Till:
...
> @Karl:
> I think, these editorial tricks are not only specific to ancient music --
No, they are not. They are just more common in editions from earlier
sources.
> and there is also enough material in the staff section that should allow you
> to create an additional staff (ossia) above
I indeed was referring to that one -- looks like a nice solution, I guess a
number of 2 would also be sufficient to get open note heads?
@Karl:
I think, these editorial tricks are not only specific to ancient music --
and there is also enough material in the staff section that should allow you
to
Kurt:
> On 2008/04/09 3:45 PM, "Karl Hammar" <[EMAIL PROTECTED]> wrote:
>
> >> Trevor Daniels schrieb:
> > ...
> >>> .3 Baroque rhythmic notation (new)
> >> Karl:
> >>
> >> We don't have lilypond examples of this. I have seen this in a Novello
> >> score for Purcells Dido. So I suggest we dro
i think you need:
\override NoteHead #'duration-log = #1
d
On 10 Apr 2008, at 05:47, Kurt Kroon wrote:
On 2008/04/09 3:45 PM, "Karl Hammar" <[EMAIL PROTECTED]> wrote:
Trevor Daniels schrieb:
...
.3 Baroque rhythmic notation (new)
Karl:
We don't have lilypond examples of this. I have
On 2008/04/09 3:45 PM, "Karl Hammar" <[EMAIL PROTECTED]> wrote:
>> Trevor Daniels schrieb:
> ...
>>> .3 Baroque rhythmic notation (new)
>> Karl:
>>
>> We don't have lilypond examples of this. I have seen this in a Novello
>> score for Purcells Dido. So I suggest we drop this for the moment.
>
