>> A. LilyPond actually _does_ support the Latin1 character set, as Latin1
>> and Unicode coincide on the first 256 codepoints.
>
> I don't quite see that. If I put an e-acute (a byte of decimal value
> #233) in a LilyPond file, it is skipped -- it does not appear in the PDF
> output. I have to
I am using windowsXP and lilypond-windows.exe (when I use lilypond.exe
no log-file is produced).
I renamed gswin32.exe to gs.exe and tried again. It still doesn't work.
Then I changed my batchfile:
gs -q -dCompatibilityLevel#1.4 -sPAPERSIZE#"a4" -dNOPAUSE -dBATCH -r1200
-sDEVICE#pdfwrite -
> > A. LilyPond actually _does_ support the Latin1 character set, as
> > Latin1 and Unicode coincide on the first 256 codepoints.
>
> I don't quite see that. If I put an e-acute (a byte of decimal
> value #233) in a LilyPond file, it is skipped -- it does not appear
> in the PDF output. I have
[EMAIL PROTECTED] wrote:
Unicode only provides a way of specifying character codes for a wide
variety of symbols in the interior of a text file. But without font files
containing the order of 64K symbols, the current fragmented font-file
situation will continue to limit what can easily be output
I was wondering why windows could not recognize the *.exe file. In de
environmental variables I had included PATHEXT .py;.pyc. This was
necessary for python to recognize convert-ly.py. I removed this and now
lilypond produces the pdf-file! Now my remaining problem is Point-and-Click.
Jaap
Werner LEMBERG wrote:
I just type-set a piece using version 2.7.7 and this piece also
had some ties in it. In this example I thought the new behavior was
a bit odd as I have two ties in a row but they are longer note
values and should they not appear at the same level? I noticed that
the chan
Hi all,
I've spent the greater part of my holiday completely rewriting the program
that converts NoteWorthy Composer files to LilyPond.
It's now completely written in C++ and adding a separate MusicXML frontend
should be relatively easy. But that has to wait for a next holiday (if there
is any int
On 9/4/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Werner LEMBERG wrote:
> >>I just type-set a piece using version 2.7.7 and this piece also
> >>had some ties in it. In this example I thought the new behavior was
> >>a bit odd as I have two ties in a row but they are longer note
> >>valu
Hi,
I get an errormessage that I don't understand, the last lines of
lilypond --verbose are:
819][822][825][828][831][834][837][840][843][846][849][852][855][858][861][8
64][
867][870][873][876][879][882][885][888][891][894][897][900][903][906][909][9
12][
915][918][921][924][927][930][933][936][
The best way is to try to find an editor supporting UTF-8. (On Mac OS
X, I am using Xcode, which comes with the developer package.)
Unicode supports musical symbols, and that could later be used to
give a program like Lilypond a much better input syntax. (A Unicode
font that supports some o
On Sunday 04 September 2005 17.21, Hans de Rijck wrote:
> Hi,
>
> I get an errormessage that I don't understand, the last lines of
> lilypond --verbose are:
>
> 819][822][825][828][831][834][837][840][843][846][849][852][855][858][861][
>8 64][
> 867][870][873][876][879][882][885][888][891][894][89
Done.
h.
- Original Message -
From: "Erik Sandberg" <[EMAIL PROTECTED]>
To: ; "Hans de Rijck" <[EMAIL PROTECTED]>
Sent: Sunday, September 04, 2005 7:35 PM
Subject: Re: Cryptical errormessage
> On Sunday 04 September 2005 17.21, Hans de Rijck wrote:
> > Hi,
> >
> > I get an errormessage
Hello:
A question:
Is there some functionality in Lilypond that enables a score with fonts
like the Sibelius inkpen font?
Whenever I play live, many times it's in a venue that has dim lights and
reading the regular notehead is
difficult, but the inkpen font is thicker and has better visibility f
also is it possible to use other music fonts? Albeit Feta is probably the
best looking one around, fonts like November, Susato, Jazz, are nice too.
Some noteworthy additions to the Feta can be cluster noteheads and "laissez
vibrer" (notes with ties heads
Best Regards,
Mehmet Okonsar, pianist-compos
jEdit says it supports and converts among
ISO-8859-1,2,4,5,7,9,13,15
KOI8-R
US-ASCII
UTF8, 8Y,16,16BE,16LE
windows-1250,1251,1252,1253,1254,1257
and others
The ones I've used work OK.
The jEdit help file gives an explanation of defaults for various
environments.
> > A tie, regardless of being short or long, must not be placed
> > completely between two staff lines if the notes are also between
> > the same two lines.
>
> It depends. I think it should, but only in crowded situations.
Yes.
> The number of TCCs is binom(M, #ties). A chord spanning a singl
In a post a few weeks back I asked about the tie-configuration in
mulitiple voices. Nobody responded, so either it ws a really dumb
question - in which case I don't mind being told - or nobody understood
what I meant... In either case, here's a snippet that doesn't change the
tie behaviour. I've tr
Hi,
I'm using
\markup{ \small { \note #3 #0 #1 \note #3 #0 #1 = \note #3 #0 #1 \note #4 #0
#1 }}
to produce a swing notation header in my music.
I'd like to add a dot after the first note on the right hand side, making the
note lengths add up properly. (Two quavers = dotted quaver, semiquave
Hans de Rijck wrote:
The assertion message isn't very meaningful too, its logical the result is
'false', otherwise the assertion wouldn't have failed. It would be more
helpful to print what the assertion was.
Any ideas how to find the meaning of the above or how to debug this?
Yes, run LilyPon
Trevor Bača wrote:
Pregenerated tables included as part of the distribution (where the
large combinatorial spaces have already been searched ahead of time)?
Then do single lookups against the "known good table of optimal tie
configurations" during interpretation?
I think that would be problem
Werner LEMBERG wrote:
IIRC, I've sent an algorithm to the list a few years ago whether ties
should go up or down, depending on the vertical structure of a chord.
Maybe you can dig it out, and perhaps it helps in providing some
constraints.
IIRC, it was the algorithm that was present before I re
Mehmet Okonsar wrote:
also is it possible to use other music fonts? Albeit Feta is probably the
best looking one around, fonts like November, Susato, Jazz, are nice too.
Some noteworthy additions to the Feta can be cluster noteheads and "laissez
vibrer" (notes with ties heads
You can install th
Henrik Frisk wrote:
I think the recent discussions on LilyPond's new tie
behaviour has shown one thing: To a large degree it is up to musical style and
personal preference - which makes the tie-configuration command so
important (to me anyways).
2.~
\override TieColumn #'tie-config
Hi All..
Just a quick question with ancient time signatures. Looking a works by Frescobaldi and Monteverdi they use the old proportional time scheme. They use a mixture of ancient clefs and numbers .. e.g. O3 but there is no time signature setting for this so I guess this needs to be created with
Hello:
I seem to be getting strange midi output from lilypond.
After including another \score section, for the purpose of getting midi
output:
...
\score {
\Notes
\midi {
\tempo 4 = 108
}
}
After all the output from lilypond, when I play the generated midi file,
all I get i
I opened your midi file and there were 4 pages of rest measures then the
attached gif.
Without knowing more it doesn't seem that strange except for the number
of rests.
On the other hand I have no idea what your input was.
Jay
Daniel Tonda Castillo wrote:
Hello:
I seem to be getting strange
Nice of you to answer, I attach a png of the file, to show you how it
looks like.
Yeah the gif you send is exactly how it sounds.
I can't figure it out...
Daniel Tonda C.
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> > IIRC, I've sent an algorithm to the list a few years ago whether
> > ties should go up or down, depending on the vertical structure of
> > a chord. Maybe you can dig it out, and perhaps it helps in
> > providing some constraints.
>
> IIRC, it was the algorithm that was present before I rewrot
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> > 2.~ \override TieColumn #'tie-configuration =
> > #'((0 . -1) (2 . 1))
>
> I don't understand the problem: if I change the 2 to 4, the tie moves
> up (2.7.8 cvs).
>
Well it doesn't in 2.7.7, and since I can't use 2.7.8 because of
On Sun, 4 Sep 2005, Werner LEMBERG wrote:
> You are mixing up Unicode with one of its possible representations,
> UTF-8. A Unicode character is a number between 0x0 and 0x10;
> UTF-8 represents such code points as multi-byte sequences of varying
> length, where the range 0x00-0x7F is identic
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