What property will reduce the distance the chord names and the staff below?
TIA
Paul Scott
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This is controlled by the |minimumVerticalExtent| property of the two
involved
contexts, namely ChordNames and Staff. However, by default the ChordNames
don't extend below zero, so you probably have to reduce the upper value
(= the second value) of the property for Staff. Note that this may
affec
A much simpler solution to your problem is to change the duration of the
breve note to fit into the existing time signature:
d\breve*1/2
/Mats
Reuben Thomas wrote:
I want to do something very simple: change the time signature without
anything appearing. I looked over the list archive, but I can
> A much simpler solution to your problem is to change the duration of the
> breve note to fit into the existing time signature:
> d\breve*1/2
Brilliant, thanks. I hadn't yet come across that notation.
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Bertalan Fodor writes:
> 1. (*) text/plain ( ) text/html
>
> install pstools
Shouldn't this be added to requires:?
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Hello,
the following example produces rests (\rest) which are placed some
spaces over or under the desired position in upper or lower voice
respectively. It did not happen in previous versions (around 2.0.1).
Is this a bug?
Thomas
cygwin
xp
--
\version "2.1.25"
\score {
\notes {
%Oberstimme
<<
On Sunday 22 February 2004 09:07, Reuben Thomas wrote:
> "If a staff is ended halfway a piece,"
>
> Am I just being stupid, or is this a bit weird?
For a bunch of non-native English speakers, the developers
do a fantastic job of writing documentation.
The only exception is a persistent inability
> > "If a staff is ended halfway a piece,"
> >
> > Am I just being stupid, or is this a bit weird?
>
> For a bunch of non-native English speakers, the developers
> do a fantastic job of writing documentation.
Indeed.
> The only exception is a persistent inability to write "staves"
> instead of "s
Hi, I have a problem . I have installed a precompiled lilypond rmp on a Mandrake
Linux 9.1 .
I was running midi2ly and I got the following message :
Traceback (most recent call last):
File "/usr/bin/midi2ly", line 43, in ?
import midi
ImportError: No module named midi
It seems that the
>> The only exception is a persistent inability to write "staves"
>> instead of "staffs", but I think that is some kind of joke.
>
>It's American usage.
American usage, as far as I, as an American, know is:
staff/staves
My British colleagues say:
stave/staves
I was reading through the PDF manu
Where is this from in the manual?
Aaron
Reuben Thomas wrote:
"If a staff is ended halfway a piece,"
Am I just being stupid, or is this a bit weird?
For a bunch of non-native English speakers, the developers
do a fantastic job of writing documentation.
Indeed.
The only exception is a persiste
David Bobroff writes:
> >> The only exception is a persistent inability to write "staves"
> >> instead of "staffs", but I think that is some kind of joke.
> >
> >It's American usage.
>
> American usage, as far as I, as an American, know is:
>
> staff/staves
>
> My British colleagues sa
> Hi, I have a problem . I have installed a precompiled lilypond rmp on a Mandrake
> Linux 9.1 .
>
> I was running midi2ly and I got the following message :
>
> Traceback (most recent call last):
> File "/usr/bin/midi2ly", line 43, in ?
> import midi
> ImportError: No module named midi
>Yes, I'm continuing the off-topic rambling, but I for one am an
>American and have always used "staffs" both in writing and
>conversation. http://m-w.com is also quite informative on the
>subject :
>
>http://m-w.com/cgi-bin/dictionary?book=Dictionary&va=staff
>
> plural "staffs" or "staves"
> s
Mats Bengtsson wrote:
This is controlled by the |minimumVerticalExtent| property of the two
involved
contexts, namely ChordNames and Staff. However, by default the ChordNames
don't extend below zero, so you probably have to reduce the upper value
(= the second value) of the property for Staff. No
> Where is this from in the manual?
Under "Staff Notation". No idea on section numbers, I'm using the HTML
version. The easy way to find such things is to use a search function.
--
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Astrophysics: it's not exactly rocket science
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> >> The only exception is a persistent inability to write "staves"
> >> instead of "staffs", but I think that is some kind of joke.
> >
> >It's American usage.
My bad. I knew that the American *singular* was "staff" (British sing.
"stave") and made an incorrect extrapolation.
--
http://www.mups
In printed music that I am familiar with the chord names are printed
between the (first and second, etc.) ending brackets and the staff. Is
this possible with Lilypond?
Thanks,
Paul Scott
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When there were equal length simulteanous rests in two voices in the
same staves in former versions I wrote:
<< { r4 } \\ { s4 } >>
This way the rest was centered, as if it were merged.
How to center (merge) rests in current version?
Thanks,
Bert
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I must be missing something simple. I am trying to get a final double
barline on a piano score, but whatever I do, I get a double barline on
each stave, and a single barline between them. I've read the manual, I've
downloaded example code (which seems to do exactly what I've done, namely
put \bar "
[EMAIL PROTECTED] writes:
> I must be missing something simple. I am trying to get a final double
> barline on a piano score, but whatever I do, I get a double barline on
> each stave, and a single barline between them. I've read the manual, I've
> downloaded example code (which seems to do exactly
Reuben Thomas wrote:
I must be missing something simple. I am trying to get a final double
barline on a piano score, but whatever I do, I get a double barline on
each stave, and a single barline between them. I've read the manual, I've
downloaded example code (which seems to do exactly what I've d
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$BG[?.$O:#2s8B$j$G$9$N$G$4ITMW$JJ}$OBgJQ$*[EMAIL PROTECTED])(B
$B!|%3%s%9%?%s%H$KKh7n#5#0K|0J>e2T$0$=$N%3%D!&%N%&%O%&$H$O!)(B
$B!|LY$1$k$?$a$N%$%s%?!<%M%C%H%^!<%1%F%$%s%0$N4pK\$H$O!)(B
$B!|$3$l$^$G;n$_$?%$%s%?!<[EMAIL PR
Hi!
I've the following two questions about grace notes:
1.
Given an ordinary note/chord followed by a beamed sequence of 32th
grace notes, is it possible to attach the beam to the ordinary note's
stem? Or, in other words, if I have something like this:
c4 \grace {c32 d fis g a ...}
can
Title: 64.184.210.1 s
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Another basic question, but again, I can't find the answer in the docs:
does LilyPond (2.1.25 in my case) have standard text styles for expression
markings, tempo markings &c.? All I've found in the docs and from pieces
on mutopia.org is ad-hoc font settings (using \bold, \italic, \large &c.)
which
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On Sunday 22 February 2004 09:49, you wrote:
> > The only exception is a persistent inability to write "staves"
> > instead of "staffs", but I think that is some kind of joke.
>
> It's American usage.
No, it's not. daveA
--
It's not that hard to understand the lesson of Viet Nam. Never never
On Sunday 22 February 2004 11:47, Peter Dobratz wrote:
> David Bobroff writes:
> > >> The only exception is a persistent inability to write "staves"
> > >> instead of "staffs", but I think that is some kind of joke.
> > >
> > >It's American usage.
> >
> > American usage, as far as I, as an Am
I've used the hack in the Lilypond docs for getting dynamics centred
between the staves of a PianoStaff, but I would like to make it more
convenient to do other markings. At the moment, I can write something like
s1\f
to get a piano dynamic which is nicely centred, but if I write another
markin
On 2/22/04 1:08 PM, "Paul Scott" <[EMAIL PROTECTED]> wrote:
> In printed music that I am familiar with the chord names are printed
> between the (first and second, etc.) ending brackets and the staff. Is
> this possible with Lilypond?
>
> Thanks,
>
> Paul Scott
>
>
>
> __
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
If you upgrade to a recent development version of LilyPond,
you may actually say
#(set-global-staff-size 42)
to obtain exactly what you ask for.
I've upgraded to Lilypond 2.1.25. I tried "#(set-global-staff-size 42)"
and it's very good. Th
Walter Hofmeister wrote:
On 2/22/04 1:08 PM, "Paul Scott" <[EMAIL PROTECTED]> wrote:
I searched my files and found something that I had cut and pasted from
an earlier posting by Scott Ainsworth (I don't remember what date it was
posted or any other reference, and I hope he does not mind me pos
Hello All,
I have been trying to get 2.1.25 to install under Fink on OS X and have
had some problems. The method is as follows:
1. Download the source tarball and and the lilypond-2.1.25-1.i386.rpm file
and place them in the folder /sw/src (this is where Fink is going to look
for source).
2.
[EMAIL PROTECTED] writes:
> Hello,
>
> I work on winXP with cygwin.
> I have some troubles with lilypond-book since I've upgraded 2.1.18-1 to
> 2.1.25 on your homepage.
> When I call : lilypond-book essai.tex,
> with essai.tex like this ;
> \documentclass[12pt]{article}
> \begin{document}
> This
On Sun, Feb 22, 2004 at 08:18:34PM -0500, Ruven Gottlieb wrote:
> ...If you want to override this, use a |\translator| block as follows:
>
> \translator {
> \PianoStaffContext
> VerticalAlignment \override #'forced-distance = #9
> }
>
> **
> But I don't know wh
Put it into the paper block:
\score {
...
\paper {
\translator {
\PianoStaffContext
VerticalAlignment \override #'forced-distance = #9
}
}
I'd tried this before. The problem was a typo in the manual (determined
by trial-and-error...). It's ac
Hello,
maybe my last post was not clear enough, so I try again:
In polyphonic situations the vertical position of rests entered with
\rest is not as expected.
The attached code produces correct positions for bar 1 (which is
"monophonic" and wrong positions for bar 2, which is polyphonic.
I am qu
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