did not work on
some setups. Also added a new French translation by Valentin Villenave (many
thanks!) and an updated Turkisch translation by Server Acim (thanks as well!)
LilyKDE is for you if you use LilyPond and have KDE. Li
Hi Risto,
On 12/04/2008, Risto Vääräniemi <[EMAIL PROTECTED]> wrote:
> On 12/04/2008, Alexander Kobel wrote:
>
> > I think there's another drawback of the snippet.
> > I had a very similar problem, trying to add marks like "Moderato (* =
> > 63)", yet using rehearsal marks at the same time f
Hi Tim,
On 14/04/2008, Tim Litwiller <[EMAIL PROTECTED]> wrote:
> I am really stuck and would appreciate some help. I have tried just about
> every which way there is and I apparently don't understand the concept here.
>
> I am trying to enter braces at the beginning of the song. I was suggeste
On Mon, 14 Apr 2008 22:42:40 +0100
"Neil Puttock" <[EMAIL PROTECTED]> wrote:
> I hope you don't mind, but I've added your snippet to the LSR as
> "Adding a text indication to metronome marks". Unfortunately, it
> doesn't work under 2.10, so it's waiting for LSR to move to 2.11 (and
> the nod from
Neil Puttock wrote:
Hi Tim,
On 14/04/2008, Tim Litwiller <[EMAIL PROTECTED]> wrote:
I am really stuck and would appreciate some help. I have tried just about
every which way there is and I apparently don't understand the concept here.
I am trying to enter braces at the beginning of the so
> bassnotes = { c16 d e f g c bes a g es fis a g es r8 }
>
> \new Voice <<
> \clef bass
> \relative c,, \bassnotes
> \relative c, \bassnotes
> >>
This doesn't quite work for everywhere I want to use it.
I want to be able to keep the music inline with the other non-octave music
section. So
2008/4/14 Eric Hedekar <[EMAIL PROTECTED]>:
> Just curious if there's a place to find lilypond templates, particularly one
> for an orchestra score? I'm having too many errors while trying to program
> my own layout with partcombine and staffgroup not getting along with one
> another. Thanks.
Yo
27 matches
Mail list logo
