slur and system breaks

I am having a problem where slurs across system breaks look like 2 slurs - instead of a slur-with-a-break (i.e. the right end of the slur at the top system should remain open not curve down like an ending of a slur, and similar the left begining of the second slur). I couldn't find a solution for t

Re: Should slurs really start before the key signature?

Hi Arvid, On 26 Aug 2007 10:35:21 +0200, [EMAIL PROTECTED] <[EMAIL PROTECTED] > wrote: > > ...unlike ties and phrasing slurs? > > This one looks strange with both latest 2.10 and 2.11 IMO; I can't get > 2.8 to run at the moment to check if this is a regression or not. > > -- Arvid > > \version "2.

how to mute explicit voices in midi output

I think the manual is a bit unclear on this topic. I tried \set Staff.midiMaximumVolume = #0 but it didn't work. regards, Tao -- Pt! Schon vom neuen GMX MultiMessenger gehört? Der kanns mit allen: http://www.gmx.net/de/go/multimessenger ___ lily

Re: change Staff hara-kiri-ability on the fly? SPONSORSHIP?

2007/8/25, Kieren MacMillan <[EMAIL PROTECTED]>: > p.s. This is *definitely* an LSR-worthy tip/trick! It is indeed; feel free to add it and I'll mark it as approved ASAP :) Regards, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http:/

Re: slur and system breaks

2007/8/26, Oded <[EMAIL PROTECTED]>: Greetings, > I couldn't find a solution for this problem searching through the archive > only another user posing this question 4 years ago with no replies and I > also noticed that this seems to be how slurs are done in all the examples > availbale on the web

Re: How to deal with Time Signatures horizontal alignment?

2007/8/26, Han-Wen Nienhuys <[EMAIL PROTECTED]>: > > I think you are all thinking in too complicated directions. x-aligned-on-self !!! This is awesome! Han-Wen (if I may repeat myself), you're a God! I'm immediately adding it to the LSR. Valentin ___

Re: How to deal with Time Signatures horizontal alignment?

2007/8/26, Valentin Villenave <[EMAIL PROTECTED]>: > x-aligned-on-self !!! This is awesome! Awesome, *but*... As a result, the first TimeSignature of each system is also aligned with the left barline (which puts it too far on the left, even before the Clef). For the very first TimeSignature, no

Re: how to mute explicit voices in midi output

hello Put a dynamic at the begin off no sound % \version "2.10.29" \score { \relative c' { c8 c c d e4 d \set Staff.midiMaximumVolume = #0 c8\f^"Dyn. for NO sound" e d d \set Staff.midiMaximumVolume = #1 c2 \f^"for sound"

Re: how to mute explicit voices in midi output

hello Put a dynamic at the beginning of your Note where you dont want no sound. % \version "2.10.29" \score { \relative c' { c8 c c d e4 d \set Staff.midiMaximumVolume = #0 c8\f^"Dyn. for NO sound" e d d \set Staff.midiMaximumVolume = #1 c2 \f^"for sound"

Re: how to mute explicit voices in midi output

You can hide the dynamics with \once \override Score.DynamicText #'transparent = ##t Put a dynamic at the beginning of your Note where you dont want no sound. > I think the manual is a bit unclear on this topic. > I tried \set Staff.midiMaximumVolume = #0 but it didn't work. __

Re: change Staff hara-kiri-ability on the fly? SPONSORSHIP?

Hi Valentin, On 8/26/07, Valentin Villenave <[EMAIL PROTECTED]> wrote: > > 2007/8/25, Kieren MacMillan <[EMAIL PROTECTED]>: > > > p.s. This is *definitely* an LSR-worthy tip/trick! > > It is indeed; feel free to add it and I'll mark it as approved ASAP :) > I've just added it as "Forcing visibili

Re: Should slurs really start before the key signature?

> Have a look at issue 379, "ugly slur with key signature and line break". Ah, so this is possibly a duplicate. > It's classed as a low-priority defect, unfortunately. It *should* be simple to fix at least this aspect of it, though: Both ties and phrasing slurs start after the key signature and

Re: change Staff hara-kiri-ability on the fly? SPONSORSHIP?

2007/8/26, Neil Puttock <[EMAIL PROTECTED]>: > I've just added it as "Forcing visibility of systems with multi-bar rests > when using \RemoveEmptyStaffContext"; I hope it's OK. http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312 A bit long, but I couldn't find any shorter title. It's approved now; howeve

Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

Hello everybody, I'm sending it to -user, to discuss it before making a bug report. As I said in the title, there's an annoying thing when typesetting an orchestral score with some Piano or Harp parts in it: when your harp (or piano) only plays a few notes with one single hand, the RemoveEmptySta

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

2007/8/26, Valentin Villenave <[EMAIL PROTECTED]>: > The existing solutions are: > -whenever only one hand is playing, systematically add invisible notes > to the other hand so the staff doesn't disappear. As Neil mentioned, > it is ugly. Here is a quick-and-dirty function I wrote a few months ag

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

Hi Valentin, this is, IMO, a bug: neither a Piano nor a Harp part should ever be reduced to a single staff! I disagree, and there are many hand-engraved examples to back me up -- for example, Stravinsky's Petrushka (Edition Russe de Musique, 1912) clearly shows the Harp I part as two stave

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

2007/8/26, Kieren MacMillan <[EMAIL PROTECTED]>: Hi Kieren, > I disagree, and there are many hand-engraved examples to back me up > -- for example, Stravinsky's Petrushka (Edition Russe de Musique, > 1912) clearly shows the Harp I part as two staves with brace (most of > the time) AND as a single

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

Hi Valentin: I have this edition too, and indeed at #27 the piano and celesta are reduced to one staff only (with a little brace on the left though, which LilyPond doesn't handle). Actually, it does... see for example .

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

2007/8/26, Kieren MacMillan <[EMAIL PROTECTED]>: > Actually, it does... see for example html/lilypond-user/2006-07/msg00244.html>. I had never thought the SystemStartBrace had a collapse-height property like the SystemStartBracket; thank you for the tip (I'm addin

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

Hi Valentin: we agree to say that keeping alive both staves of a PianoStaff should be the default behavior (or at least, should be possible). If this isn't a bug, this is at least a missing feature... Absolutely! =) Kieren. ___ lilypond-user maili

Re: How to deal with Time Signatures horizontal alignment?

2007/8/26, Valentin Villenave <[EMAIL PROTECTED]>: > As a result, the first TimeSignature of each system is also aligned > with the left barline (which puts it too far on the left, even before > the Clef). For the very first TimeSignature, no big deal: one can > easily add an \once \override. But w

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

Hi Kieren/Valentin, On 8/26/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote: > > Hi Valentin: > > > we agree to say that keeping alive both staves of a PianoStaff > > should be the default behavior (or at least, should be possible). > > If this isn't a bug, this is at least a missing feature... > >

Re: How to deal with Time Signatures horizontal alignment?

2007/8/26, Han-Wen Nienhuys <[EMAIL PROTECTED]>: > 2007/8/26, Valentin Villenave <[EMAIL PROTECTED]>: > > As a result, the first TimeSignature of each system is also aligned > > with the left barline (which puts it too far on the left, even before > > the Clef). > I thought that was desired. If yo

Re: Hara_kiri_engraver shouldn't handle both staves of a PianoStaff as separate single staves

2007/8/26, Neil Puttock <[EMAIL PROTECTED]>: Hi Neil, > the engraver admitting defeat [...] Stravinsky:1 Engraver: 0 :-D Has anyone given my dirty Scheme function a try? Valentin ___ lilypond-user mailing list lilypond-user@gnu.org htt

Re: Alignment problem with RehearsalMark

On 8/14/07, Neil Puttock <[EMAIL PROTECTED]> wrote: > > Hi everybody, > > Here's a layout section I'm using to allow rehearsal marks to be printed > on more than one stave in an orchestral score: > > \layout { > \context { \Score > \remove "Staff_collecting_engraver" >

Re: songbooks with guitar tablature

2007/8/23, Jack Cooper <[EMAIL PROTECTED]>: > While OpenOffice isn't technically a freeware version of Microsoft Office, > I don't know how else to describe it to folks who have never heard of it > or used it. And since I wrote these intro notes, I am more inclined > to use GIMP for image editing

Re: slur and system breaks

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 26. August 2007 schrieb Valentin Villenave: > 2007/8/26, Oded <[EMAIL PROTECTED]>: > > Greetings, > > > I couldn't find a solution for this problem searching through the archive > > only another user posing this question 4 years ago with no

Re: slur and system breaks

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Sonntag, 26. August 2007 schrieb Reinhold Kainhofer: > I looked at an old edition of Mozart's Verspera sollenis de confessore (KV > 339), which was published by Breitkopf & Härtel in 1896. It seems that > ties and slurs that span a line break do no

Re: Alignment problem with RehearsalMark

Neil Puttock wrote: I've just encountered another problem - clef changes skew the rehearsal mark positioning to the left of the bar-line: That's since the default setting for the break-align-symbols property of the RehearsalMark objects is #'(staff-bar clef), which gives the desired layo

Re: lilypond book error

Have you tried to directly call the program: lilypond-book --pdf --output="C:\lilypondtest" C:\test.tex from the command prompt. There shouldn't be any need to use the Windows version of Python (just make sure to log out and log in again once after you have installed LilyPond the first time, so th