On Sun, Mar 25, 2012 at 11:52 PM, David Kastrup wrote:
> Janek Warchoł writes:
>
>> Thanks for this! I'll keep it bookmarked.
>
> You can remove the definition of for-some-music: that's defined in
> LilyPond properly by now.
Yeah, i remember an issue about it.
thanks,
Janek
___
Janek Warchoł writes:
> Thanks for this! I'll keep it bookmarked.
You can remove the definition of for-some-music: that's defined in
LilyPond properly by now.
--
David Kastrup
___
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David,
On Wed, Mar 21, 2012 at 7:54 PM, David Kastrup wrote:
>
> Possibly this mail got lost, so I rewrite it (code is somewhat different).
>
> Siska Ádám writes:
>
>> Dear List,
>>
>>
>> is there an effective way to separate the pitches and the rhythms in a
>> voice? I'm thinking about somethin
Siska Ádám writes:
> Dear List,
>
>
> is there an effective way to separate the pitches and the rhythms in a
> voice? I'm thinking about something like defining a variable
> consisting only of rhythms:
>
> Rhythm = {
> \time 4/4
> 4 4 4. 8
> 8 8 4 4 8 8
> 2 4 8 8 ...
> }
>
Possibly this mail got lost, so I rewrite it (code is somewhat different).
Siska Ádám writes:
> Dear List,
>
>
> is there an effective way to separate the pitches and the rhythms in a
> voice? I'm thinking about something like defining a variable
> consisting only of rhythms:
>
> Rhythm = {
>
On Wed, Mar 21, 2012 at 8:15 PM, bobr...@centrum.is wrote:
> Well [..] You can do linebreaks, repeats and I believe articulations as well,
> by simply putting them in a separate voice
> and then combining them later with the musical voice
That's true, but this solution has it's drawbacks. Stay
On Wed, Mar 21, 2012 at 7:44 PM, Siska Ádám wrote:
> Hi,
>
> On 2012.03.21., at 19:18, Janek Warchoł wrote:
>
>> On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám wrote:
>>> is there an effective way to separate the pitches and the rhythms in a
>>> voice? I'm thinking about something like defining a v
- Original Message -
From: D'Arcy Cain
To: lilypond-user@gnu.org
Sent: Wed, 21 Mar 2012 15:47:14 - (GMT)
Subject: Re: Separating pitch and rhythm AND structure
On 12-03-21 11:05 AM, Siska Ádám wrote:
> is there an effective way to separate the pitches and the rhythms in
Hi,
On 2012.03.21., at 19:18, Janek Warchoł wrote:
> On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám wrote:
>> is there an effective way to separate the pitches and the rhythms in a
>> voice? I'm thinking about something like defining a variable consisting only
>> of rhythms:
>> The purpose is: I'
On Wed, Mar 21, 2012 at 4:47 PM, D'Arcy Cain wrote:
> On 12-03-21 11:05 AM, Siska Ádám wrote:
>> I'm thinking about something like defining a variable
>> consisting only of rhythms:
>> and then apply this to different sequences of pitches:
>
> Sounds like it would be a cool feature if it existed.
On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám wrote:
> is there an effective way to separate the pitches and the rhythms in a voice?
> I'm thinking about something like defining a variable consisting only of
> rhythms:
> The purpose is: I'm engraving a long, homophonic section
> in an orchestral p
Dear Xavier,
On 2012.03.21., at 16:44, Xavier Scheuer wrote:
> 2012/3/21 Siska Ádám :
>> Dear List,
>>
>>
>> is there an effective way to separate the pitches and the rhythms in a voice?
>> I'm thinking about something like defining a variable consisting only of
>> rhythms:
>>
>> (snip)
>>
>> T
On 12-03-21 11:05 AM, Siska Ádám wrote:
is there an effective way to separate the pitches and the rhythms in a voice?
I'm thinking about something like defining a variable consisting only of
rhythms:
Rhythm = {
\time 4/4
4 4 4. 8
8 8 4 4 8 8
2 4 8 8 ...
}
and t
2012/3/21 Siska Ádám :
> Dear List,
>
>
> is there an effective way to separate the pitches and the rhythms in a voice?
> I'm thinking about something like defining a variable consisting only of
> rhythms:
>
> (snip)
>
> The purpose is: I'm engraving a long, homophonic section in an orchestral
> pi
Dear List,
is there an effective way to separate the pitches and the rhythms in a voice?
I'm thinking about something like defining a variable consisting only of
rhythms:
Rhythm = {
\time 4/4
4 4 4. 8
8 8 4 4 8 8
2 4 8 8 ...
}
and then apply this to different s
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