RE: Changing the bar-number string

Hi Keiren Rather than just give you a Scheme procedure to do this, I thought it might be more helpful to say how I arrived at this code, as I'm still learning too, and needed to work this out. First I looked at the BarNumber grob in the IR and saw that the stencil property is set by default to l

Re: Changing the bar-number string

Trevor, Rather than just give you a Scheme procedure to do this, I thought it might be more helpful to say how I arrived at this code, as I'm still learning too, and needed to work this out. You, my friend, are totally awesome! =) Thanks, Kieren. ___

Re: about Scheme code

Hello Haipeng, for really special trills (like with varying frequency), you'll have to write a postscript routine to draw it. I'm not sure if that is difficult for a blind person. Do the lines span several notes, or are they always for one note? 2008/3/8, hhpmusic <[EMAIL PROTECTED]>: > > > Hi,

Need help with upgrade from 2.2 to 2.10

I grabbed the big .gz from your site and ran the install. It seemed to work fine. But I now when I runlilypond testfile.ly , I get the error message: /usr/local//lilypond/usr/bin/lilypond: relocation error: /usr/local/lilypond/usr/lib/libguile.so.17: symbol regexec, version GLIBC_2.3.4 not

crescendo beginning in middle of note duration

Occasionally a crescendo or decrescendo needs to begin not at the commencement of a note's duration, but rather halfway through the note. Can such a situation be properly typeset using lilypond? If so, how? ___ lilypond-user mailing list lilypond-us

Re: crescendo beginning in middle of note duration

Op zaterdag 8 maart 2008, schreef Peter Kaplan: > Occasionally a crescendo or decrescendo needs to begin not at the > commencement of a note's duration, but rather halfway through the note. > Can such a situation be properly typeset using lilypond? If so, how? Yes, one way I know of is by instan

Tabulature-clef and spacing

Hello, I use lilypond for writing some pieces for classical guitar (in combination with other instruments), and I use both normal and tabulature notation for the guitar part. I define the TAB-clef according to http://lsr.dsi.unimi.it/LSR/Item?id=323 as follows: TAB = \markup { \raise #1.5 {

right-hand fingering emacs function

Hi list, For all those users of the One True Editor ;-) that use right-hand fingering in their guitar notation, I've written a small bit of elisp that saves me a lot of typing. Just select the region it should work on and use M-x lilypond-right-hand-fingering. (defun lilypond-right-hand-f

Re: \arpeggioUp with connected voices

On 7 mrt 2008, at 11:24, Mats Bengtsson wrote: See http://lists.gnu.org/archive/html/lilypond-user/2006-10/msg00174.html with follow-ups. /Mats Dear List, This solution does indeed work! Mats, as always you're indispensable for this thriving lilypond community. May I propose that this i

dotted or dashed phrasing slurs

I am interested in making phrasing slurs that are (graphically, not rhythmically) dotted or dashed, in order to differentiate them visually from ordinary legato slurs (to be represented with solid slurs). Is there a way to do this straightforwardly in lilypond? I Was not able to find it in the ma

Re: dotted or dashed phrasing slurs

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Samstag, 8. März 2008 schrieb Peter Kaplan: > I am interested in making phrasing slurs that are (graphically, not > rhythmically) dotted or dashed, in order to differentiate them visually > from ordinary legato slurs (to be represented with solid sl

Re: dotted or dashed phrasing slurs

Am Samstag, 8. März 2008 schrieb Reinhold Kainhofer: > Am Samstag, 8. März 2008 schrieb Peter Kaplan: > > I am interested in making phrasing slurs that are (graphically, not > > rhythmically) dotted or dashed, in order to differentiate them visually > > from ordinary legato slurs (to be represented

Even and odd page margins

Is there any way to get a different left margin on even and odd pages? I'm trying to make room for the binding without giving up any space on the outside of the leaf. Thanks Steve ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu

Re: \arpeggioUp with connected voices

On Sat, 8 Mar 2008 21:21:54 +0100 Arjan Bos <[EMAIL PROTECTED]> wrote: > May I propose that this is added to the documentation at section > 1.3.3.2 Arpeggio in the Notation Reference, next to the example > showing how to connect arpeggios across voices and / or staves. Please add this to LSR.

docs

I won't pretend to know who handles the documentation at the moment, or even assume that something like this can be quickly resolved, but in the snippets pdf and the lilypond-learning pdf, the jazz combo templates are without the source lilypond files. It's not a big deal, I just went to we

Re: Need help with upgrade from 2.2 to 2.10

On Sat, 8 Mar 2008 18:44:11 + (UTC), Alan McConnell wrote: > I grabbed the big .gz from your site and ran the install. It > seemed to work fine. But I now when I runlilypond testfile.ly , > I get the error message: > > /usr/local//lilypond/usr/bin/lilypond: relocation error: > /usr/loc

Re: docs

Thanks, fixed. Cheers, - Graham On Sun, 9 Mar 2008 08:05:30 +0100 "James E. Bailey" <[EMAIL PROTECTED]> wrote: > I won't pretend to know who handles the documentation at the moment, > or even assume that something like this can be quickly resolved, but > in the snippets pdf and the lilypond-