Reinhold Kainhofer wrote:
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Am Dienstag, 11. März 2008 schrieb David Bobroff:
Reinhold Kainhofer wrote:
If you could describe in a little more detail what you are trying to do
(i.e. what are your cue voices, clefs, transposing instruments, etc.), we
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Am Dienstag, 11. März 2008 schrieb David Bobroff:
> Reinhold Kainhofer wrote:
> > If you could describe in a little more detail what you are trying to do
> > (i.e. what are your cue voices, clefs, transposing instruments, etc.), we
> > might be better
Reinhold Kainhofer wrote:
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Am Montag, 10. März 2008 schrieb David Bobroff:
Um, no, not at all. That's not the problem.
If you could describe in a little more detail what you are trying to do (i.e.
what are your cue voices, clefs, transposing inst
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Am Montag, 10. März 2008 schrieb David Bobroff:
> Um, no, not at all. That's not the problem.
If you could describe in a little more detail what you are trying to do (i.e.
what are your cue voices, clefs, transposing instruments, etc.), we might be
Um, no, not at all. That's not the problem. Looking at it some more it
seems that what I need is more clef changes in and out of the cues in
order to insure that different transpositions of the main part,including
transpositions involving different clefs will produce the results I'm after.
-
Isn't this what \transposition and/or octave checks are for?
Please see NR 1.1 Pitches.
Cheers,
- Graham
On Mon, 10 Mar 2008 21:39:15 +
David Bobroff <[EMAIL PROTECTED]> wrote:
> I've realized that I may have painted myself into a bit of a corner.
> I'm working on an orchestral part with cu
I've realized that I may have painted myself into a bit of a corner.
I'm working on an orchestral part with cues. The main part needs to be
transposed. I have defined the cues and the main part in separate
blocks. I have used \relative for both. Now I'm realizing that perhaps
it would have
