Hi Alex,
> This is for a rehearsal mark with text, I'm not sure what Paul was
looking for, but I was asking is there is a way to type something like
\tempo "Andante" 4=90 "avec douleur"
Yes you are probably right.
>> As you can see you can write:
>>
>> \RehearsalMarkWithText #"Theme from 007" #-
This is for a rehearsal mark with text, I'm not sure what Paul was looking
for, but I was asking is there is a way to type something like \tempo
"Andante" 4=90 "avec douleur"
On Thu, Dec 19, 2013 at 3:24 PM, Ed Gordijn wrote:
> Hi all,
>
>
> Please note that this is't the last message in this
Hi all,
Please note that this is't the last message in this thread.
> See:
http://article.gmane.org/gmane.comp.gnu.lilypond.general/63383/match=rehearsal
I'll try my desktop tonight to find the correct link .
And the correct link is:
http://article.gmane.org/gmane.comp.gnu.lilypond.general
Hi all,
> Do you have time to tell me what your hack is?
\once \override MetronomeMark.X-offset = #x
where x requires trial-and-error manual adjustment.
=(
Kieren.
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Hi Alex,
> I ran into the same problem earlier. It should be much easier to write,
i.e., Allegro 4=130 doucement avec expression.
I have made a start with a function that does what you want but it still
needs manual setting the offset. This is probably not necessary but I don't
know how to fix it
I ran into the same problem earlier. It should be much easier to write, i.e.,
Allegro 4=130 doucement avec expression.
On Dec 18, 2013, at 10:49 AM, Paul Scott wrote:
> On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
>> Follow-up…
>> Cancel the bounty call for now: I’ve hack
On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
> Follow-up…
> Cancel the bounty call for now: I’ve hacked my way through the
> problem manually.
My hack has been to add the tempo markings etc. to a manual generation
of the Rehearsal Mark. Do you have time to tell me what your
On Sun, Dec 01, 2013 at 09:46:09AM -0500, Kieren MacMillan wrote:
> Hello all,
>
> This is *killing* my productivity on my current [extremely-high-pressure,
> past-due] project…
>
> For one example (hardly the worst), here’s Lilypond’s default output from one
> section of my bass part:
>
>
>
Follow-up…
Cancel the bounty call for now: I’ve hacked my way through the problem manually.
I’ll post a feature request (and new bounty offer) some time next month.
Thanks,
Kieren.
On 2013-Dec-1, at 09:46, Kieren MacMillan wrote:
> Hello all,
>
> This is *killing* my productivity on my current
Hello all,This is *killing* my productivity on my current [extremely-high-pressure, past-due] project…For one example (hardly the worst), here’s Lilypond’s default output from one section of my bass part:Can someone please whip me up a helper function which does the following: 1. automatically of
Hi Keith,
Thanks for the helpful response(s)!
>> In the Do The Right Thing™ Department, I would think Lilypond should
>> automatically slide the [first]
>> MetronomeMark slightly to the right, allowing it to sit on the same baseline
>> as the RehearsalMark.
>
> Xavier asked for the same behavi
Kieren MacMillan sympatico.ca> writes:
> To be clear, \markLengthOn does not solve the problem.
>
Just for anybody searching the archives, what \markLengthOn *does* do
is space the music out to give room for the marks. So it helps when
the RehearsalMark and tempo are on different notes, barlin
Kieren MacMillan sympatico.ca> writes:
> Given the snippet below, what do I need to do to have RehearsalMark and
MetronomeMark grobs sit on the same
> plane (“as expected")?
> In the Do The Right Thing™ Department, I would think Lilypond should
automatically slide the [first]
> MetronomeMark s
Hello again,
To be clear, \markLengthOn does not solve the problem.
Thanks,
Kieren.
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Hello all,
Given the snippet below, what do I need to do to have RehearsalMark and
MetronomeMark grobs sit on the same plane (“as expected")?
I’ve asked this question several times before, and believe that I’ve
incorporated the most recent “best practices”… but clearly not.
In the Do The Right
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