Can someone explain to me why the eighth note and half
note have their heads merged in the first measure while the quarter
note and the half note in the second measure do not?
\relative c''
{
\new Voice << {
c8 c4.
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8 c4.
\override
Hello:
I've used the \change Staff = "upper" command with success in another
score. Now I am using a more complex scheme layout and the staff I
need to change to is in another context. Using \change Staff =
"lhupper\lhOne" will at least render something. Anything else I've
tried just stops lilypo
The name of the Staff you want to change to is either "rh"
or "lh", since that's the names you have specified for the
staves. It seems that you have confused these with the
names of the variables/macros/identifiers that contain the
actual music.
/Mats
David Fedoruk wrote:
Hello:
I've used t
I'm creating MIDI files for my choir. How can I set different volume levels
for each section, to make one be in evidence among the others?
Thank you very much.
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2008/2/3, Kurt Kroon <[EMAIL PROTECTED]>:
> On page 10, first paragraph -- In that case, "Double accidentals ..." What
> is this sentence quoting? Perhaps it should just be integrated into the
> sentence.
It was originally a feature request posted by an user on the
mailing-list; and the contrib
On Feb 7, 2008 5:00 PM, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> 2008/2/7, Ozgur Yuksel <[EMAIL PROTECTED]>:
> > > > I am working with "GNU LilyPond 2.11.37" (the problem had existed with
> > > > 2.10 too) on one RHEL5 box and a FC7 box. Although I have proper
> > > > output with my FC7 box,
2008/2/3, Paul Scott <[EMAIL PROTECTED]>:
> Sorry! I don't know enough to know what is broken/changed. I was
> hoping for a fix so I didn't have to hand mark the part.
This is actually one of the snippets that I had to tag as
"version-specific". So, we're aware that it is potentially a tricky
s
2008/2/4, Graham Percival <[EMAIL PROTECTED]>:
> Interesting! I must admit that I found nothing objectionable with
> the "which"es that Kurt suggested replacing with "that"...
> actually, in a few cases, I thought that "which" sounded better.
I often use which, because I like it much more than "
Hi Steve,
It's taking a certain amount of fiddling to get the surrounding
markup really right.
If you post some of the "fiddly" code, perhaps we can help un-fiddle
it...
Best,
Kieren.
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Hi Valentin,
I will post my snippet.
I have, however, other questions regarding recorder notation:
1) is it possible to center a markup over an analysis bracket? I'm
manually moving it using \translate within the markup.
2) I don't know how to notate "+" and "o" signs commonly used for
french horn
Please note that I understand that it is LilyPond's intended behavior
to never merge a quarter note and a half note regardless of how
properties are set. I also understand why this should be the default
behavior. I guess I don't understand why setting
'merge-differently-headed should not override t
Valentin Villenave wrote:
2008/2/3, Paul Scott <[EMAIL PROTECTED]>:
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the part.
This is actually one of the snippets that I had to tag as
"version-specific". So, we're aware
I'd like to draw attention to the Learning Manual, chapters 3
Fundamental concepts and 4 Tweaks.
- if you're a new user, PLEASE read these in detail. There's a lot of
very helpful information in there. In addition, it should all be
understandable -- if you start at LM 2 Tutorial and read to the
Latest GDP docs
http://web.uvic.ca/~gperciva/
(although these are almost identical to the 2.11.39 docs at the
moment)
Do we want index entries for snippets? For example, in
NR 1.1.3.2 Key signature
there are two snippets: suppressing natural signs in key
signatures, and non-standard key signa
Graham Percival wrote on 08 February 2008 19:54
>
> I'd like to draw attention to the Learning
> Manual, chapters 3
> Fundamental concepts and 4 Tweaks.
>
> - if you're a new user, PLEASE read these in
> detail. There's a lot of
> very helpful information in there. In addition,
> it should
libero wrote:
2) I don't know how to notate "+" and "o" signs commonly used for
french horn notation for open and bouché sounds (this would
correspond on the recorder notation to "open and close window hole"),
is there a way commonly used by lilyponders?
ciao
libero
Would this work for you?
2008/2/6, Trevor Bača <[EMAIL PROTECTED]>:
> Ah: sticking \hspace in the page number markup works:
Cool! Can you add it to the LSR?
Cheers,
Valentin
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Graham Percival wrote on 08 February 2008 19:49
>
> Do we want index entries for snippets? For example, in
> NR 1.1.3.2 Key signature
> there are two snippets: suppressing natural signs in key
> signatures, and non-standard key signatures.
>
> Do you want to have items like:
> @cindex key sig
On Fri, 8 Feb 2008 21:08:08 -
"Trevor Daniels" <[EMAIL PROTECTED]> wrote:
> @cindex natural sign, suppressing
>
> At present the only entry for naturals takes you to
> a section on text markup commands. Not helpful if
> you're looking for a way to suppress extra naturals.
Well, obviously we
2008/2/5, Mats Bengtsson <[EMAIL PROTECTED]>:
> Working with a copy of the file, you can try to comment out
> (or remove) sections of the file to narrow down where the problem is.
...or you can use the LilyPondTool plugin for the jEdit editor, that
highlights such errors in real time: http://lilyp
2008/2/4, Graham Percival <[EMAIL PROTECTED]>:
> Please add this to LSR, with tags "text" and "docs".
Done:
http://lsr.dsi.unimi.it/LSR/Item?id=382
By the way, if anyone has a better title...
Cheers,
Valentin
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Graham Percival wrote on 08 February 2008 21:26
>
> On Fri, 8 Feb 2008 21:08:08 -
> "Trevor Daniels" <[EMAIL PROTECTED]> wrote:
>
> > @cindex natural sign, suppressing
> >
> > At present the only entry for naturals takes you to
> > a section on text markup commands. Not helpful if
> > you'
2008/2/4, Libero Mureddu <[EMAIL PROTECTED]>:
> I post here the complete example of the chart I'm working on; I want
> to post it to lsr, but I'd prefer to get some suggestion from the list
> first.
Hi Libero,
go ahead and post your snippet! Then I'll see if it needs any
improvements. Your code
2008/2/8, Marco Pagliari <[EMAIL PROTECTED]>:
>
> I'm creating MIDI files for my choir. How can I set different volume
> levels
> for each section, to make one be in evidence among the others?
Just add some volume marker like \mp \pp \ff to the first note.
see http://lilypond.org/doc/v2.11/Docume
On 8 Feb 2008, at 15:02, Reinhold Kainhofer wrote:
Am Donnerstag, 17. Januar 2008 schrieb Hans Aberg:
A
half flat in Arabic music is displayed as a b but with a slash
across (It is
hard to describe the shape precisely). Is it possible to access
such a
symbol, and if not, is it possible to ad
You can either use different instruments or set the
dynamics differently. Look at section 4.3.1 in the
2.11 Notation Reference for the former, and Dynamics
in section 1.3 for the latter.
Trevor D
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:lilypond-user-bounces+t.daniels=t
I'm creating MIDI files for my choir. How can I set different volume levels
for each section, to make one be in evidence among the others?
What I understand by reading section 1.3 is that dynamics can only be attached
to notes, so I should repeat the dynamic mark for each note. Is there a way to
Am Donnerstag, 17. Januar 2008 schrieb Hans Aberg:
> > A
> > half flat in Arabic music is displayed as a b but with a slash
> > across (It is
> > hard to describe the shape precisely). Is it possible to access such a
> > symbol, and if not, is it possible to add it in the future?
>
> Is this what t
LilyPond interprets dynamics the same way as a musician does, namely
that each dynamics indication lasts until the next one appears, so
there's no
need to repeat the same dynamics indication (actually, LilyPond
follows this rule much more strictly than most musicians).
/Mats
Marco Pagliari
2008/2/3, Graham Percival <[EMAIL PROTECTED]>:
> The one big change: since nobody has touched the texi2html stuff
> on the technical TODO list (estimated: 3 hours for a perl
> programmer), it appears that we're not going to get longer HTML
> pages. You may recall that the original plan was to ha
Mats Bengtsson ee.kth.se> writes:
> - If the previous didn seem to work, you can run the command
> lilypond --verbose > C:\lilypond.log 2>&1
> which hopefully should produce a text file C:\lilypond.log, with printouts
> from the lilypond command. Send a copy of this file to the mailing list.
On Jul 31, 2006 9:14 PM, Trevor Bača <[EMAIL PROTECTED]> wrote:
> On 5/25/06, Kieren Richard MacMillan <[EMAIL PROTECTED]>
> wrote:
> > Hello, all!
> >
> > I'm trying to fix the collision in the following example:
> >
> > \version "2.9.5"
> > \relative
> > {
> > \once \override TrillSpanne
graham:
"LM 3 and LM 4 are quite hard going for anyone fairly new to LilyPond".
thank you trevor! i am certainly a newbie, and although i have always found
these sections very confusing, i never spoke up cause i had no suggestions
about how to improve them. now that i'm trying to help, i'll rambl
As a former librarian, I know that creating indexes is a total pain and
unfortunately should be as extensive and repetitious as possible.
Over-estimating the users ability/intelligence is a grave error.
Yours-
Jay
Jay Hamilton
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