I hadn’t seen David’s reply until after I posted, otherwise I wouldn't have
basically repeated his answer.
A disadvantage of the << … \\ … >> syntax in this case is that it applies
\voiceTwo to \melody (it has all its stems turned down, for instance). While
you can reset that with \oneVoice I pr
Thank you so much,
you offered two similar and valid solutions!
Regards
Il giorno lun 21 mar 2022 alle ore 10:19 Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> ha scritto:
> I’m not sure I understood your question right, but I think the usual way
> to do it would be to write the ”g
I’m not sure I understood your question right, but I think the usual way to do
it would be to write the ”global” variable as a sequence of tempos, time
signatures and other events separated by spacers or skips.
Something like:
%%
\version "2.23.6"
global = { \time 4/4 \tempo "All
- Original Message -
> From: "Rip _Mus"
> To: "Lillypond Users Mailing List"
> Sent: Monday, March 21, 2022 8:51:16 AM
> Subject: Time signature guide
> Good morning,
> I would need advice.
> In a score with many time signature changes (where
Good morning,
I would need advice.
In a score with many time signature changes (where I therefore cannot use a
stable global variable of tempo and time signature), there is a way to set
a "guide" in which to set the various time signature changes, without "
dirty "the instrumental variables?
Perhap