Hi Gianmaria,
> Could you please confirm me that in music language this means crescendo
> ends on 'f4.' (d8' has the lower intensity and 'f4' the higher)
The second part of your statement is correct: the notation implies that d
should have a lower intensity/volume, and the f a higher intensity/v
Am 14.06.2015 um 01:29 schrieb Gianmaria Lari:
First, I'm not a politician and I'm not here to win a war :) My suggestion is
just a suggestion that have to be analyzed and in case it brings more
benefits than disavantages it should be considered; if an expert explains me
it is not advantageous I
First, I'm not a politician and I'm not here to win a war :) My suggestion is
just a suggestion that have to be analyzed and in case it brings more
benefits than disavantages it should be considered; if an expert explains me
it is not advantageous I will not cry and I will be glad having learnt
som
Hi Gianmaria,
> Does people really use this features? I mean does it happen
> frequently people set '\!' in a certain location expecting Lilypond render
> it at the bar line immediately preceding if the note which ends a hairpin
> falls on a downbeat?
Yes. I would estimate that 95% of the time, I
On 06/12/2015 02:23 PM, Gianmaria Lari wrote:
I'm not a musician. I'm editing a published violin score using lilypond. The
book is a set of studies by Robert Pracht and in many of them the note which
ends a hairpin falls on a downbeat. I don't know if this is something
exceptional or pretty norma
I'm not a musician. I'm editing a published violin score using lilypond. The
book is a set of studies by Robert Pracht and in many of them the note which
ends a hairpin falls on a downbeat. I don't know if this is something
exceptional or pretty normal in modern music but in this book this is
frequ
Hi all,
>> {
>> \time 4/4
>> \once \override Hairpin.to-barline = ##f
>> a\< b c' d'
> or, with less typing,
> { a-\tweak to-barline ##f \< }
Or with [eventually] even less:
{ a1-\hpb a\! }
where hpb (“Hairpin Past Barline”) is pre-defined (and possibly \include-d from
a tweaks file)
Am 06.06.2015 um 12:15 schrieb Trevor Daniels:
[…]
should be written
{
\time 4/4
\once \override Hairpin.to-barline = ##f
a\< b c' d'
or, with less typing,
{ a-\tweak to-barline ##f \< }
Yours, Simon
\key fis \major
eis'\f fis' gis' ais'
}
__
Gianmaria Lari wrote Saturday, June 06, 2015 10:33 AM
> Why was it decided that hairpins by default stop at the barline?
I don't know as I wasn't involved with LP at the time this decision was made,
but I presume it was because the scores they used as examples of best practice
did this.
> If
