Jean-marc LEGRAND wrote:
>...
>But now, I'de like to lower the figure line, and I don't know which property
>to use within
>FiguredBass context : can, anyone help me ?
>
>
>
Read the section on Vertical Spacing in the manual.
The mechanism is exactly the same for FiguredBass
as for Staff,
Thanks Graham.
The section I needed was 9.2.6 (I think 9.2.3 simply describes what I
said I'd tried to do...)
And no disrespect, but I think Thibault is spot on with his first
sentence. The lilypond documentation is the size of a small novel!
Finding what you're looking for isn't easy.
And I kno
And no disrespect, but I think Thibault is spot on with his firstsentence. The lilypond documentation is the size of a small novel!
Finding what you're looking for isn't easy.Personally, I find it easier to work with the one page html version and just let the browser search for hopefully good keywo
Thanks for your response!
Regards
marino
> Hi there!
> First, let me congratulate you all for your so successful efforts.
> Then, one questions:
> Is it possible to align vertically two key accidentals? It would be useful
> to write correctly a baroque-like “scordatura” (with \set
> Sta
Hi, Simon (et al.):
Personally, I find it easier to work with the one page html version
and just let the browser search for hopefully good keywords.
(The pdf version does not work as well due to the search being
slower and I cannot seem to copy text from it..)
Interesting...
I find the PDF
Philip wrote:
I'm have become familiar with the basics of this software, and am exploring some
more advanced features. One particular interest to me was converting MIDI files
to .LY format.
I'm running the latest vershon of LilyPond on Mac OS X v. 10.4.7 on an Intel
processor. I am also a Linu
Quoting Eduardo Vieira <[EMAIL PROTECTED]>:
Hello!
Replace this line:
<< \new Voice = "staffCinco" { \voiceOne { bes'4. bes8 4 } }
{ \voiceTwo f4 f } \oneVoice >>
With this:
<< { \voiceOne { bes'4. bes8 4 } } { \voiceTwo f4 f } >>
\oneVoice
I guess that you mean
<< { \voiceOne { bes'4. b
I hope you know about Mutopia, http://www.mutopiaproject.org/
/Mats
Quoting Stewart Holmes <[EMAIL PROTECTED]>:
Okay... this may seem like a strange place for this, but it's seem
the best place to put it in order to get attention/opinions.
What I'm proposing is some kind of a collaboration
Yes. Harsh this may sound, but how much of the music on Mutopia would you be
satisfied to print out, and use yourself? From a quick browse through
various sections, I have to say that a large amount of the music on there is
fairly poorly engraved. My proposition is for much more strict quality
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On 5 Jul 2006, at 2:09 pm, Stewart Holmes wrote:
Yes. Harsh this may sound, but how much of the music on Mutopia
would you be satisfied to print out, and use yourself? From a quick
browse through various sections, I have to say that a large amou
The lilycode I worked so hard on, for so many hours doesn't work anymore. Now
what do I have to do to correct it?
I want top quality "engraved" notation no matter how many hours it takes.
[EMAIL PROTECTED]:~> cd
/home/jl/lilypond/LilyPondProjects/08-TheOneThatGotAway-T-4AD
[EMAIL PROTECTED]:~/
I notice you're in the UK too ...
I don't know how it works, but a lot of the stuff I'm doing
may be licensable but not public domain. Especially stuff that's licenced with
the Performing Rights Society, we may be able to typeset it ourselves, then sell
(probably printed only :-( parts of s
On 7/5/06, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Simon (et al.):> Personally, I find it easier to work with the one page html version> and just let the browser search for hopefully good keywords.> (The pdf version does not work as well due to the search being
> slower and I cannot seem to
Wol,
Thanks... this is something I haven't considered, I
don't really have any experience with the PRS. My original intention was to
source entirely from public domain sources, but this raises an interesting
issue.
As a general thing... I'm probably going to let
this topic run for anothe
Read the section on "Updating Old Files" in the manual.
/Mats
Quoting [EMAIL PROTECTED]:
The lilycode I worked so hard on, for so many hours doesn't work
anymore. Now what do I have to do to correct it?
I want top quality "engraved" notation no matter how many hours it takes.
[EMAIL PROT
On Wednesday 05 July 2006 07:19, Ezequiel Sierra wrote:
> How can i set it to all the chords? not just one?
You could probably do something like: (untested)
#(define (parenthesis-ignatzek-chord-names in-pitches bass inversion
context)
(make-markup #'line (list "(" (ignatzek-chor
On Wednesday 05 July 2006 15:09, Stewart Holmes wrote:
> Yes. Harsh this may sound, but how much of the music on Mutopia would you
> be satisfied to print out, and use yourself? From a quick browse through
> various sections, I have to say that a large amount of the music on there
> is fairly poorl
I suggest that you start a discussion thread on mutopia's mailing lists:
If
you have constructive ideas on how to create an archive of high-quality
public domain notes, then I would strongly recommend you to use your ideas
to
improve mutopia; if that's not possible, use mutopia as a base for
cr
On 7/5/06 1:58 AM, "Simon Dahlbacka" <[EMAIL PROTECTED]> wrote:
>
>> And no disrespect, but I think Thibault is spot on with his first
>> sentence. The lilypond documentation is the size of a small novel!
>> Finding what you're looking for isn't easy.
>
The size of the manual for any capable nota
On 7/5/06, Stewart Holmes <[EMAIL PROTECTED]> wrote:
> I suggest that you start a discussion thread on mutopia's mailing lists:
> If
> you have constructive ideas on how to create an archive of high-quality
> public domain notes, then I would strongly recommend you to use your ideas
> to
> improv
On 7/5/06, Stewart Holmes <[EMAIL PROTECTED]> wrote:
> I suggest that you start a discussion thread on mutopia's mailing
> lists:
> If
> you have constructive ideas on how to create an archive of
> high-quality
> public domain notes, then I would strongly recommend you to use your
> ideas
> t
> Hi, Simon (et al.):> > > Personally, I find it easier to work with the one page html version > > and just let the browser search for hopefully good keywords.> > (The pdf version does not work as well due to the search being > > slower and I cannot seem to copy text from it..)> > Interesting..
What is the problem here?
http://www.ezequielsierra.com/1.txt
i did as told, still not working
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I am exploring the use of the feature described in section 6.2.2 of
checking that the notes are in the correct octave.
The manual says:
Octave checks make octave errors easier to correct: a note may be followed by
=quotes which
indicates what its absolute octave should be. In the following examp
I have been struggling to understand the documentation of \octave
in section 6.2.2 (Lilypond 2.8.3 documentation - PDF file page 85)
The key to how this works is if the following sentence is reworded:
This checks that pitch (without quotes) yields pitch (with quotes) in
\relative mode.
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