Um, no, not at all. That's not the problem. Looking at it some more it
seems that what I need is more clef changes in and out of the cues in
order to insure that different transpositions of the main part,including
transpositions involving different clefs will produce the results I'm after.
-David
Graham Percival wrote:
Isn't this what \transposition and/or octave checks are for?
Please see NR 1.1 Pitches.
Cheers,
- Graham
On Mon, 10 Mar 2008 21:39:15 +0000
David Bobroff <[EMAIL PROTECTED]> wrote:
I've realized that I may have painted myself into a bit of a corner.
I'm working on an orchestral part with cues. The main part needs to
be transposed. I have defined the cues and the main part in separate
blocks. I have used \relative for both. Now I'm realizing that
perhaps it would have been more clever to define the cues with
absolute pitches rather than using \relative so I can really freeze
their positions (I want the cues at their original pitches when the
main part is transposed).
Is there an elegant fix for this or do I simply have to go through
the cue definitions and enter all the , and ' for their absolute
pitches?
-David
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