2015-05-15 8:49 GMT+02:00 Murray-Luke Peard :
> Actually, I've found an unintended consequence of this method, in that it
> changes the bar for all staves, not just the one in question. See the
> circle in the graphic below - all bar lines at this point were changed, not
> just the top line
>
Yep
Am 15.05.2015 um 02:57 schrieb Murray-Luke Peard:
This is the solution that worked for me. One problem I had was that if
the note goes over a bar line (as in the first example), the bar line
is drawn before you specify the bar type, and you get two bar lines
(see second example).
In the third
Actually, I've found an unintended consequence of this method, in that it
changes the bar for all staves, not just the one in question. See the
circle in the graphic below - all bar lines at this point were changed, not
just the top line (and what's going on with the bottom line, I don't know).
[im
This is the solution that worked for me. One problem I had was that if the
note goes over a bar line (as in the first example), the bar line is drawn
before you specify the bar type, and you get two bar lines (see second
example).
In the third example, I set the defaultBarType before specifying th
2015-05-14 8:51 GMT+02:00 Alexander Kobel :
> On 2015-05-14 05:09, Murray-Luke Peard wrote:
>>
>> [...]
>> One is to use the Mensurstriche layout, which has bar lines between
>> staves but not through them. My preferred option is to move the barline
>> up or down if the note is low or high, and spl
Hi,
just as a side-note: Research now agrees that contrary to common belief
renaissance _scores_ (1) had full barlines, with notes reaching beyond
these being split and connected using ties. I’ve not quite come to a
conclusion if I want to adopt this practice (as e.g. the new series of
Lasso
Am 14.05.2015 um 10:45 schrieb k...@aspodata.se:
Alexander:
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high, an
Alexander:
> On 2015-05-14 05:09, Murray-Luke Peard wrote:
> > [...]
> > One is to use the Mensurstriche layout, which has bar lines between
> > staves but not through them. My preferred option is to move the barline
> > up or down if the note is low or high, and split it if the note is in
> > the
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high, and split it if the note is in
the middle.
I've been able to move
Hi everyone,
I've just started using Lilypond a week or so ago, and so far I'm very
impressed! I've been able to produce really nice results in a relatively
short time.
My main interest is in typesetting renaissance choral music, and there's
one thing I haven't been able to figure out how to do.
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