> The extra space in the chord name can be fixed with a simple edit of
> chord-names.scm. On line 326:
>
> tonic-text except-text " " sep-text
>
> remove the space so it looks like this:
>
> tonic-text except-text "" sep-text
>
> I submitted this change a patch and think it will be in
> Does the PDF file look wrong both in ghostview and Acrobat
> or only with ghostview?
Both.
-C
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> > I it looks fuzzy, it's just since you used the standard
> > bitmapped fonts. To get nice fonts in the PDF file, use
> > ly2dvi -p file.dvi
> No, it just looks completely wrong.
Does the PDF file look wrong both in ghostview and Acrobat
or only with ghostview?
/Mats
> I it looks fuzzy, it's just since you used the standard
> bitmapped fonts. To get nice fonts in the PDF file, use
> ly2dvi -p file.dvi
No, it just looks completely wrong.
> (assuming that you have Lilypond 1.6.x and that you
> built the Type1 fonts if you compiled the program yourself).
I used
I'm sending the answer to the mailing list, since it may
be of general interest. I hope you don't feel offended.
All you who "improved" the Reference manual before the release
of 1.6.0, please keep reading!
In general, please keep questions on the mailing list, for
the benefit of yourself sinc
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I'm just wondering,
Are you using tetex, and is it configured to output PS higher than
300dpi??? That could be an explanation as to why the notes output dotty.
. . .
You can change this configuration using the texconfig utility. . . .(if
you are running under *nix enviroments. . . . )
__
Hi.
What is happened with alignment in lilypond-book 1.6.5?
With 1.6.4, the code
\begin{lilypond}
...
\end{lilypond}
in a .tex file gave a score with staves right aligned (like ly2dvi 1.6.4
or 1.6.5). Now, the same code, gives me a score with staves center
aligned.
Moreover, for each score
It doesn't seem to be possible to attach articulations to multi-measure
rests.
Is this by design? Although it is possible to work around this by using
skips.
\score {
\notes {
\time 3/4
R2.^"Allegro" | | r2.^"Allegro"
}
}
___
L
Hi-
Why does Lilypond try to "join" voices? Sorry I don't have a better way
to explain it- but, for example, a quarter-note/crotchet in one voice
that occurs at the beginning of a run of eighth-notes/quavers will
apparently cause the first quaver to become a crotchet, which doesn't
seem to m
Hi-
Why does Lilypond try to "join" voices? Sorry I don't have a better way
to explain it- but, for example, a quarter-note/crotchet in one voice
that occurs at the beginning of a run of eighth-notes/quavers will
apparently cause the first quaver to become a crotchet, which doesn't
seem to m
Hi.
The code
\begin{lilypond}
...
\end{lilypond}
in a .tex file gives a score with staves center aligned. With
lilypond-book 1.6.4 (and with ly2dvi 1.6.4 or 1.6.5), the staves were
right aligned. Moreover, they produce an Overfull hbox. What is happened?
-
Marco
>
>
>> Hello,
>> an (partial) answer to my own question:
>> I just tried the same input with lilypond 1.6.4 on an RedHat 7.3 system and it
>> worked nicely. I will have to look into the cygwin tree, whether there are
>> any old files hidden.
>
>Run ly2dvi -V to get a verbose listing of all files
Sorry, I think I understand- the default is to name all of the voices
the same, so lilypond treats both voices as one.
This default behaviour seems odd, though. If I'm entering note data in
two separate bracketed-voice-contexts, why assume that it's the same Voice?
Thanks again,
Hans
Hi,
I have compiled up Lilypond 1.6.4 and am having a great time.
It's brill.
However, I'm having a few formatting problems, which I'm trying to isolate.
More of that later...
However, I have a repeat section following another repeat section:
e.g.
\repeat volta 2 { blah blah }
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