Chris Caudle <[EMAIL PROTECTED]> writes:
> So what would be the proper way to enter that example,
> where the sopranos split, with part of the singers for
> that voice part sustaining a whole note, while part of the
> voices sang on a half not rhythm?
Here is another way to introduce a short-live
On Sunday 27 June 2004 14.13, A. Deubelbeiss wrote:
> > Message: 9
> > Date: Sun, 27 Jun 2004 10:07:52 +0200
> > From: Alexandre Beneteau <[EMAIL PROTECTED]>
> > Subject: Re: choral voice part splitting
> > To: [EMAIL PROTECTED], lilypond user ma
> Message: 9
> Date: Sun, 27 Jun 2004 10:07:52 +0200
> From: Alexandre Beneteau <[EMAIL PROTECTED]>
> Subject: Re: choral voice part splitting
> To: [EMAIL PROTECTED], lilypond user mailing list
><[EMAIL PROTECTED]>
> Message-ID: <[EMAIL PROTECTED]>
>
[EMAIL PROTECTED] writes:
> I am just learning Lilypond, and am having trouble understanding how to notate
> a style which is common in choral music.
> I am entering a composition for SATB voices, so I am creating a sopranoMusic,
> altoMusic, tenorMusic, and bassMusic section, and will use partco
> altoMusic = \notes { . bla bla bla bla bla
> << { high split music expressions } \\ { lower split music } >>
> back to single voice etc...
> }
Is it working with lyrics? Because I don't know how these voices are called
automatically.
I usually use something like this:
\score { <<
\context L
A quick answer :-)
Use this syntax :
altoMusic = \notes { . bla bla bla bla bla
<< { high split music expressions } \\ { lower split music } >>
back to single voice etc...
}
Hope it will help you...
Alex.
Chris Caudle wrote:
I am just learning Lilypond, and am having trouble understandi
I am just learning Lilypond, and am having trouble understanding how to notate
a style which is common in choral music.
I am entering a composition for SATB voices, so I am creating a sopranoMusic,
altoMusic, tenorMusic, and bassMusic section, and will use partcombine to
place the two female par
