Hi-
Why does Lilypond try to "join" voices? Sorry I don't have a better way
to explain it- but, for example, a quarter-note/crotchet in one voice
that occurs at the beginning of a run of eighth-notes/quavers will
apparently cause the first quaver to become a crotchet, which doesn't
seem to make much sense.
I think of the Voice context as independent lines of counterpoint; is
that incorrect?
Thanks,
Hans
ex.
\score {
\notes <
\context Voice {
c''4 c''4 c''4 c''4
}
\context Voice {
e''8 e''8 e''8 e''8 e''8 e''8 e''8 e''8
}
>
\paper {}
}
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