I hope you don't adjust between-system-padding but also
between-system-space.
/Mats
Rick Hansen (aka RickH) wrote:
I'm doing it the way I mentioned, by locking the global size and scaling just
the staff. My scaling the music slightly does not look drastic but does
eliminate page breaks. I
Some of the properties listed under text-spanner-interface look promising.
Did you try enclose-bounds, shorten-pair or bound-padding, for example?
/Mats
Trevor Bača wrote:
Hi,
Is there any way to get the "tr" trill glyph in a trill spanner to
left-align to the parent notehead? I would think
On 8/4/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Some of the properties listed under text-spanner-interface look promising.
Did you try enclose-bounds, shorten-pair or bound-padding, for example?
Alas, yes, and they're all ineffectual.
It's as though TrillSpanner doesn't implement most of
Hi,
Just noticed an odd thing with time signatures. The following prints
double time signatures at the beginning of a bar:
\version "2.9.11"
\score {
<<
\new Staff \relative c' {
\time 8/8
\acciaccatura c16
c4 d4 r4 r4
}
\new Staff \relative c' {
\time 8
Please read the section on grace notes in the manual.
/Mats
Henrik Frisk wrote:
Hi,
Just noticed an odd thing with time signatures. The following prints
double time signatures at the beginning of a bar:
\version "2.9.11"
\score {
<<
\new Staff \relative c' {
\time 8/8
\acciac
> >> The "o" with no slash for diminished and "+" for augmented 5th forms
> are
> >> widely accepted though.
> >>
> >
> > Yes, but (a) the "o" can mean the diminished fifth only,
> Not correctly. The circle always means fully diminished and the slashed
> circle means half diminished. I a
hello,
i'm trying to use \RemoveEmptyRhythmicStaffContext for a drums, but it doesn't
work(disappear).
can anybody tell me what i'm doing wrong?
i'm using lilyond 2.8.4.
\layout {
\context { \RemoveEmptyRhythmicStaffContext }
}
{
\relative c' <<
\drums
\drums creates a DrumStaff, not a RhythmicStaff. There is no definition
for \RemoveEmptyDrumStaffContext, but an inspection of the definition
of RemoveEmptyRhythmicStaffContext in engraver-init.ly leads to:
\layout {
\context {
\DrumStaff
\remove "Axis_group_engraver"
Mats Bengtsson-4 wrote:
>
> I hope you don't adjust between-system-padding but also
> between-system-space.
>
>/Mats
>
>
At my current skill level, I set between-system-space to -1 and just adjust
the between-system-padding. I need to make more examples and do more
experiments to lear
Hello,
i would love some help with this!
I'm trying to set the beams in a piece with a 12/8 time signature so
that I don't have to manually put in " [ ] " brackets around note
entries.
the 8th notes in the 12 is grouped like:
3 4 3 2
so, in other words, rather than have to put in brackets l
Adam Good wrote:
> Hello,
>
> i would love some help with this!
>
> I'm trying to set the beams in a piece with a 12/8 time signature so
> that I don't have to manually put in " [ ] " brackets around note
> entries.
>
> the 8th notes in the 12 is grouped like:
> 3 4 3 2
>
> so, in other words
I have no idea how to get an A7 (b9) into my Liliypond type setting
I tried in the chordmode a:7es9. but it doesn't work
Chord spelled A C# E G Bb
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John Mandereau wrote:
Adam Good wrote:
Hello,
i would love some help with this!
I'm trying to set the beams in a piece with a 12/8 time signature so
that I don't have to manually put in " [ ] " brackets around note
entries.
the 8th notes in the 12 is grouped like:
3 4 3 2
so, in other
[EMAIL PROTECTED] wrote:
I have no idea how to get an A7 (b9) into my Liliypond type setting
I tried in the chordmode a:7es9. but it doesn't work
Chord spelled A C# E G Bb
a7.9-
Not promising it will be written as you want it but this is how to
modify extensions of chord names. It's no
On Fri, 04 Aug 2006 14:00:14 +0200, Johannes Schöpfer wrote:
>
>> >> The "o" with no slash for diminished and "+" for augmented 5th forms
>> are
>> >> widely accepted though.
>> >>
>> >>
>> > Yes, but (a) the "o" can mean the diminished fifth only,
>> Not correctly. The circle always m
try a:7+9
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Subject: A7(b9) ???
Date: Fri, 4 Aug 2006 14:08:47 -0600 (GMT-06:00)
I have no idea how to get an A7 (b9) into my Liliypond type setting
I tried in the chordmode a:7es9. but it doesn't work
Chord spelled
On Thu, 03 Aug 2006 23:10:48 +0200, Eyolf Ostrem wrote:
> On Thu 03 August 2006 22:35, Rick Hansen (aka RickH) wrote:
>> You'll hardly find a jazz fake book that does not use triangles
>> somewhere or always for M7, take a look at Aebersold, Hal Leonard, Sher,
>> etc.
>
> Agreed - but that's jazz
Mats,
thanks for answering...interesting, that's what I was doing before as
it seems logical but i'm not getting the results that I want, beams are
not correct. code for the score is posted below. any ideas?
No, not in that section but in the section on "Setting
automatic beam behavior". Try
Academics poison the well when they use the system for analysis, which is
a purpose for which it was never intended. Do not follow the
innovations suggested by academic articles. It leads to such abominations
as the flat13th chord or the B#7, which is better written C7, regardless
of a big fat b
On Fri, 04 Aug 2006 16:39:19 -0400
David Raleigh Arnold <[EMAIL PROTECTED]> wrote:
> As I wrote years ago, the best thing to do is to adhere to that
> strictly limited symbol set, and always to base spelling on quick
> recognition rather than musical meaning, which is irrelevant in
> improvisation
Ed Ardzinski wrote:
try a:7+9
That + actually raises the seventh giving Amaj7/9 (written with the
triangle. Joe wanted a flat (not sharp) ninth.
a:7.9- does work.
Paul
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Oops. Haven't been using much lately. Guess I should have waited until I
got home and tried it - or looked at something I've actually written. Would
have found it quickly... :-(
From: Paul Scott <[EMAIL PROTECTED]>
To: Ed Ardzinski <[EMAIL PROTECTED]>
CC: lilypond-user@gnu.org
Subject: Re:
Adam,
I also expected Mats' solution to work - but it doesn't. If this is by
design or random I can't say, but if you use
#(override-auto-beam-setting '(end * * * *) 3 8)
#(override-auto-beam-setting '(end * * * *) 7 8)
#(override-auto-beam-setting '(end * * * *) 10 8)
and
\time 12/8
\set beatL
how can I get a slash in beamed graces?
\override Stem#'stroke-style = #"grace" didn't work
--
Mehmet Okonsar,
pianist-composer-conductor
www.okonsar.com
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> \drums creates a DrumStaff, not a RhythmicStaff. There is no definition
> for \RemoveEmptyDrumStaffContext, but an inspection of the definition
> of RemoveEmptyRhythmicStaffContext in engraver-init.ly leads to:
>
> \layout {
> \context {
>\DrumStaff
>\remove "Axis_grou
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