On Tue 14 Mar 2017 at 19:11:31 (+1100), Don Gingrich wrote:
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> I'm typesetting scores for folk dance music sets.
> Typically, (but not exclusively) music for
"Andrew Bernard" writes:
> Hi David,
>
> If I do that all the subsequent bar numbers have a 'b' appended. What's
> happening here?
Now _that_ may be a bug.
> How do we unset the alternativeNumberingStyle, and why does it still
> apply to bars that are not in a \aternative section?
Bug? Can yo
to:d...@gnu.org]
Sent: Tuesday, 14 March 2017 11:45 PM
To: Andrew Bernard
Cc: 'Malte Meyn' ; 'lilypond-user Mailinglist'
Subject: Re: Problem with bar numbers
Your second alternative already fills a whole bar, so the \partial 8 _has_
to start in a new bar. You need to
"Andrew Bernard" writes:
> HI Malte,
>
> Using 2.91.56, if you refer to the code I just posted for Don (trying
> to be compact not repeating example in this email), if not making the
> bar number invisible at the partial of the second half, it prints 4,
> but Don wants it not to have a bar number
Hi All,
What David has written is naturally true. But I just wanted to say
that I have been using the progressive development versions for some
years and as far as open source software goes I am compelled to say
they are incredibly stable and reliable. I hammer lilypond with
engraving really dense
glist
Subject: Re: Problem with bar numbers
Am 14.03.2017 um 11:30 schrieb Andrew Bernard:
> I had a look into this for Don. The partial after a repeat throws a
> new bar number, although it should not. Is there a way to control
> this, or is it a defect?
I don’t really understand what y
Am 14.03.2017 um 11:30 schrieb Andrew Bernard:
> I had a look into this for Don. The partial after a repeat throws a new
> bar number, although it should not. Is there a way to control this, or
> is it a defect?
I don’t really understand what you mean. Which LilyPond version did you
use? Which r
Hi Don,
Here's a way to do it I believe, simplifying your sample.
I personally don't have any musical objections to this - it's perfectly
clear, and clarity of intent what I am always seeking. Musicians will read
this just fine I reckon.
Andrew
== snip
\version "2.19.56"
treble = {
\time 2/
Am 14.03.2017 um 11:35 schrieb David Kastrup:
>> Maybe you should use a newer (“unstable”/development version); 2.19.xx
>> allows \partial after the start of a piece and handles bar numbers
>> correctly. The development versions aren’t unstable in the sense that
>> they will crash or damage your
Malte Meyn writes:
> Am 14.03.2017 um 09:11 schrieb Don Gingrich:
>> OK, I'll start by saying that I'm doing some things that
>> are wrong as far as musical purists are concerned,
>> but there *is* a reason.
>>
>> […]
>>
>> So it breaks the rules of music theory, but there is
>> a reason.
>
> I
Hi Don,
2017-03-14 9:11 GMT+01:00 Don Gingrich :
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> I'm typesetting scores for folk dance music sets.
> Typically, (but not exclusively) music for folk dance
Hi Malte,
I had a look into this for Don. The partial after a repeat throws a new bar
number, although it should not. Is there a way to control this, or is it a
defect?
Andrew
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Am 14.03.2017 um 09:11 schrieb Don Gingrich:
> OK, I'll start by saying that I'm doing some things that
> are wrong as far as musical purists are concerned,
> but there *is* a reason.
>
> […]
>
> So it breaks the rules of music theory, but there is
> a reason.
If I understand correctly: No, it
OK, I'll start by saying that I'm doing some things that
are wrong as far as musical purists are concerned,
but there *is* a reason.
I'm typesetting scores for folk dance music sets.
Typically, (but not exclusively) music for folk dance
consists of an 8 bar 'A' part and an 8 bar 'B' part.
It is o
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