On Sat, Apr 07, 2012 at 10:54:24PM +0200, Janek Warchoł wrote:
> >> Is that a bug? Or am I making a mistake here?
> >
> > It's not a bug, and not really a mistake either. But extra-offset should
> > be used only as a last resort, as the extra displacement is made only
> > _after_ _all_ typesetti
On 2012-04-07 20:33, Frank Steinmetzger wrote:
In the first score, the lyrics are put nicely close to the staff. But as soon
as the lower lyrics span across the space where the dynamic mark would be
without the offset, both lyrics seem to ignore the space that became available
by using the extra-
On Sat, Apr 7, 2012 at 10:09 PM, Trevor Daniels wrote:
>
> Frank, you wrote Saturday, April 07, 2012 7:33 PM
>
>> I attached the three bars of the piece in which it appears. Notice that
>> both
>> the upper and the lower voice contain a Dynamic mark. The two marks have
>> an
>> extra-offset each
Frank, you wrote Saturday, April 07, 2012 7:33 PM
I attached the three bars of the piece in which it appears. Notice that
both
the upper and the lower voice contain a Dynamic mark. The two marks have
an
extra-offset each to get them closer to the staff.
In the first score, the lyrics are p
Dear list
I am writing down the Tenor part of Mendelssohn’s Elias (Elijah) and stumbled
upon the following, which clearly is a bug (to me).
I attached the three bars of the piece in which it appears. Notice that both
the upper and the lower voice contain a Dynamic mark. The two marks have an
ex
