On 22 January 2014 07:06, Orm Finnendahl
wrote:
> Hi List,
>
> I'm taking the plunge to write a pretty big orchestra piece with
> lilypond (contemporary music) and am wondering how to organize the
> parts: There will be sections in the piece where e.g. the first
> violins are split (maybe sometim
Hi Orm!
On 01/21/2014 09:06 PM, Orm Finnendahl wrote:
I'm taking the plunge to write a pretty big orchestra piece with
lilypond (contemporary music) and am wondering how to organize the
parts: There will be sections in the piece where e.g. the first
violins are split (maybe sometimes only for a
Hi List,
I'm taking the plunge to write a pretty big orchestra piece with
lilypond (contemporary music) and am wondering how to organize the
parts: There will be sections in the piece where e.g. the first
violins are split (maybe sometimes only for a couple of bars and up to
14 different parts).
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On Sonntag, 12. April 2009 07:11:26 James E. Bailey wrote:
> Wow, I should really not answer questions when I'm not awake.
>
> Lyrics need to be associated with a voice context. Regardless of
> whether or not you name them, lilypond creates its own con
Wow, I should really not answer questions when I'm not awake.
Lyrics need to be associated with a voice context. Regardless of
whether or not you name them, lilypond creates its own contexts when
you use the <<{}\\{}>> structure. To solve this, just use <<
{\voiceone}\context Voice = "new vo
I totally need to finish this documentation patch.
For this, you cannot use this form of polyphony. You must explicitly
create voices. See the documentation in the Notation Reference,
rather than the learning manual.
Am 12.04.2009 um 01:44 schrieb Hendrik Fuß:
Hi there,
I'm trying to put
Hi there,
I'm trying to put lyrics to a voice in a two-voice context, but I seem
to be doing something wrong. In the following minimal example the notes
after the split part are garbled:
\score
{
\new Staff
\relative c'
{
\time 2/4
<<
{ \voiceOne
