2011/7/3 Gilles Sadowski :
>
>> I don't write much music for transposing instruments, so i cannot give
>> any advice, but i have a question that may trigger a discussion: how
>> to prepare scores with transposing instruments so that they are
>> structurally correct? Consider this canon:
>>
>> commo
Hi.
> >
> > I would love to put together a "Best Practices" example/snippet/document
>
> Good idea!
> I don't write much music for transposing instruments, so i cannot give
> any advice, but i have a question that may trigger a discussion: how
> to prepare scores with transposing instruments so t
2011/6/28 Kieren MacMillan :
> Hello all,
>
> I would love to put together a "Best Practices" example/snippet/document
Good idea!
I don't write much music for transposing instruments, so i cannot give
any advice, but i have a question that may trigger a discussion: how
to prepare scores with trans
Kieren,
From: Kieren MacMillan [kieren_macmil...@sympatico.ca]
Sent: 28 June 2011 16:39
To: James Lowe
Cc: Lilypond-User Mailing List
Subject: Re: [Best Practices] instrument changes
Q1: When you have a doubler-switch in the middle of a passage, do you use
Hi James,
Thanks for chiming in! Very helpful.
> 1. Always use music variables and THEN transpose them in the \score, rather
> than transpose them in the variable (if that makes sense?)
Definitely. This, I think, is Best Practice #1. In fact, "put the notes in
variables and [try to] do everyth
Kieren,
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Kieren
MacMillan [kieren_macmil...@sympatico.ca]
Sent: 28 June 2011 15:15
To: Lilypond-User Mailing List
Subject: [Best
