Francisco,
thank you for the right tip!
2009/1/13 Francisco Vila :
> 2009/1/13 Antanas Budriūnas :
>> Hello,
>>
>> I went back from Carl's parallelStaffs music function to plain lily
>> code but also here have no success in managing parallel staves and
>> lyrics. Horizontal alignment with notes i
2009/1/13 Antanas Budriūnas :
> Hello,
>
> I went back from Carl's parallelStaffs music function to plain lily
> code but also here have no success in managing parallel staves and
> lyrics. Horizontal alignment with notes is OK but lyrics for both
> voices are placed under staff system. How to forc
Hello,
I went back from Carl's parallelStaffs music function to plain lily
code but also here have no success in managing parallel staves and
lyrics. Horizontal alignment with notes is OK but lyrics for both
voices are placed under staff system. How to force lyrics to go under
corresponding staff?
On 1/4/09 1:27 PM, "Antanas Budri?nas" wrote:
> 2009/1/3 Carl D. Sorensen :
>> Antanas,
>>
>>
>> On 1/3/09 9:21 AM, "Antanas Budri?nas" wrote:
>>
>>>
parallelStaffs = #(define-music-function (parser location firstStaff
>>
>> You need to put \lyricsmode { ala ala }, because the conte
2009/1/3 Carl D. Sorensen :
> Antanas,
>
>
> On 1/3/09 9:21 AM, "Antanas Budri?nas" wrote:
>
>>
>>> parallelStaffs = #(define-music-function (parser location firstStaff
>>> firstLyrics
>>> secondStaff secondLyrics)
>>> (ly:music? ly:xxx? ly:music? ly:xxx?)
>>> #{ <<
>>>
Antanas,
On 1/3/09 9:21 AM, "Antanas Budri?nas" wrote:
> Sorry, I feel myself not yet ready for "froging" because such simple task
> makes me trouble.
> Slightly modifying Carl's function I tend to include lyrics into parallel
> staves function.
> I can't understand what should be in place of
Sorry, I feel myself not yet ready for "froging" because such simple task
makes me trouble.
Slightly modifying Carl's function I tend to include lyrics into parallel
staves function.
I can't understand what should be in place of 'ly:xxx?' as variable's type?
parallelStaffs = #(define-music-functio
"Carl D. Sorensen" writes:
> > Yes, this is what I referred to as "a cumbersome task" :(
>
> OK, so automate it with a music function:
That's more like it :)
-- Johan
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On 12/27/08 2:52 PM, "Johan Vromans" wrote:
> "Carl D. Sorensen" writes:
>
>> intro = <<
>> \context Staff = "StaffOne" {
>> \context Voice = "VoiceOne" {
>> c''4 c''
>> }
>> }
>> \context Staff = "StaffTwo" {
>> \context Voice = "VoiceTwo" {
>> c'4 c'
>> }
"Carl D. Sorensen" writes:
> intro = <<
> \context Staff = "StaffOne" {
> \context Voice = "VoiceOne" {
> c''4 c''
> }
> }
> \context Staff = "StaffTwo" {
> \context Voice = "VoiceTwo" {
> c'4 c'
> }
> }
> >>
>
> verseOne = <<
> \context Staff = "StaffOne" {
Just as curiosity:
I was adding some lyrics to Carl's example and when the number of
sylables is less than the number of notes, on each appearance of
\intro lyrics go downstairs.
\version "2.11.65"
intro = <<
\context Staff = "StaffOne" {
<<
\context Voice = "VoiceOne" {
c''4 d''
}
On 12/27/08 11:05 AM, "Francisco Vila" wrote:
> 2008/12/27 Carl D. Sorensen :
>> \version "12.0.0"
>
> Parsing...
> error: program too old: 2.12.0 (file requires: 12.0.0)
>
> :-)
d'oh!
Carl
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2008/12/27 Trevor Daniels :
> Doesn't \parallelMusic enable you to do this? See "Writing music in
> parallel" in section 1.5.2 Multiple voices of the Notation Reference.
Yes, parallelMusic is a workarround (like mentioned earlier creating
heap of variables).
But Carl alredy nicely solved this pu
2008/12/27 Carl D. Sorensen :
> \version "12.0.0"
Parsing...
error: program too old: 2.12.0 (file requires: 12.0.0)
:-)
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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2008/12/27 Carl D. Sorensen :
>
> Aha! I got it! The secret was to explicitly name the Staff and Voice
> contexts, and use \context instead of \new.
>
> \version "12.0.0"
> intro = <<
> \context Staff = "StaffOne" {
>\context Voice = "VoiceOne" {
> c''4 c''
>}
> }
> \context Staf
On 12/27/08 9:25 AM, "Antanas Budri?nas" wrote:
> Hello,
>
> 2008/12/27 Francisco Vila :
>> 2008/12/27 Antanas Budri?nas :
>>> Thanks Arjan, thanks Francisco for replies.
>>> Perhaps due my poor English you both misunderstood me.
>>> There is a simplified example:
>>
>>> { \xi \xii \xi \xiii
On 12/27/08 5:00 AM, "Johan Vromans" wrote:
> Arjan Bos writes:
>
>> Will this help you?
>
> I don't think so. At least, if I understand Antanas correctly.
>
> Assume you have a piece of music that consists of several sections.
> For example, intro, verse1, chorus, verse2, chorus, bridge,
Doesn't \parallelMusic enable you to do this? See "Writing music in
parallel" in section 1.5.2 Multiple voices of the Notation Reference.
Trevor
- Original Message -
From: "Antanas Budriūnas"
To:
Sent: Saturday, December 27, 2008 2:06 PM
Subject: Re: rearr
2008/12/27 Francisco Vila :
> What you are looking for is a sort of container which you could put
> your music in. Something like a multi-voice variable, a "module" that
> one could easily drop-in into existing staves or sequential pieces of
> music without having to bother about anything else. Thi
2008/12/27 Antanas Budriūnas :
>> You get something close by means of
>> { \new Voice \xi \xii \xi \xiii }
>
> Only *close* :) As well as with \new Staff I get all notes on one
> staff instead of voices on separate staves. Imagine an orchestral
> score :)
What you are looking for is a sort of con
Hello,
2008/12/27 Francisco Vila :
> 2008/12/27 Antanas Budriūnas :
>> Thanks Arjan, thanks Francisco for replies.
>> Perhaps due my poor English you both misunderstood me.
>> There is a simplified example:
>
>> { \xi \xii \xi \xiii }
>> %
>>
>> Would be nice that all this code res
2008/12/27 Antanas Budriūnas :
> Thanks Arjan, thanks Francisco for replies.
> Perhaps due my poor English you both misunderstood me.
> There is a simplified example:
> { \xi \xii \xi \xiii }
> %
>
> Would be nice that all this code results the same score as from
>
Thanks Arjan, thanks Francisco for replies.
Perhaps due my poor English you both misunderstood me.
There is a simplified example:
%
\version "2.11.65"
xi = \relative c' { << {e f} {c d}>> }
xii = \relative c'' { << {g f} {e d}>> }
xiii = \relative c' { << {e d} {c b}>> }
{ \xi \x
Arjan Bos writes:
> Will this help you?
I don't think so. At least, if I understand Antanas correctly.
Assume you have a piece of music that consists of several sections.
For example, intro, verse1, chorus, verse2, chorus, bridge, verse3,
chorus, coda.
The normal way to program this in LilyPo
2008/12/26 Antanas Budriūnas :
> I can imagine some intermediate element between Staff (StaffGroup) and
> Score in the Lilypond hierarchy, which includes sevaral staves but
> neither starts new line nor puts clef, key and time signature.
You could try \stopStaff and \hideNotes, then \startStaff an
time when I need several
measures from one place in the score (all parts together, maybe with
lyrics) repeat somewhere in the middle of the piece or rearrange music
flow in general.
Some advance can be a naming (variables) relatively small chunks of
music, each bar or so. But this way source reading be
score (all parts together, maybe with
lyrics) repeat somewhere in the middle of the piece or rearrange music
flow in general.
Some advance can be a naming (variables) relatively small chunks of
music, each bar or so. But this way source reading becomes
complicated.
I can imagine some intermediate el
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