Hi Trevor,
thanks very much for getting back to me! I just downloaded and tried
it. Spacing seems much better controllable, but lilypond segfaults now
for parts of the score (it doesn't segfault in 2.11.0), so I can't
really tell until I've found out what causes the segfault.
There is one issue n
I just installed lilypond using a debian package, but when i try to convert a
midifile into a .ly file, midi2Ly gives me an error:
[EMAIL PROTECTED]:~$ midi2ly audio/arutiunian.mid
Traceback (most recent call last):
File "/usr/bin/midi2ly", line 60, in ?
import lilylib as ly
ImportError: No
Hello,
In a song, there is a second voice singing the same lyrics for a
short time, so I would like to keep only one staff.
The following example is OK :
% ** this does not work
\new Staff \relative c' {<<
{ s2. e'8 e~
e4 e8 e~ e2
}
{ r2. g,8 a~
a4^\markup \fre
Hi,
below is an example to show my problem with 2.11.2. In order to make
it work you will have to put the attached eps-file in the same folder
as the example.
The second time signature was below the graph in 2.11.0 All time
signatures should be horizontally aligned.
Maybe I'm doing it wrong alt
Hi,
there was an error in the example I just sent. The third line was
incomplete. It should read:
#(set-global-staff-size 15)
--
Orm
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Citando Christophe Dang Ngoc Chan <[EMAIL PROTECTED]>:
>
> Now I try to dissociate the two voices, and the lyrics do not align
> any longer.
>
> % ** this does not work
> \new Staff \relative c' {<<
> { s2. e'8 e~
>e4 e8 e~ e2
> } \\
> { r2. g,8 a~
>a4^\marku
klaas moerman <[EMAIL PROTECTED]> writes:
> I just installed lilypond using a debian package
> midifile into a .ly file, midi2Ly gives me an error:
> How can I fix this?
File a bug with debian, see http://bugs.debian.org
Jan.
--
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The musi
In the second example, the first 3 lyric-syllables are left aligned to the
note-head because I specified the durations and didn't use lyricsto. Intend
behaviour?
% Created on Thu Dec 14 07:50:40 GMT-03:00 2006
\version "2.10.2"
\include "english.ly"
verse= \lyricmode {
come8 good old friends
}
Le 16 déc. 06 à 13:10, Eduardo Vieira a écrit :
For these cases you
should use \lyricsto and \lyricmode. "
You could do this to fix it:
OK. So I guess I have to put all the lyrics in \lyricsto mode.
I'll try it, thanks a lot.
--
Christophe Dang Ngoc Chan
[EMAIL PROTECTED]
On 12/16/06, Orm Finnendahl <[EMAIL PROTECTED]> wrote:
Hi Trevor,
thanks very much for getting back to me! I just downloaded and tried
it. Spacing seems much better controllable, but lilypond segfaults now
for parts of the score (it doesn't segfault in 2.11.0), so I can't
really tell until I've
Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes:
> klaas moerman <[EMAIL PROTECTED]> writes:
>
>> I just installed lilypond using a debian package
>
>> midifile into a .ly file, midi2Ly gives me an error:
>
>> How can I fix this?
>
> File a bug with debian, see http://bugs.debian.org
It's also in Fe
Johan Vromans <[EMAIL PROTECTED]> writes:
> It's also in Fedora Core 5.
> Klaas, if you need a wordk-around just email me.
Workaround? Why isn't this fixed in Fedora?
[Where is LilyPond's bug page with Fedora, I cannot find the word Bug
on http://fedora.redhat.com or any of its subpages I trie
[Quoting Jan Nieuwenhuizen, on December 16 2006, 15:44, in "Re: midi2ly error"]
> Johan Vromans <[EMAIL PROTECTED]> writes:
>
> > It's also in Fedora Core 5.
>
> > Klaas, if you need a wordk-around just email me.
>
> Workaround? Why isn't this fixed in Fedora?
It appears that midi2ly miscalcul
Jan Nieuwenhuizen wrote:
Johan Vromans <[EMAIL PROTECTED]> writes:
It's also in Fedora Core 5.
Klaas, if you need a wordk-around just email me.
Workaround? Why isn't this fixed in Fedora?
[Where is LilyPond's bug page with Fedora, I cannot find the word Bug
on http://fedo
First, since this post contains constructive criticism I want to start by
saying that I think Lilypond is a pretty nice piece of software. A bit steep
on the learning curve maybe, but excellent all the same.
In terms of making it easier, I don't know if it would be straight forward or
not, but
Orm Finnendahl escreveu:
> Hi Trevor,
>
> thanks very much for getting back to me! I just downloaded and tried
> it. Spacing seems much better controllable, but lilypond segfaults now
> for parts of the score (it doesn't segfault in 2.11.0), so I can't
segfaults are always serious errors. Please
On Friday 15 December 2006 22:07, Frédéric Chiasson wrote:
> Then, well, who can help me??
>
> Frédéric
>
> 2006/12/15, Mats Bengtsson <[EMAIL PROTECTED]>:
> > I'm certainly not any expert in Scheme coding for LilyPond. Please
> > always keep the discussion on the mailing list, for the
> > benefit
On Saturday 16 December 2006 16:41, Jonathan Henkelman wrote:
> First, since this post contains constructive criticism I want to start by
> saying that I think Lilypond is a pretty nice piece of software. A bit
> steep on the learning curve maybe, but excellent all the same.
>
> In terms of making
i get a strange error at the converting to pdf stage .. ?
--
Mehmet Okonsar,
pianist-composer-conductor
www.okonsar.com
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I am using the template provided in the manual. I have changed the formating
of the ChoirStaff a bit, but otherwise it is unchanged. I have attached a
reduced version of my current code in a followup post (!?) as it doesn't seem
to matter where I put it in this one, I am accused of top-posting
Assume we know about sopranoMusic, sopranoWords, etc. alto, tenor, bass and
that the choirstaff has been defined (basically as done in the template).
>\new PianoStaff <<
> \new Staff << \clef treble
>\set Staff.printPartCombineTexts = ##f
>\partcombine
> << \Key
Han-Wen Nienhuys wrote:
Orm Finnendahl escreveu:
Hi Trevor,
thanks very much for getting back to me! I just downloaded and tried
it. Spacing seems much better controllable, but lilypond segfaults now
for parts of the score (it doesn't segfault in 2.11.0), so I can't
segfaults are alwa
Jonathan Henkelman yahoo.ca> writes:
FYI anyone else with similar problems. I seem to have fixed the problem by re-
installing xemacs from the xemacs page rather than from the cygwin page. Still
some problems, but at least the lilypond-major mode works.
J
i have voiceOne and voice Two in a staff to make poly so i make them
oneVoice but when im adding lyrics the lyrics only goes to voiceOne
how can i fix that?
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Hi Han-Wen,
Am 16. Dezember 2006, 16:48 Uhr (+0100) schrieb Han-Wen Nienhuys:
>
> segfaults are always serious errors. Please send the offending input.
This caused the segfault:
\acciacatura s32
It worked in 2.11.0 but for this score I found a way around it.
Do you know why the markup is ren
Strange: not always but sometimes I get the following error when I use
\bar "dashed" in version 2.10.2
**
Layout output to `Score.ps'...
Converting to `Score.pdf'...
`gs -q -dSAFER -dDEVICEWIDTHPOINTS=595.28 -dDEVICEHEIGHTPOINTS=841.89
-dCompa
%**
\version "2.10.2"
%**
numeroHimno = "2"
tituloHimno = "Padre En Los Cielos"
%
\paper {
oddHeaderMarkup = \markup { \right-align \bold \large \numeroHimno }
print-page-number
I'm working on an organ score for my wife and there is some notation that (to
me) seems to trip up lilypond.
There are three voices on one staff:
one with a quarter note on f at the top of the treble cleff slurred to a
quarter note on g at the top of the treble cleff
one that is the same thing,
Thanks for the later answer, that is what i'm using and it works.
For the Lilypond code with the Scheme code, I just want to execute the
Lilypond code, so I should write :
(define-music-function (variables)
(let ((music #{ LilyPond code #}))
( (make-music music)
other Scheme code )))
?
Fre
I have some notes that are on the upper portion of a piano system, like this:
<< {
8 g,_\<( bes ees g bes \times 3/2 { ees8[ f] } \times 3/2
{ g[ bes]\! }
\times 3/2 { bes8 aes } \times 3/2 { g f } ees2.
d2.^\markup{ \italic \bold "tr." } \grace { c16[ d] } ees2.)
} \\ {
I found the following tip on page 242 of the lilypond manual:
\overrideProperty
#"Score.NonMusicalPaperColumn"
#'line-break-system-details
#'((fixed-alignment-extra-space . 5))
for increasing the space between individual systems. What about the
opposite? Is there an easy way for me to reduce t
Never mind. Found my answer. On the same page of the manual no less:
"The distance for fixed-alignment-extra-space may also be negative."
Sorry to trouble the list.
On 12/16/06, Carl Youngblood <[EMAIL PROTECTED]> wrote:
I found the following tip on page 242 of the lilypond manual:
\overrid
i have something like
\version "2.10.2"
tope = \relative c' {
\key ees \major
\time 4/4
\new Voice = melodia {
<< { \stemUp bes'2 4 } \\ { \stemDown d ( f ) } >>
}
}
versoUno = \lyricmode {
\set stanza = "1. "
¡San4 -- to!4 ¡San4 -- to!4
}
\score {
<<
\context ChoirStaff <<
\new Staff = t
how can i tie 2 chords with different notes head?
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I'm trying to write an arpeggio on a piano system that begins in the
bass clef and continues in the treble clef with the same beam for the
eight notes. In other words, there are a series of eighth notes in
the arpeggio. The ones in the bass clef have note stems going down
from the beam and the o
Hello,
maybe placing your arpeggio in separate voice and changing staves during
arpeggio would help - seek section 7.1.2 of the manual - Manual Staff
Switching.
Tomas Valusek
Carl Youngblood napsal(a):
I'm trying to write an arpeggio on a piano system that begins in the
bass clef and contin
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