On 27/02/07, Trevor Bača <[EMAIL PROTECTED]> wrote:
On 2/27/07, Sven Axelsson <[EMAIL PROTECTED]> wrote:
>
> At some point between 2.11.7 and 2.11 20 gracenote beaming started to
> take the note value into account. I want to revert to the old behaviour, how
> do I do that? See the attached image
The solution, which is mentioned at the end of the section on "Creating
titles"
in the manual, is to add
\paper{
printallheaders=##t
}
in your input file (for example at the very top or very end of the file).
/Mats
Matthew Beckler wrote:
Hello,
I'm in the process of digitizing some old,
Just read the whole section on "Hiding staves" carefully, and you will
find the
answer.
/Mats
Thomas Ruedas wrote:
On Monday 26 February 2007 21:48, Rune Zedeler wrote:
I'm trying to typeset a piece for solo piano where temporarily a third
staff is needed.
http://mutopiaproject.o
Maybe something like
\mark \markup { \vcenter "To Coda" \musicglyph #"scripts.coda"}
is close to what you want. An alternative is
\markup { To Coda \general-align Y DOWN \musicglyph #"scripts.coda"}
You may also want to insert some \hspace.
/Mats
David Feuer wrote:
I want the place where the
> % Here is some Scheme code to define a music expression which
> % behaves like an articulation, and which modifies the grob
> % associated with it.
> %
> % The example below defines \F which is the same as \flageolet
> % but with a smaller flageolet glyph.
>
> F = #(let ((m (make-music 'Articul
The feature is already available! Example:
\version "2.10.0"
#(define base-tempo 100)
\score{
\relative c'{
\set Score.tempoWholesPerMinute = #(ly:make-moment base-tempo 4)
c d e f
\set Score.tempoWholesPerMinute = #(ly:make-moment (/ (* base-tempo 3) 4) 4)
c d e f
}
\midi{}
}
An extra advanta
I hope you have found the original definitions of these variables in
the ly/titling-init.ly file, as described in the manual. If you, for
example,
want to typeset the title instead of the instrument name in the page header
and want it to appear also on the first page, you can add the following
I'm trying to make a Scheme construction (my first!) which will automatically
center align a piece of text under a Hairpin object. The code I've got so far
is below. This would save laboriously individually adjusting the
#'extra-offset values of each TextScript.
What I can't find is how to do
Now with the code...
% BEGIN CODE
hairpinMolto = {
\override Voice.Hairpin #'stencil = #(lambda (grob) (ly:stencil-combine-at-edge
(ly:hairpin::print grob) 1 -1 (ly:text-interface::print grob) ))
\override Voice.Hairpin #'text = \markup { \smaller \italic "molto" }
}
\new Staff {
\hairpinMo
Certainly! You can include a full \score{...} block in a \markup.
The main work is then to get rid of all the staff lines, time and key
signatures and so on, if you only want the note. I seem to remember
that there have been some such examples on the mailing list, though.
Maybe also in LSR.
/Ma
Graham Percival schrieb:
> Vivian Barty-Taylor wrote:
>> I would suggest putting a note on the backend pages of the Program
>> Reference. It seemed such a logical thing to just do \once \override
>> DynamicText #'padding = #4 that I didn't even check if that was
>> possible. (I then remembered that
Hi,
i'm just starting to learn LilyPond, so i have questions:
1. Is it possible to mix separate bar rules (like \sepbarrules in
MusixTeX) for different instruments and "common" bar rules for them
(like \stdbarrules in MusixTeX)?
2. How to hide time signature at all? Sorry, i
I'm trying to enter some Italian text. "va-ga, e" I would like the "ga, e" to be
associated with the same dotted quarter note and have a tie marking on the
lyrics. Is this possible yet?
\version "2.6.0"
melody = \relative c'' {
\clef treble
\key c \major
\time 4/4
Just noticed that I didn't reply to the group, so here it is again:
-- Forwarded message --
From: Joseph Haig <[EMAIL PROTECTED]>
Date: 28-Feb-2007 15:14
Subject: Re: Lyrics and the dipthong?
To: Jared <[EMAIL PROTECTED]>
I think this is what you want:
Io che d'al -- ti
Look at the example at this page:
http://lilypond.org/doc/v2.10/Documentation/topdocs/NEWS
Bert
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lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I would like to contact all spanish-speaking users in this list, just
to have an estimation of how many of us are there, and possibly
foundate a lilypond-user-spanish list.
Here at the Conservatorio Superior de Musica de Badajoz we are
teaching LilyPond to many students as an optative subject, bot
It's a pity that we cannot enter any general documentation for a layout
object
in the program reference. We do have this possibility for each interface and
for the engravers. The request below is just one example of why this
would be
useful. It shouldn't be difficult to add a property "document
On Wed, Feb 28, 2007 at 04:19:14PM +0200, Dmytro O. Redchuk wrote:
> Hi,
>
>i'm just starting to learn LilyPond, so i have questions:
>
>1. Is it possible to mix separate bar rules (like \sepbarrules in
> MusixTeX) for different instruments and "common" bar rules for them
> (l
I would think this should be automatic but is there a way to get the
lower "stem" down instead of up conflicting with the upper stem? I
would think this is a bug.
Are the error messages necessary?
Why the "line feed" after the first measure?
\version "2.11.20"
clm= \relative c'' { \repea
On Wed, Feb 28, 2007 at 06:07:20PM +0200, Dmytro O. Redchuk wrote:
> On Wed, Feb 28, 2007 at 04:19:14PM +0200, Dmytro O. Redchuk wrote:
> > Hi,
> >
> >i'm just starting to learn LilyPond, so i have questions:
> >
> >1. Is it possible to mix separate bar rules (like \sepbarrules in
> >
Hi, Francisco. This is Diosnel Herrnsdorf, from Paraguay. I don't know if
there are other people using Lily here, but you can at least count one :)
Regards,
- Original Message -
From: "Francisco Vila" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, February 28, 2007 15:33
Subject: Spanish-s
This seems to be related to
http://code.google.com/p/lilypond/issues/detail?id=318
I forward it to bug-lilypond.
The "line feed" goes away if you use
\new Staff {
\clm \clma << \clm \\ \clma >>
}
But I don't understand why it happens. It somehow
seems related to the fact that you have separate
\
ok, now I get staff lines, time and key removed... But I don't know
how to align the note-symbol with the text (so that the symbol
behaves like a letter and I can type text before and after).
Same problem in the second example where I use the Feta-Font
How can I align two elements of a \markup
Greetings,
I'm working on a hymn where the soprano has a dotted quarter note on
treble F, and the alto has a half note a step below on E-flat. The
augmentation dot of the F is showing up following the E-flat instead of
the F--making the E-flat look like a dotted half note. (I'm not sure,
but
Ole Schmidt wrote:
ok, now I get staff lines, time and key removed... But I don't know
how to align the note-symbol with the text (so that the symbol
behaves like a letter and I can type text before and after).
Same problem in the second example where I use the Feta-Font
How can I align two
On 2/28/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Maybe something like
\mark \markup { \vcenter "To Coda" \musicglyph #"scripts.coda"}
is close to what you want.
This is close, yes. But the problem is that the final result is
centered above the bar line, when I actually want the coda sign
Dmytro O. Redchuk wrote:
On Wed, Feb 28, 2007 at 06:07:20PM +0200, Dmytro O. Redchuk wrote:
On Wed, Feb 28, 2007 at 04:19:14PM +0200, Dmytro O. Redchuk wrote:
Hi,
i'm just starting to learn LilyPond, so i have questions:
1. Is it possible to mix separate bar rules (like \sepbarru
David Feuer wrote:
On 2/28/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Maybe something like
\mark \markup { \vcenter "To Coda" \musicglyph #"scripts.coda"}
is close to what you want.
This is close, yes. But the problem is that the final result is
centered above the bar line, when I actu
Maximilian Albert wrote:
How about the end of section 6.6.3 "Dynamics"? There is already a
subsection called "Commonly tweaked properties" where it is implicitly
mentioned that DynamicTextSpanner is responsible for the movement of
dynamic text (by ways of an example). I could imagine that this ki
Thanks, added as
http://code.google.com/p/lilypond/issues/detail?id=324
I don't think it's related to 318, since this problem persists if we use
half notes instead of whole notes.
Cheers,
- Graham
Mats Bengtsson wrote:
This seems to be related to
http://code.google.com/p/lilypond/issues/deta
I'm having a lot of trouble, mostly with spacing, in a vocal piece,
using LilyPond 2.11.19. I could really use some help. I've tried
various tweaks without much luck. I've gone back to the defaults so
anyone willing to help will have a good starting point. The .ly files
are available at
http:/
On 2/28/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Try adding
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
just before the \mark command. You can even use something like
\once \override Score.RehearsalMark #'self-alignment-X = #0.8
(1.0 corresponds to RIGHT, i.e. complete a
On 2/28/07, David Feuer <[EMAIL PROTECTED]> wrote:
2. The lyrics aren't positioned so wonderfully. In measures 34-38
and 42-46, where the baritone splits from the bass, I wanted to put
the baritone lyrics above the staff, so both sets of lyrics would be
close to the notes, but the dynamics pus
On Wednesday 28 February 2007 03:53, Mats Bengtsson wrote:
> > So, how do I get rid of that empty staff at the beginning?
> Just read the whole section on "Hiding staves" carefully, and you will
> find the answer.
I guess you refer to this sentence:
The first system shows all staves in full. If emp
In the meantime I find a solution myself (see below) but your
horizontal alignment fix of the \score element is surely better. I
will implant it tomorrow.
thank you
ole
\markup{ \column {\line { { Il flatterzunge legato per il
clarinetto: }\left-align \vcenter {
[Was: An extra accidental-style might be needed]
Greetings,
A few days ago, I tried to send a question on this list about the way
accidentals are often written in recent scores :
--the first accidental in a bar is printed (like in 'default style)
--if a note with an accidental is immediately r
Valentin Villenave wrote:
[Was: An extra accidental-style might be needed]
If I understand you request correctly, the only new feature needed is
the ability to distinguish between a note that has just ended, and a
note that ended somewhat earlier in the same measure.
I will take a look at t
Hello,
I'm trying to print two scores (with the same piece for both), on the
same page. I'd like to be able to insert vertical spacing between the
first and second scores so as to push the second score down the page,
leaving blank space between the end of the first score and the second
score.
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