2013/11/9 Frederick Bartlett :
> (I would like a way to \transpose all voices in a piece
> with a single command rather than putting an individual \transpose on each
> voice.)
>
> Also, the snippet is quite simplified; I really do need the two-voice
> construct. The actual treble clef's first meas
On Sat, Nov 09, 2013 at 04:16:17PM -0500, Frederick Bartlett wrote:
> Patrick,
>
> Are you sure \transpose changes the key signature? It doesn't work for me,
> unless the \key is inside the \transpose, which won't generally be the
> case, since I put \key in a \global ... or is there some easier w
Patrick,
Are you sure \transpose changes the key signature? It doesn't work for me,
unless the \key is inside the \transpose, which won't generally be the
case, since I put \key in a \global ... or is there some easier way to
manage \transpose and \key? (I would like a way to \transpose all voices
On 09.11.2013, at 21:06, Frederick Bartlett
wrote:
> Urs,
>
> Thanks for that; I have been putting spacers everywhere. But now I have a new
> problem: My wife just asked me (she's the musician, I'm just the engraver) to
> transpose the piece up a half step. So, I put a \transpose c des {} ar
Urs,
Thanks for that; I have been putting spacers everywhere. But now I have a
new problem: My wife just asked me (she's the musician, I'm just the
engraver) to transpose the piece up a half step. So, I put a \transpose c
des {} around every voice and changed the \key in my \global to des\major.
It is a common problem.
You have to put an appogiatura with spacer rests in all voices.
Hth
Urs
Frederick Bartlett schrieb:
>I'm running Lilypond 2.16.2 inside Frescobaldi 2.0.10 on Fedora 19.
>
>This gives two 'C' time signatures, one before and one after the
>appoggiatura:
>
> \version "2.16
