ehavior of slash chords:
B7 -> H7 <-- this is what I want
E/G# -> E/gis <-- this is weird
Maybe some developer thought, that E/gis is how it's done in Germany.
I think it's rather uncommon and pretty ugly ;-)
But personal tastes aside, is there a way to get the B<-&
Dear list,
I'm working on a songbook for german kids. Although I personally don't
like them, I want to use German chord names (B and H exchanged). I could
use \germanChords or \semiGermanChords to achieve that, but that also
changes the behavior of slash chords:
B7 -> H7
2017-04-05 22:46 GMT+02:00 Dmitry :
> Thomas, thanks a lot for the solution!
>
> If you have a SF account, could I ask you please to add a link to this
> discussion to the SF issue?
> The only solution mentioned there doesn't work with modern Lilypond.
>
> Thx,
> Dmitry
Done.
https://sourceforge.n
9:49 GMT+02:00 Thomas Morley :
> > 2017-03-28 0:39 GMT+02:00 Dmitry :
> > > - in Chord_name_engraver::process_music, track repeating root
> > > parts of
> > > slash chords and pass NIL pitches to a chordNameFunction in case
> > > of
> >
Kieren, thanks for the info,
I'm eager to volunteer as a tester (from the end-user perspective). I'm
a bit new to all that GSoC process, so I guess I should wait for a
mentor and a student to be assigned, and try getting in touch with
them, right?
Thx,
Dmitry
> Hello Dmitry,
>
> > There's been
2017-03-28 19:49 GMT+02:00 Thomas Morley :
> 2017-03-28 0:39 GMT+02:00 Dmitry :
>> - in Chord_name_engraver::process_music, track repeating root parts of
>> slash chords and pass NIL pitches to a chordNameFunction in case of
>> repetition. Everything should be similar to
ears, it has been addressed more or less. Time to give it
> another try?
>
> In a few words, we need a mechanism to suppress printing repeated root
> chord name over a progression of slash chords. That means, we'd like to
> see this:
>
> F#min9 /F /E /D#
>
> instea
Hello Dmitry,
> There's been a long standing feature request:
> https://sourceforge.net/p/testlilyissues/issues/3909/
> Time to give it another try?
If I’m not mistaken, the entire ChordNames context/mechanism is under
consideration for Google Summer of Code. Perhaps your best option might be to
words, we need a mechanism to suppress printing repeated root
chord name over a progression of slash chords. That means, we'd like to
see this:
F#min9 /F /E /D#
instead of this:
F#min9 F#min9/F F#min9/E F#min9/D#
The latter is much less readable, occupies more space and bloats the
score.
T
hat I cannot improve, I don't know if this
crazy idea will lead to anything useful...
It would be cool if there were different callbacks for different layouts
that you could choose, e.g.
\set slashChordLayout = ...
Cheers,
Klaus
--
View this message in context:
http://lilypond.10
/f
}
\new Staff { \key aes \major \time 3/4 c'4 aes'2 c'4 bes'2 r4 r r r r r
r r r }
>>
\layout { }
}
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Fwd-Slash-
2015-11-23 11:48 GMT+01:00 jmechmech :
> Perfect for a snippet :
>
>
>
> \version "2.18.2"
>
> #(define (lower-extension pitch chbass)
>"Return lowered markup for pitch note name."
>#{
> \markup \raise #-1.9 \halign #0.2
> #(note-name->markup pitc
lt;
\chords {
f2.:m c4:7/e c2:maj7
f2:m/a f/g c:7/g c:7/e e/f
}
\new Staff { \key aes \major \time 3/4 c'4 aes'2 c'4 bes'2 r4 r r r r r
r r r }
>>
\layout { }
}
--
View this message in context:
http://lilypond
g c:7/e e/f
}
\new Staff { \key aes \major \time 3/4 c'4 aes'2 c'4 bes'2 r4 r r r r r
r r r }
>>
\layout { }
}
%%%%
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/F
Hi Simon,
so this actually works rather well, I ended up taking the rotation out, as
with the actual font you get a better sense of the nib direction with the
original orientation of the solidus, nonetheless I do really like your
suggestion of using a slightly larger size, I find it does help a fai
commands (you can also look them up in the
> index, section D of the Notation Reference).
> You can fitfully use the \layout {} block in a stylesheet (i.e., a
> separate .ily file to \include everywhere you want this kind of chord names
> display).
>
> HTH, Simon
>
> On 20
;>
>>> /From:/ Luca Fascione
>>>
>>> /Message:/
>>>
>>> Hello,
>>> I've been using lilypond for a little while now and I rather like it.
>>>
>>> I've been able to achieve most of what I want for my engraving n
Actually, sorry for not thinking about this before, but writing it in LaTeX
gave me an idea to illustrate what I'd like to achieve (roughly).
%%
\version "2.18.2"
% test for setting slash chords with realbookchords font
chExceptionMusic = {
1-\markup { &q
re you want this kind of chord
names display).
HTH, Simon
On 20.11.2015 22:04, Luca Fascione wrote:
Actually, sorry for not thinking about this before, but writing it in
LaTeX gave me an idea to illustrate what I'd like to achieve (roughly).
%%
\version "2.18.
038.n5.nabble.com/Fwd-Slash-chords-tp183832p183840.html
Sent from the User mailing list archive at Nabble.com.
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20.11.2015 um 10:46 schrieb LilyPond blog contact form:
/From:/ Luca Fascione
/Message:/
Hello,
I've been using lilypond for a little while now and I rather like it.
I've been able to achieve most of what I want for my engraving needs,
but I think I need some help to set up slash chor
contact form:
>
> /From:/ Luca Fascione
>
> /Message:/
>
> Hello,
> I've been using lilypond for a little while now and I rather like it.
>
> I've been able to achieve most of what I want for my engraving needs,
> but I think I need some help to set up sl
Am 13.10.2014 um 22:45 schrieb keith Luke:
How do you get LilyPond to display "slash chords" in the chord name?
I'm trying to print C Maj 7/Bb and D/F# in my scores.
<http://lilypond.org/doc/v2.18/Documentation/notation/displaying-chords>
documents chord names notation.
How do you get LilyPond to display "slash chords" in the chord name? I'm
trying to print C Maj 7/Bb and D/F# in my scores.
Thanks,
Keith Luke
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