Hi LilyPond freaks,
at the moment I´m creating a songbook with 200 modern church songs in
it. As you can imagine I use LilyPond for this task (together with
LaTeX, but that´s not that interesting now).
Now I´ve got some layout issues I don´t know how to fix them. I post
this all in one thread, yo
On Feb 11, 2008 8:10 AM, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
>
> Reinhold Kainhofer wrote:
> > Thanks a lot for all the different suggestions! Again, this shows the
> > flexibility of Lilypond - there is no one correct solution, but many
> possible
> > ones.
> > I'm preparing an LSR snippe
It is because a score block, ie. \score { ... } can only contain the
following:
- one music expression OR one score identifier (a score defined as a
variable)
- THEN zero or more header, output definition or object_id_setting
\set Score.skipBars = ##t in itself is a music expression, so in your
Hi,
when I write non-typical tuplets (i.e. 2 notes with 8th-duration and 2 notes
with 16th-duration) brackets compare automatically. In that case I don't
need any bracket and number.
Now I've fixed TupletsNumber as transparent, but what can I make against
Brackets?
thanks Stezano
__
Is it possible to show the instrument together with the quoted cue notes?
Unfortunately, I can't modify either the quoting, nor the quoted music (since
I generate other scores from the them too, where the cue notes are removed).
Ideally, I would assign the instrument name once to the quote, some
GDP website:
http://web.uvic.ca/~gperciva/
We're trying something new: instead of having helpers rotate to
new doc sections every few weeks (intended to keep them looking at
the docs with fresh eyes), one person is going to work on each doc
section, bringing it from the current state to the "perfe
Hi all,
I'm working on transcribing several ancient hymn tunes in ancient notation, and
I've run across a few issues, listed below. I've been using Petrucci note heads
and a clef, and mensural time signatures (and rests, I believe).
1) Is there an easy way to reorder the clef and time signature
Hi Werner,
I have made a quick search for \skipBar and have not been able to
find it. Where did you find it? Looking at your \score block I am not
sure why you are using it where you are. What exactly is it supposed
to skip? As I understand it, Score.skipTypesetting is used to skip
typset
Hello,
I've written a file containing a score with a structure like:
\score {
\new Staff = bla <<
\new voice =blu {\voiceOne \Sopran}
\new voice =blu {\voiceTwo \Alt} >>
}
Wanted to put the
\set Score.skipBars = ##t
command in.
This:
\score {
\new Staff = bla <<
\new voice =
you can use an external editor (Textmate, TeXShop) to edit and compile
lilypond files in osx 10.5
Am 11.02.2008 um 14:52 schrieb Roberto:
Dear Geniuses,
There isn't a OSX 10.5 version available yet, right?
Any idea when is there going to be on?
All the best,
Roberto.
___
2008/2/10, Németh Pál <[EMAIL PROTECTED]>:
> How can I unhide the time signature in the first bar?
Hi Németh,
I don't understand your question; can you be more specific?
The time signature isn't hidden in the first bar; perhaps you want to
display "4/4" instead of "C"; if so, have a look at
htt
\override TupletBracket #'bracket-visibility = ##f
HTH ole
Am 11.02.2008 um 23:42 schrieb stefanozanobini:
Hi,
when I write non-typical tuplets (i.e. 2 notes with 8th-duration
and 2 notes with 16th-duration) brackets compare automatically. In
that case I don't need any bracket
It's certainly a reproducable bug in 2.10.33, but seems to be fixed in
version 2.11.39.
Valentin, being responsible for the bug reports, you should really
have access to both the latest stable and latest unstable versions to
be able to quickly verify also bug reports on the stable version.
/Ma
Bryan,
On Saturday, December 29, 2007, at 11:36 AM, Bryan Stanbridge wrote:
I highly recommend the following two resources when it comes to
percussion writing:
How to Write for Percussion by Sam Solomon (available on Amazon.com).
-> This book goes into detail about the different sounds of pe
Something like this:
global = {
\repeat unfold 64 {
\time 3/4
s2.
\time 4/4
s1
}
}
soprano= <<
\global
{ c4 c d e }
>>
Cheers,
- Graham
On Mon, 11 Feb 2008 16:12:24 +0100
"Christ van Willegen" <[EMAIL PROTECTED]> wrote:
> Hi,
>
> I've briefly referenced the manual, bu
Hi,
I've briefly referenced the manual, but am unsure if it is in there or not...
We're currently learning a new piece in choir practice, with 3/4, 4/4,
3/4 and 2/4 rythm. This alteration continues unto the end of the
piece.
Is there a reasonably simple way to:
a) Let Lilypond engrave the correc
On Mon, 11 Feb 2008 16:01:15 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> >> There isn't a OSX 10.5 version available yet, right?
> >
> > Correct.
> >
> Well, that's not the full story, as Graham knows. See
> http://code.google.com/p/lilypond/issues/detail?id=504&q=l
On Mon, 11 Feb 2008 13:52:49 + (UTC)
Roberto <[EMAIL PROTECTED]> wrote:
> There isn't a OSX 10.5 version available yet, right?
Correct.
> Any idea when is there going to be on?
Sometime after somebody starts working on it. Since none of the
programmers have 10.5, this will require external
Sorry, I replied to Dominic, not to the list.
On 11/02/2008, Dominic Neumann <[EMAIL PROTECTED]> wrote:
> 2. I use the \set stanza = "1. " command within \lyricmode to set the
> versnumber and to set the point where the refrain begins ("Refr. ").
> When using the long string "Refr. " it some
Reinhold Kainhofer wrote:
Thanks a lot for all the different suggestions! Again, this shows the
flexibility of Lilypond - there is no one correct solution, but many possible
ones.
I'm preparing an LSR snippet to highlight all the different approaches.
I just sent yet another solution, tha
Hi Dominic,
1. The offset between the lyriclines is a bit too high. Is there an
easy way to reduce it?
\layout { \context { \Lyrics \override VerticalAxisGroup #'minimum-Y-
extent = #'(a . b) } }
2. I use the \set stanza = "1. " command within \lyricmode to set the
versnumber and to set th
If you have followed my answers to different questions over the years, I
have
often pointed to the index, as a good way to find the relevant information.
/Mats
Palmer, Ralph wrote:
Back when I had time to actually do reasonably complex projects (i.e.,
transcribe music), I did use the index.
Dear Lilypond users,
My son started to learn playing the violin, he is 7 years old. His theatcher
gave to him a blank sheet to practise writing the violin clef.
I decided to make a pre-written sheet with violin keys for easy learning.
Thank you for the programmers of Lilypond, I was successful,
Hi, I can't see the picture, and the Scheme codes are confusing. So I can't get
the list of all glyphs in Feta fonts. Can anyone give me a list? Thank you!
Haipeng
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http://lists.gnu.org/mailman/l
2008/2/11, Graham Percival <[EMAIL PROTECTED]>:
> Sorry, you missed the subtext. I wasn't asking for a poll of who
> considered the index useful, I was saying "I'm not going to work
> on this. Any volunteers?"
I'm probably the one responsible for having hijacked your topic :)
Sorry,
Valentin
Graham Percival wrote:
On Mon, 11 Feb 2008 13:52:49 + (UTC)
Roberto <[EMAIL PROTECTED]> wrote:
There isn't a OSX 10.5 version available yet, right?
Correct.
Well, that's not the full story, as Graham knows. See
http://code.google.com/p/lilypond/issues/detail?id=504&q=leopar
Sorry, you missed the subtext. I wasn't asking for a poll of who
considered the index useful, I was saying "I'm not going to work
on this. Any volunteers?"
Cheers,
- Graham
PS If you want to work on both normal NR doc work *and* the
indexes, I'm happy with that. It all comes down to your avai
Dear Dominic,
The following tips work for 2.11. I'm not sure about 2.10. :-(
On 11/02/2008, Dominic Neumann wrote:
> 1. The offset between the lyriclines is a bit too high. Is there an
> easy way to reduce it?
Try e.g.: \override Lyrics.VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5)
The
Hi Mats,
The problem is that with this setting, all the normal dynamics will
be left aligned instead
of centered below the note, so you're back at a situation where you
want to tweak
some extra property only for a specific dynamics (unless you
redefine all standard
dynamics to get a center
Dear Geniuses,
There isn't a OSX 10.5 version available yet, right?
Any idea when is there going to be on?
All the best,
Roberto.
___
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Kieren MacMillan wrote:
For the record, why can't #:right-align be made to work inside the
dynamic markup without sidestepping the collision mechanism?
Actually, it turns out that you can. The horizontal placement of a
textual dynamic
indication is determined by the X-offset property, which
duh...of course, THIS works...
\version "2.11.38"
{<
c
\parenthesize d
g
>4-\parenthesize -.}
dominic i get the same error as you with the rest
d
On 11 Feb 2008, at 10:39, Damian leGassick wrote:
bug? it seems that \parenthesize is not working at all for me - the
example at the end of the
An alternative solution that doesn't require any trial and error to find
the
correct numbers:
sempp = #(make-dynamic-script (markup #:line( #:with-dimensions '(0 . 0)
'(0 . 0) #:right-align #:normal-text #:italic "sempre"
#:dynamic "pp")))
The disadvantage is that the collision avoidance mech
On 10/02/2008, Gilles THIBAULT wrote:
> For the begining of the first line, you only have to add
> \override Score.RehearsalMark #'break-align-symbols =
> #'(time-signature )
Thanks for the tip, Gilles. However, that was the first thing I tried
because I wanted to align the rhythm mark at the
\once \override DynamicText #'X-offset = #...
You have also the command markup \translate doing that very well
%
sempp = #(
make-dynamic-script
(markup
#:hspace 0 #:translate (cons -22 0 )
#:line( #:normal-text #:italic "sempre" #:dynamic "pp"))
)
2008/2/11, Mats Bengtsson <[EMAIL PROTECTED]>:
> Valentin, being responsible for the bug reports, you should really
> have access to both the latest stable and latest unstable versions to
> be able to quickly verify also bug reports on the stable version.
I'd love to have several lilypond version
Dear Lilypondusers!
How can I unhide the time signature in the first bar?
Thanks!
Németh Pál
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Back when I had time to actually do reasonably complex projects (i.e.,
transcribe music), I did use the index. In fact, I think I would have
been lost without it a few cases.
Ralph
--
Message: 1
Date: Sat, 9 Feb 2008 12:25:08 +0
Hi Mats,
An alternative solution that doesn't require any trial and error to
find the correct numbers:
Nice!
For the record, why can't #:right-align be made to work inside the
dynamic markup without sidestepping the collision mechanism?
Thanks,
Kieren.
_
On 11/02/2008, Dominic Neumann wrote:
> I could´t find a way to create a bracket around a rest. According to
> the way we parenthesize notes I tried it that way:
I've been wondering about this too. I guess you could attach a \markup
{"( )"} to that rest and then position it around the rest with
o
bug? it seems that \parenthesize is not working at all for me - the
example at the end of the manual (1.7.1) does not compile on my mac
\version "2.11.38"
<
c
\parenthesize d
g
>4-\parenthesize -.
d
On 10 Feb 2008, at 22:55, Dominic Neumann wrote:
Hi,
I could´t find a way to create a br
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