See melismaBusyProperties in
http://lilypond.org/doc/v2.23/Documentation/notation/common-notation-for-vocal-music#multiple-notes-to-one-syllable
On 13/11/2021 13:54, Bernhard Kleine wrote:
Hi, I feel lost. The text should go to every note in the example.
However the brackets behave as slurs /t
I am showing a part of the completed score. The problem was not the
beaming but the text distribution in the original example.
AutobeamingOff was correct for the First line , the line with the
beamExceptions took care of the eigths and the corresponding text in the
second line.
Kind regards
Hello Bernhard,
I think you’re tackling the wrong problem. First of all you can use manual
beaming without \autoBeamOff. But then your manual beams appear to be only
nescessary because 3/4 time sets a so called beaming exception for eigth
notes, so instead of 8[ 8] 8[ 8] 8[ 8] you have 8[ 8 8 8
Add a line
\set melismaBusyProperties = #'()
to the global variable.
Thanks a lot
Bernhard
Am 13.11.2021 um 15:09 schrieb Phil Holmes:
See melismaBusyProperties in
http://lilypond.org/doc/v2.23/Documentation/notation/common-notation-for-vocal-music#multiple-notes-to-one-syllable
On 13/11/
I found the solution: add a line
Am 13.11.2021 um 15:09 schrieb Phil Holmes:
See melismaBusyProperties in
http://lilypond.org/doc/v2.23/Documentation/notation/common-notation-for-vocal-music#multiple-notes-to-one-syllable
On 13/11/2021 13:54, Bernhard Kleine wrote:
Hi, I feel lost. The text
Bernhard Kleine writes:
> Hi, I feel lost. The text should go to every note in the
> example. However the brackets behave as slurs /ties. This is
> unexpected. Where is the error?
>
> Kind regards Bernhard
>
> \version "2.21.1"
> \language "deutsch"
> \header {
> title = "Im Haslachtal"
> tag
Hi, I feel lost. The text should go to every note in the example.
However the brackets behave as slurs /ties. This is unexpected. Where is
the error?
Kind regards Bernhard
\version "2.21.1"
\language "deutsch"
\header {
title = "Im Haslachtal"
tagline = "Satz: Bernhard Kleine 2021"
}
\pape
