On Wednesday 15 February 2006 06.28, Richard Schoeller wrote:
> I'd like to weigh in on this one.
>
> My experience is totally contrary to the way this discussion has gone.
> The actual entry and correction of the music is a trivial small part of
> the time I spend working with Lilypond. I spend m
I'm not getting a cautionary naturalization on the lower A - and it sure
would be nice to have! In other instances where the notes are in the
same octave it works fine.
#(set-accidental-style 'modern-cautionary)
f''4 g''8 aes''8 a'4 d''4
Running XP and version 2.6.4-5
Arthur
--
No virus
Hello Richard,
As a different data point you can compare to to explain the kind of
performance (or lack thereof) you get:
I produce a 70 pages conductor's score in less than half an hour (and
this is a *very* conservative
estimate) on a two years old PC. True, it has 2GB of memory, but other
t
Quoting Erik Sandberg <[EMAIL PROTECTED]>:
...
BTW, some watching of the process leads me to think that one of the
biggest performance sinks is conversion to PDF.
Sounds very strange. However, if ps->pdf conversion does take forever, then
you can always use the --ps switch to lilypond (which s
Works fine with 2.6.5 on Windows.
Fred
> I'm not getting a cautionary naturalization on the lower A - and it
> sure would be nice to have! In other instances where the notes are in
> the same octave it works fine.
>
> #(set-accidental-style 'modern-cautionary)
> f''4 g''8 aes''8 a'4 d''4
>
> R
Hi Art!
At least for WinXP v2.7.33-3 it works fine using
\score {
\new Staff {
#(set-accidental-style 'modern-cautionary)
f''4 g''8 aes''8 a'4 d''4
}
}
If there is no other reason to neglect I would recommend to update.
Kind regards,
Thies Albrecht
___
While waiting for a knowledgeable reply on this list, which never
came, I managed to find a solution.
The helpful volunteers who answer questions on this mailing list are
happy that you managed to find a solution.
It took a fair amount of experimenting to get it right, principally
given the
Mats Bengtsson wrote:
Quoting Erik Sandberg <[EMAIL PROTECTED]>:
...
BTW, some watching of the process leads me to think that one of the
biggest performance sinks is conversion to PDF.
Sounds very strange. However, if ps->pdf conversion does take forever,
then
you can always use the --ps
Folks,
In the first part of a tune I'm doing, I want to have a repeat volta (2)
with 2 alternatives.
Like:
\repeat volta 2 {
\grg f4. _\markup { transition } ( f4. )
\hdblg g4. ( g4. )
\dblA A4. ( A4. )
f8 e8 f8 \dbld d4 e8 \break
\grg f4. ( f4. )
\hdblg g4. ( g4. )
e8 A8 e8 A8 f
Mats Bengtsson ee.kth.se> writes:
>
> Quoting alexandre reche e silva yahoo.com.br>:
>
> > I still need help because of a strange side effect: using /mark to
> > "titling" adds a empty staff at the top of the others?!?! (This is really
> > embarrassing. Imagine. An uninvited blank top staff...
Quoting Marius Amado Alves <[EMAIL PROTECTED]>:
...
All that the manual (version 2.6.6) says about \filled-box is:
\filled-box xext (pair of numbers) yext (pair of numbers) blot (number)
Draw a box with rounded corners of dimensions xext and yext.
I suggest completing this as follows.
\fill
I'm getting some odd results. I'm setting a medium sized score
(arrangement of "Mars" from "The Planets" for large brass ensemble).
When processing the score at some font sizes I get impossible output.
Impossible in that LilyPond tries to put a system break on a page. The
result is that I see jus
I produce a 70 pages conductor's score in less than half an hour (and
this is a *very* conservative estimate) on a two years old PC. True, it
has 2GB of memory, but other than that, it is to be considered a fairly
old beast by today's standards.
...
And it takes forever on my 700Mhz PII! So,
Quoting Stuart Lowe <[EMAIL PROTECTED]>:
Folks,
In the first part of a tune I'm doing, I want to have a repeat volta (2)
with 2 alternatives.
Like:
\repeat volta 2 {
\grg f4. _\markup { transition } ( f4. )
\hdblg g4. ( g4. )
\dblA A4. ( A4. )
f8 e8 f8 \dbld d4 e8 \break
\grg f4. ( f4.
Citerar Mats Bengtsson <[EMAIL PROTECTED]>:
> Quoting Erik Sandberg <[EMAIL PROTECTED]>:
> > ...
> >> BTW, some watching of the process leads me to think that one of the
> >> biggest performance sinks is conversion to PDF.
> >
> > Sounds very strange. However, if ps->pdf conversion does take forev
On 15-Feb-06, at 11:36 AM, Mats Bengtsson wrote:
Quoting Marius Amado Alves <[EMAIL PROTECTED]>:
\filled-box xext (pair of numbers) yext (pair of numbers) blot
(number)
Draw a box with rounded corners of dimensions xext and yext.
I'd rather propose to say something like:
\filled-box xext
David Bobroff wrote:
I'm getting some odd results. I'm setting a medium sized score
(arrangement of "Mars" from "The Planets" for large brass ensemble).
When processing the score at some font sizes I get impossible output.
Impossible in that LilyPond tries to put a system break on a page. The
r
Josiah,
You got to this response before I could. If the problem is swap
thrashing, then having 8x the memory to handle a score that is 3x the
pages should be plenty. I had already disabled point-and-click. It
helped. The idea of using the PS output for proofing and going to PDF
only when I hav
Yeah,
I found an earlier post to this group linked through the web talking
about Preview not handling embedded fonts very well. I resorted to using
Aacrobat and it seems to work fine.
On a side note, I could only get the error to manifest when printed on
certain printers. It's quite possible view
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