Hi Guy,
[I'm not the list maintainer, but as a suggestion, if you make a
mistake and post your message too soon, it may be better to reply
to your original message without modifying the subject line, so
that you don't create multiple threads for the same topic.]
On Wed, Jan 02, 2019 at 09:40:53PM
e.png?dl=0
Note the lyric placement in measures 63-64 for the top staff. These
lyrics occur before the polyphonic voice context that starts on b4 of
m64. I have no idea how to fix this. The documentation at
http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing
menti
All,
Trying to finish this piece and it's giving me fits.
With Tyler's help I got the Solo lyrics where I wanted them. Thanks, Tyler.
But doing this and adding appropriate dynamics for \voiceTwo results in
this:
Note the lyric placement in measures 63-64 for the top staff. The
Kieren MacMillan writes:
> Hi Guy,
>
>> Why is this now necessary? Is it a case of assumptions about voices
>> changing in the newer 2.19 LP?
>
> I can’t remember exactly when or why it became necessary… I only
> remember getting bitten by it (which is why I know the fix!).
> Perhaps others (e.g.
Ah!
LOL
Same boat and all that.
Thanks again.
On 02/18/2017 10:51 AM, Kieren MacMillan wrote:
Hi Guy,
Why is this now necessary? Is it a case of assumptions about voices changing in
the newer 2.19 LP?
I can’t remember exactly when or why it became necessary… I only remember
getting bitte
Hi Guy,
> Why is this now necessary? Is it a case of assumptions about voices changing
> in the newer 2.19 LP?
I can’t remember exactly when or why it became necessary… I only remember
getting bitten by it (which is why I know the fix!).
Perhaps others (e.g., David Kastrup) can clarify when and
Kieren,
It does indeed. Why is this now necessary? Is it a case of assumptions
about voices changing in the newer 2.19 LP?
Once I update to 2.19, every existing score I have that uses the
temporary polyphonic context will have to be edited to add this; not a
trivial task.
Thanks for your q
Hi Guy,
> testVoicePart = \new Staff \new Voice { \global \test }
That should fix it.
Hope this helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
lil
I've searched both the list archives and LilyIssues and do not see this
reported.
I use temporary polyphonic contexts a lot in my choral compositions. I see
that using any version of 2.19 breaks lyric placement if there are slurred
notes in /voiceOne against which lyrics should be placed.
On 14.02.2016 21:40, dl.mcnam...@comcast.net wrote:
If you see deficiencies in the coding style please let me know what
they are.
For example to always surround = and { } with spaces. Also indentation
should be only by 2 spaces per level – the Frescobaldi auto-formatter
does a good job.
Bes
quot;
To: "dl mcnamara"
Cc: lilypond-user@gnu.org
Sent: Sunday, February 14, 2016 2:38:10 PM
Subject: Re: unusual lyric placement in second verse
On 14.02.2016 20:27, dl.mcnam...@comcast.net wrote:
> Thanks Simon, you've pointed me in the right direction.
> Here&#x
On 14.02.2016 20:27, dl.mcnam...@comcast.net wrote:
Thanks Simon, you've pointed me in the right direction.
Here's the updated score http://lilybin.com/l8kuff/3 (I neglected
to save the #2 version before sending the email).
This is totally workable for me.
While you may consider it ‘workable’,
: "dl mcnamara"
Cc: lilypond-user@gnu.org
Sent: Sunday, February 14, 2016 1:47:57 PM
Subject: Re: unusual lyric placement in second verse
On 14.02.2016 19:46, Simon Albrecht wrote:
> On 14.02.2016 16:42, dl.mcnam...@comcast.net wrote:
>> I'm not sure how your su
On 14.02.2016 19:46, Simon Albrecht wrote:
On 14.02.2016 16:42, dl.mcnam...@comcast.net wrote:
I'm not sure how your suggestion would mesh with the piece's overall
structure;
Here's a more complete take:
http://lilybin.com/l8kuff/2
There’s nothing in that link – could you try again?
(I trie
On 14.02.2016 16:42, dl.mcnam...@comcast.net wrote:
I'm not sure how your suggestion would mesh with the piece's overall
structure;
Here's a more complete take:
http://lilybin.com/l8kuff/2
There’s nothing in that link – could you try again?
(I tried to trim extra stuff for a minimal example)
cturing the lilypond content?
Dave
- Original Message -
From: "Simon Albrecht"
To: "dl mcnamara" , lilypond-user@gnu.org
Sent: Sunday, February 14, 2016 10:13:47 AM
Subject: Re: unusual lyric placement in second verse
Hello,
On 14.02.2016 15:56, dl.mcnam...@
Hello,
On 14.02.2016 15:56, dl.mcnam...@comcast.net wrote:
I'm typesetting a hymn where the first section is (volta) repeated
with different lyrics.
The way that the words are laid out across the two different lines
seems odd and distracting to me --
particularly on the fourth and eighth bar
Sorry about the attachments; here's a lilybin link
http://lilybin.com/l8kuff/1
Dave
- Original Message -
From: "dl mcnamara"
To: lilypond-user@gnu.org
Sent: Sunday, February 14, 2016 9:56:57 AM
Subject: unusual lyric placement in second verse
Hey all,
I'
Hey all,
I'm typesetting a hymn where the first section is (volta) repeated with
different lyrics.
The way that the words are laid out across the two different lines seems odd
and distracting to me --
particularly on the fourth and eighth bar.
(a) why is lilypond laying the two line out dis
2013/7/10 Eric Pancer :
> Thank you very much, your suggestions helped the situation. I have two
> more issues.
>
> On Tue, Jul 9, 2013 at 5:04 PM, Thomas Morley
> wrote:
>> 2013/7/9 Eric Pancer :
>>> I'm working on the following file but having some issues where
>>> formatting tricks don't seem
Thank you very much, your suggestions helped the situation. I have two
more issues.
On Tue, Jul 9, 2013 at 5:04 PM, Thomas Morley wrote:
> 2013/7/9 Eric Pancer :
>> I'm working on the following file but having some issues where
>> formatting tricks don't seem to be working. A couple of questions:
2013/7/9 Eric Pancer :
> I'm working on the following file but having some issues where
> formatting tricks don't seem to be working. A couple of questions:
>
> 1. How can I increase the veritical space between the systems ? The
> \paper configuration of "markup-system-spacing #'basic-distance = #2
I'm working on the following file but having some issues where
formatting tricks don't seem to be working. A couple of questions:
1. How can I increase the veritical space between the systems ? The
\paper configuration of "markup-system-spacing #'basic-distance = #20"
doesn't seem to really help t
Am 16.04.2013 17:58, schrieb Peter Toye:
> Phil,
>
> Don't quite understand this, but that's the problem with being a newbie.
> I'd have thought that markings all referred to the next block.
Hi Phil,
I will try to explain. No, these "markings" (as you call them; \tempo,
\clef, etc.) are valid
Re: Lyric placement and tempo woesIf you look at the very opening of the
Notation Reference, it says that \relative works like this:
\relative startpitch musicexpr
notes in braces are a music expression: { c d e f }. But so is \tempo
"something". So the \relative applies to
con moto"
\relative c''
{
music
}
The \relative would apply to everything in the { } block
--
Phil Holmes
- Original Message -
From: Peter Toye
To: lilypond-user@gnu.org
Sent: Tuesday, April 16, 2013 10:43 AM
Subject: Lyric placement and tempo woes
More newbie problems
Trevor,
Thanks. 1) Got it wrong. 2) Yes it works, but not sure why. Julia much happier.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, April 16, 2013, 4:16:35 PM, you wrote:
> Peter, you wrote Tuesday, April 16, 2013 10:43 AM
>> 1) I'm trying t
>> 2) If I add a tempo indication (delete the "%") the pitch changes (see
>> Warlock2WRONG attached) - this is the first occasion I've heard that adding
>> a tempo mark changes a mezzo-soprano into a baritone - she won't be happy!
>
> The \tempo command should come before the \relative. That w
Peter, you wrote Tuesday, April 16, 2013 10:43 AM
> 1) I'm trying to arrange a part song with lyrics for each stave. The snippet
> below puts the lyrics at the bottom of all the staves - but I seem to be
> copying the manual. See Warlock2OK attached.
I think someone already remarked that \addl
Lyric placement and tempo woesYou've got:
\relative c''
\tempo "Allegretto con moto"
{
So the music that immediately follows the \relative is your \tempo marking, so
it is only that that the \relative applies to. If you wrote
\tempo "Allegretto con moto"
2013/4/16 Peter Toye :
>
> 1) I'm trying to arrange a part song with lyrics for each stave. The snippet
> below puts the lyrics at the bottom of all the staves - but I seem to be
> copying the manual. See Warlock2OK attached.
\addlyrics should be outside of \new Staff { }
hth,
Janek
Am Sonntag, 8. November 2009 schrieb Peter Keller:
> I'm have a vocal score which uses bass clef almost exclusively during
> the verses. I'd like to keep the lyrics below the staff when the treble
> clef is hidden, and between staves (above bass clef) when it appears.
> Any suggestions for how to
I'm have a vocal score which uses bass clef almost exclusively during
the verses. I'd like to keep the lyrics below the staff when the treble
clef is hidden, and between staves (above bass clef) when it appears.
Any suggestions for how to do this?
Peter
Geoff Horton gmail.com> writes:
>
> I'm getting an odd shift in lyrics placement for lyrics placed above a staff:
etc.
FWIW, the equally obscure and not-in-the-manual-yet alignAboveContext property
fixes it.
Geoff
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lilypond-user mailing list
l
I'm getting an odd shift in lyrics placement for lyrics placed above a staff:
music = \relative c'' {
c4_\markup \small \italic "word" c c c
}
wordsOne = \lyricmode {
La la la la
}
wordsTwo = \lyricmode {
Lo lo lo lo
}
\score {
<<
\context Lyrics = top { s1 }
\context Staff =
On 5-Dec-05, at 6:15 PM, Jonatan Liljedahl wrote:
BTW, is there any place (doc or scm source) where one can see all those
predefined macros and commands?
ly/property-init.ly
Cheers,
- Graham
___
lilypond-user mailing list
lilypond-user@gnu.org
h
On Mon, 05 Dec 2005 14:26:41 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Gianluca D. wrote:
>
> >...
> >%% Here there are two definitions to make notes invisible in a
> >comfortable way blanknotes = {
> > \override NoteHead #'transparent = ##t
> > \override Stem #'transparent = ##t
> > \
Gianluca D. wrote:
...
%% Here there are two definitions to make notes invisible in a comfortable way
blanknotes = {
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
\override Tie #'transparent = ##t
}
noblanknotes = {
\revert N
In article <[EMAIL PROTECTED]>,
"Gianluca D." <[EMAIL PROTECTED]> wrote:
> Alle 23:06, venerdì 2 dicembre 2005, Ian Hawthorn ha scritto:
>
> > I can tell you that what you are asking is a hard problem, so don't get
> > your hopes up that there is an easy answer.
>
> The answer is quite easy,
Alle 23:06, venerdì 2 dicembre 2005, Ian Hawthorn ha scritto:
> I can tell you that what you are asking is a hard problem, so don't get
> your hopes up that there is an easy answer.
The answer is quite easy, once you have learned to use the wonderful ability
of Lilypond to merge different music
nsemble.
I can create an extra soprano part with notes and lyrics, and then combine
that part with the regular soprano and alto parts, but I was wondering if
there was some way I could redirect lyric placement above the staff with
an override. Or is there a better way I should approach this issue?
notes and lyrics, and then combine
that part with the regular soprano and alto parts, but I was wondering if
there was some way I could redirect lyric placement above the staff with
an override. Or is there a better way I should approach this issue? I'd
rather not print all the soprano lyrics
Arthur,
You might want to assign each voice separately, rather than put them in chords.
Then you can combine the voices together when you print the staff. This way
Lilypond knows exactly which notes to put your lyrics under. Also, remember to
put a slur on your eighth-notes so the word "in"
I'm just starting to play with lp by working on a hymn. The format is upper
and lower piano staves with the verses in the middle. I was using chords for
the upper and lower until I came to a place where I had two 8th notes in the
soprano over a 1/4 in the alto. I don't know if it's the best
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I'm not concerned about redundancy just understanding the structure.
I've been programming for over 35 years and I really appreciate the
concept of laziness - why do something the computer can be taught to do.
Agreed, but now I still do
[EMAIL PROTECTED] writes:
> Han-Wen Nienhuys wrote:
>
> >[EMAIL PROTECTED] writes:
> >
> >
> >>and I don't yet understand why commands like \note and \context seem to
> >>be sometimes used redundantly.
> >>
> >>
> >Because we're lazy :) , you can send in a bug report if you like.
> >
> I'm
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
and I don't yet understand why commands like \note and \context seem to
be sometimes used redundantly.
Because we're lazy :) , you can send in a bug report if you like.
I'm not concerned about redundancy just understanding the structure
[EMAIL PROTECTED] writes:
> and I don't yet understand why commands like \note and \context seem to
> be sometimes used redundantly.
Because we're lazy :) , you can send in a bug report if you like.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.cs.uu.nl/~hanwen
__
David Boersma wrote:
On Fri, 29 Nov 2002, Paul Scott wrote:
Can anyone tell me why this code places all of the lyrics under the
highvoice staff instead of each set of lyrics under its own staff?
Hello,
You should treat a Lyrics context just like a Staff context: if there are
more of them,
On Fri, 29 Nov 2002, Paul Scott wrote:
> Can anyone tell me why this code places all of the lyrics under the
> highvoice staff instead of each set of lyrics under its own staff?
Hello,
You should treat a Lyrics context just like a Staff context: if there are
more of them, give them names, otherw
Can anyone tell me why this code places all of the lyrics under the
highvoice staff instead of each set of lyrics under its own staff?
\context Staff = highvoice <
\property Voice.TextScript \override #'padding = #0
\global
\addlyrics
\highvoice
\context Lyrics { \highwo
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