To make stem tremolos thinner and shorter for drum-rolls try
\override StemTremolo #'beam-thickness = #0.36
\override StemTremolo #'beam-width = #1.2
I haven't worked out how to get them closer to each other, or to force
angled tremolos on beamed notes.
Bruce.
_
Bruce McIntyre wrote:
Hi.
Peter Mogensen wrote:
- representing snare drum notes. (Ruffs, rolls and flams). The
current layout is acceptable, but the it's a hack. It would be
better if Lilypond knew the correct musical concept. Tremolos in
ruffs and rolls should not be aligned with beams. It's an
Hi.
Peter Mogensen wrote:
>> - representing snare drum notes. (Ruffs, rolls and flams). The
>> current layout is acceptable, but the it's a hack. It would be
>> better if Lilypond knew the correct musical concept. Tremolos in
>> ruffs and rolls should not be aligned with beams. It's annoying
* There's still too many hacks involved. Typing the above score I ran
into the following problems.
- representing snare drum notes. (Ruffs, rolls and flams). The current
layout is acceptable, but the it's a hack. It would be better if
Lilypond knew the correct musical concept.
Tremo
Peter Mogensen <[EMAIL PROTECTED]> writes:
>- Ideally you should only write each peace of information 1
> time. However, there's as far as I can see no silver bullet to do
> this with LilyPond. If I want "Da CAPO al FINE" (I do), where should
> I write it so it's only written on
Hi,
I've now half way through my first real Lilypond score. I mostly arrange
music for marching bands consisting of flutes and drums and a small
brass section.
Here's my first impressions. The files are at:
http://www.bigendian.dk/owts.tgz
Comments are welcome.
* Lilypond is definitely faster to
Mats Bengtsson wrote:
As you noticed, I know nothing about drum notation and I think this
goes also for the main hackers of LilyPond. So, any input you have
on suggestions are welcome, not the least if you can assist yourself
with the implementation.
I know C++, LISP and TeX, so maybe... If I find
As you noticed, I know nothing about drum notation and I think this
goes also for the main hackers of LilyPond. So, any input you have
on suggestions are welcome, not the least if you can assist yourself
with the implementation.
Peter Mogensen wrote:
Mats Bengtsson wrote:
Did you try the following?
Did you try the following?
\time 6/8
c'8 r c8:32 ~ c8 c c |
c4.:32 ~ c4.:32 ~ |
c8 r c:32 ~ c c c |
c4.:32 ~ c4 c8:32 ~ |
c8 r c \acciaccatura d c r c
For the MIDI output, it's possible to unfold tremolo repeats
as shown in
http://lilypond.org/doc/v2.2/input/regression/out-www/collated-f
Mats Bengtsson wrote:
Did you try the following?
\time 6/8
c'8 r c8:32 ~ c8 c c |
c4.:32 ~ c4.:32 ~ |
c8 r c:32 ~ c c c |
c4.:32 ~ c4 c8:32 ~ |
c8 r c \acciaccatura d c r c
Yes. But it doesn't give the result I'm looking for. It's _looks_ like
the wanted engraving, but it's not perfect.
Hi,
I've been trying to get Lilypond to typeset notes for marchband snaredrums.
Here's a small sample of the task (bottom staff):
http://www.bigendian.dk/libertyb.jpg
I have been partly successfull in tweaking the tremolo repeat to make it
thinner, but these are not tremolo repeats as such and res
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