On Thu, 14 Feb 2008 15:02:25 -0800
Graham Percival <[EMAIL PROTECTED]> wrote:
> 2) Add one sentence with a link to a central place which
> discusses directions.
This gets my vote.
A much reduced risk of the reader skimming through a couple of paragraphs and
missing some point about the primary
hi reinhold,
On Feb 11, 2008, at 11:57 PM, Reinhold Kainhofer wrote:
Is it possible to show the instrument together with the quoted cue
notes?
Unfortunately, I can't modify either the quoting, nor the quoted
music (since
I generate other scores from the them too, where the cue notes are
re
I'd go with (2). Good idea. It permits a better
explanation of the general concept of 'direction (up,
center, down, left, right and the uses of numerical values)
and the various commands which use it (\..up, \..down,
\..neutral).
I'd support this as a general principle for (some) other
properti
2008/2/15, Mats Bengtsson <[EMAIL PROTECTED]>:
> To understand why, you have to understand what the default setting
> of DynamicLineSpanner #'Y-extent does, namely to calculate the actual
> extent of the included dynamics indications. Then, once this has done,
> the placement of the full Dynami
Hi list!
Brett Duncan schrieb:
As far as I know this is called a G#-minor-add9, not add2. Perhaps
this can give the clue. (I'm not sure whether this nomenclatur is
still right for minor chords, but at least I makes sense to me.)
Well, if the chord is structured from bottom to top as Tomas has
Hi Thies,
Thies Albrecht wrote:
Hi list!
Brett Duncan schrieb:
As far as I know this is called a G#-minor-add9, not add2. Perhaps
this can give the clue. (I'm not sure whether this nomenclatur is
still right for minor chords, but at least I makes sense to me.)
Well, if the chord is structur
Valentin Villenave wrote:
2008/2/15, Mats Bengtsson <[EMAIL PROTECTED]>:
To understand why, you have to understand what the default setting
of DynamicLineSpanner #'Y-extent does, namely to calculate the actual
extent of the included dynamics indications. Then, once this has done,
the pl
hi,
i remembered that there was an instrumentCueName property defined at
some point, and have extended the solution a bit more.
On Feb 15, 2008, at 9:57 AM, Simon Bailey wrote:
<<<
tec = { \once \override Staff.Clef #'font-size = #-3 \clef tenor }
bc = { \once \override Staff.Clef #'font-size
In general, I'm in favour of 2) and I just learned that you can use ^ and _
also for ties (and that ^[ and _[ is allowed syntax but doesn't do anything
else than [ ).
/Mats
Graham Percival wrote:
GDP page:
http://web.uvic.ca/~gperciva/
About half the subsections in NR 1 and 2 are about mater
Hi Brett, hi list!
We agree on the point that Tomas has to "roll his own" like you call it
as long as he wants lily to display G#-minor-add2.
And just to stop a debatte before it comes up:
I understand your point an add2-chord being a different voicing than an
add9-chord. I asked a musician
2008/2/15, Mats Bengtsson <[EMAIL PROTECTED]>:
> Since the forte symbols are slightly cut at the bottom of the snippet, the
> lower extent setting of -1 should probably be changed to something like
> -1.5.
>
> You don't mention the TextScript objects in the explanation. For example,
> you coul
On Fri, Feb 15, 2008 at 1:46 AM, Mats Bengtsson <[EMAIL PROTECTED]>
wrote:
> Quoting Trevor Ba?a <[EMAIL PROTECTED]>:
>
> > At the risk of belaboring the point, I'm having trouble understanding
> *why*
> > this works. Here's an absolutely minimal example:
> >
> >
> > %%% TURNING ON Y-EXTENT %%%
>
Trevor Bača wrote:
To understand why, you have to understand what the default setting
of DynamicLineSpanner #'Y-extent does, namely to calculate the actual
extent of the included dynamics indications. Then, once this has done,
the placement of the full DynamicLineSpanner is det
On Fri, Feb 15, 2008 at 9:21 AM, Mats Bengtsson <[EMAIL PROTECTED]>
wrote:
>
>
> Trevor Bača wrote:
> >
> > To understand why, you have to understand what the default setting
> > of DynamicLineSpanner #'Y-extent does, namely to calculate the
> actual
> > extent of the included dynamics
Mats, one more detail:
2008/2/15, Mats Bengtsson <[EMAIL PROTECTED]>:
> This is the reason that I specified minimum-Y-extent instead of Y-extent
> for the
> TextScript objects in a previous example. However, for some reason I didn't
> manage to get good results when I replaced Y-extent by mini
On Wed, Feb 13, 2008 at 08:39:11AM +0100, Wilbert Berendsen wrote:
> Hi,
>
> I just released version 0.3 of my shiny new lil' pet project: LilyKDE.
> It combines the power of KDE, Kate and KPDF to make editing LilyPond files in
> KDE easier. If you use KDE you might like it: http://lilykde.google
Is there a way to do a fermata? I've spent upwards of 2 hours looking in the
tutorial and just can't find it, if it's there. If not, can you make one?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypon
Am Freitag, 15. Februar 2008 schrieb Victoria:
> Is there a way to do a fermata? I've spent upwards of 2 hours looking in
> the tutorial and just can't find it, if it's there.
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Articulations
Cheers,
Reinhold
--
-
On Fri, 15 Feb 2008 09:18:52 -
"Trevor Daniels" <[EMAIL PROTECTED]> wrote:
> I'd go with (2). Good idea. It permits a better
> explanation of the general concept of 'direction (up,
> center, down, left, right and the uses of numerical values)
> and the various commands which use it (\..up, \
On Fri, 15 Feb 2008 09:09:38 +0100
Nicholas WASTELL <[EMAIL PROTECTED]> wrote:
In the explanatory section linked from your example, you (I guess
> it's you) say, 'Maybe rename section to "directions".' I think
> 'Directions' is far too uninformative. 'Controlling direction' as a
> minimum, or p
Victoria wrote:
Is there a way to do a fermata? I've spent upwards of 2 hours looking in the
tutorial and just can't find it, if it's there. If not, can you make one?
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Articulations-and-ornamentations
--
Mark Knoop
__
hi,
i remembered that there was an instrumentCueName property defined at
some point, and have extended the solution a bit more.
On Feb 15, 2008, at 9:57 AM, Simon Bailey wrote:
<<<
tec = { \once \override Staff.Clef #'font-size = #-3 \clef tenor }
bc = { \once \override Staff.Clef #'font-size =
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 15. Februar 2008 schrieb Simon Bailey:
> i remembered that there was an instrumentCueName property defined at
> some point, and have extended the solution a bit more.
Thanks! I also found the instrumentCueName in an LSR example, but since
On Fri, 15 Feb 2008 21:05:28 +0100
Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> PS2: Is there anything that resets a property, that was changed by
> \set ? Just like \revert undoes the last \override.
Umm, \unset ? Please see the GDP Learning Manual. It's in there
somewhere.
Cheers,
- Graha
2008/2/15, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Also, a simple example shows that \unset really removes the value, not reset
> it to the value before the previous \set. See the attached file. If \unset
> undid the last \set, the third name would get the InstrumentSwitch
> text "Original".
Am Freitag, 15. Februar 2008 schrieben Sie:
> On Fri, 15 Feb 2008 21:05:28 +0100
>
> Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> > PS2: Is there anything that resets a property, that was changed by
> > \set ? Just like \revert undoes the last \override.
>
> Umm, \unset ? Please see the GDP Lea
Alle giovedì 14 febbraio 2008, Wilbert Berendsen ha scritto:
> Op donderdag 14 februari 2008, schreef Larry Kent:
> > The site says if you want to preview pdf files, you need KPDF, but
> > there's no button (that I can see) for downloading that. What am I
> > missing? -LK
>
> KPDF is part of KDE (
Hello everyone,
I've discovered what I think is a bug in 2.10.25. Apologies if this has
been fixed in more recent versions but a Google search didn't raise any
awareness of the issue.
Here's the problem. Suppose I have a repeat volta set up with
alternative end bars:
\repeat volta 2 {
I've been typesetting a Telemann concerto for a baroque ensemble that I play
in, and I've been having difficulties with actually producing more than one
part from the same file (I need to input Violin 1,2 and Viola parts, since we
only have hand-written ones.) My other problem comes from the fac
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