In a post a few weeks back I asked about the tie-configuration in
mulitiple voices. Nobody responded, so either it ws a really dumb
question - in which case I don't mind being told - or nobody understood
what I meant... In either case, here's a snippet that doesn't change the
tie behaviour. I've tried a number of different ways of coding the same
music, but as long as there is more than one voice, I can't get
tie-configuration to make a difference.
I think the recent discussions on LilyPond's new tie
behaviour has shown one thing: To a large degree it is up to musical style and
personal preference - which makes the tie-configuration command so
important (to me anyways).
%%%%%%%%%%%%% BEGIN SNIPPET %%%%%%%%%
\version "2.7.7"
\score {
\new Staff <<
\relative c'' {
\time 6/8
<<
{
s4. <ais' bis'>4.~
\set Score.measureLength = #(ly:make-moment 9 8)
<ais bis'>4.~ \hideNotes <ais bis'>4. \unHideNotes
} \\
{
<cis, d>2.~
\override TieColumn #'tie-configuration =
#'((0 . -1) (2 . 1))
<cis d>4.~ \hideNotes <cis d>4. \unHideNotes
}
>>
\stopStaff
s4. \bar "||"
}
>>
}
%%%%%%%%%%%%%% END SNIPPET %%%%%%%%%
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