Simon,Wow! Its perfect. Thank you very much.Immanuel,Ming.
On Thursday, March 26, 2015 4:48 PM, Simon Albrecht
wrote:
Am 26.03.2015 um 19:57 schrieb MING TSANG:
Hi, Simon: Thank you, but I did not see the attachment.
That’s probably because I forgot to attach it…
Here you g
Am 26.03.2015 um 19:57 schrieb MING TSANG:
Hi, Simon:
Thank you, but I did not see the attachment.
That’s probably because I forgot to attach it…
Here you go :-)
Immanuel,
Ming
On Thursday, March 26, 2015 1:30 PM, Simon Albrecht
wrote:
Hello Ming,
here’s the best I could come up with.
Hi, Simon:Thank you, but I did not see the attachment.Immanuel,Ming
On Thursday, March 26, 2015 1:30 PM, Simon Albrecht
wrote:
Hello Ming,
here’s the best I could come up with. I remember that in hand-engraved scores,
this is resolved by shifting the two notes further apart and
Hello Ming,
here’s the best I could come up with. I remember that in hand-engraved
scores, this is resolved by shifting the two notes further apart and
placing the dots close to each one, which I now mimicked, albeit very
poorly: the dot placement looks very odd now. Perhaps you’ll want to
fi
Andrew,Thank you for the suggestion. I will try - is this mean I have to update
all beats on the whole song. This will require lot of time.Immanuel,Ming.
On Thursday, March 26, 2015 9:23 AM, Andrew Bernard
wrote:
#yiv3982050275 body{font-family:Lucida Sans Unicode,
Arial;font-size
Adnrew,Sorry, I choose the wrong word here. I was hoping that the dot will be
displayed closer to the notehead. e.g. 1st bar of bass staff, the dot of
quarter note be displayed closer to quarter note , now it line up with the half
note. This is more evident on bar3.Immanuel,Ming
On Thu
Andrew,Thank you for the \overrideImmanuel,Ming
On Thursday, March 26, 2015 9:06 AM, Andrew Bernard
wrote:
#yiv8457135819 body{font-family:Lucida Sans Unicode, Arial;font-size:15px;}Re
tie collision:
Add something like the following before the tie to adjust its shape:
\override Tie
Another thought, which is a musical solution rather than a lilypond tweak. You
can use an equivalent time signature that may make it preferable in terms of
readability. 12/8 is logically 4/4 (at a different tempo) and you use triplets.
This can be easier one the eyes instead of all those dots.
I am not convinced the dots look awful. It’s perfectly legible to me - just
highly dotted notation. What do you mean by awful, exactly?
Andrew
On 26 March 2015 at 10:29:06, MING TSANG (tsan...@rogers.com) wrote:
Lilyponders:
how to solve the dots after notehead and tie collides.
1. tie colli
Re tie collision:
Add something like the following before the tie to adjust its shape:
\override TieColumn.tie-configuration = #'((0.0 . 2))
Andrew
On 26 March 2015 at 10:29:06, MING TSANG (tsan...@rogers.com) wrote:
Lilyponders:
how to solve the dots after notehead and tie collides.
1. t
Lilyponders:
how to solve the dots after notehead and tie collides. 1. tie collide with
notehead -- treble staff sample2. place of dots look awful and not clear -
refer to bass staff
Immanuel,Ming.\version "2.19.17"
\language "english"
global = {
\key d \major
\numericTimeSignature
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