Le 11/08/2022 à 16:47, Orm Finnendahl a écrit :
Hi,
below is a snippet and attached a pdf which shows the f sharp
accidental in the lower voice on the downbeat of bar 2 too far away
from the notehead. The distance seems to be related to the tied note
in the upper voice. Although the acciden
Hi,
below is a snippet and attached a pdf which shows the f sharp
accidental in the lower voice on the downbeat of bar 2 too far away
from the notehead. The distance seems to be related to the tied note
in the upper voice. Although the accidental is not repeated there, it
is taken into account fo
thanks mats
changing your markup to \markup {\flat \natural } gives me what i want
now i just need to bring the two accidentals closer together
cheers
d
On 18 Feb 2008, at 17:06, Mats Bengtsson wrote:
Kieren MacMillan wrote:
Hi Damian,
Just to confirm... are you looking for
\version
almost!
if i could get the flat and the natural round the other way...
as it is, it implies 2 x b-flat after (say) a b-sharp (which is not
unlikely in this context)
thanks though - it's a useful function that i'd not noticed before
d
On 18 Feb 2008, at 17:00, Kieren MacMillan wrote:
Hi
Kieren MacMillan wrote:
Hi Damian,
Just to confirm... are you looking for
\version "2.11.38"
{ \set Staff.extraNatural = ##t beses' bes' }
i.e., to correct a previous accidental on the same note in the same bar?
If not, please give a good reason for having both accidentals but no
"split st
Hi Damian,
it's for a webern reduction - so changing the b-flat to a-sharp
isn't really an option
A-ha!
Then how about
\once \override Accidental #'restore-first = ##t
HTH,
Kieren.
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hi kieren
what i need is this:
\version "2.11.38"
{
\override Stem #'transparent = ##t
}
to become:
<>
which is a standard way to show that both b-flat and b-natural are
simultaneous
it's for a webern reduction - so changing the b-flat to a-sharp isn't
really an opt
Hi Damian,
Just to confirm... are you looking for
\version "2.11.38"
{ \set Staff.extraNatural = ##t beses' bes' }
i.e., to correct a previous accidental on the same note in the same bar?
If not, please give a good reason for having both accidentals but no
"split stem", so we can better help
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Am Montag, 18. Februar 2008 schrieb Werner:
> Damian leGassick mac.com> writes:
> > \version "2.11.38"
> >
> > {}
> >
> > is what i want except for the flat needs to be moved to the left
> > (it's a pain, but the 'two-stave' or 'forked stem' solution
Damian leGassick mac.com> writes:
> \version "2.11.38"
>
> {}
>
> is what i want except for the flat needs to be moved to the left
> (it's a pain, but the 'two-stave' or 'forked stem' solutions aren't
> appropriate here)
Sorry, I absolutely cannot imagine, what you want.
The natural-sign bet
hi all
how do i shift the flat so that it doesn't overwrite the natural here:
\version "2.11.38"
{}
cheers
d
This seems to be a known limitation of lilypond. You can see whether the
solution provided by Mats to a similar question of mine a while ago:
http://www.opensubscriber.com/messag
hi werner
the output from
\version "2.11.38"
{}
is what i want except for the flat needs to be moved to the left
i was hoping for something like:
\once \override Accidental #'extra-offset = #'(-2.0 . 0) -- but
referencing the note within the chord
i can fake it by making an extra voice,
Damian leGassick mac.com> writes:
> how do i shift the flat so that it doesn't overwrite the natural here:
>
> {}
Could you provide a link to an example how that can be done (just take pencil
and paper, make a drawing, scan it and put it to the web)?
(I cannot imagine any solution than except f
hi all
how do i shift the flat so that it doesn't overwrite the natural here:
\version "2.11.38"
{}
cheers
d
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