Hello David,
Fine, you hit the point, and the following code avoids the non-appearing notes
problem:
% Music to be used by CueDuring has to start at the same point in time
% as the music that incorporates it!
HautboisAvantChiffreSept = \relative gis' {
\voiceOne
% \tweak staff-position #-1
On Mon 09 Nov 2015 at 17:00:51 (+0100), Menu Jacques wrote:
> Hello David,
>
> The docs say that the part that « receives » a Cue is usually made of rests,
> but not what happens if they contain actual notes.
> Removing the last eight in the Cue avoids the problem, of course.
>
> I tried with cu
Hello the other David,
I’ve found that \compressFullBarRests is too much just before I got your
message, thanks for that one.
And yes, I forgot to comment out:
a8 )
s
at the end of HautboisAvantChiffreSept, hence the difference in length.
But doing so doesn’t solve the problem: the first f
On Mon 09 Nov 2015 at 17:00:51 (+0100), Menu Jacques wrote:
> Hello David,
>
> The docs say that the part that « receives » a Cue is usually made of rests,
> but not what happens if they contain actual notes.
> Removing the last eight in the Cue avoids the problem, of course.
>
> I tried with cu
Hello David,
The docs say that the part that « receives » a Cue is usually made of rests,
but not what happens if they contain actual notes.
Removing the last eight in the Cue avoids the problem, of course.
I tried with cueDuringWithClef, but then the four first eights at the beginning
of the c
Menu Jacques writes:
> Hello folks,
>
> In the following, from Poulenc, I added a CueVoice to help the bassonnist
> (i.e.
> myself). The example is a bit long, sorry for that.
>
> The critial point is on the second beat of the bar at the « 1 » rehearsal
> mark:
> the clef change to « bass » for
Hello folks,
In the following, from Poulenc, I added a CueVoice to help the bassonnist (i.e.
myself). The example is a bit long, sorry for that.
The critial point is on the second beat of the bar at the « 1 » rehearsal mark:
the clef change to « bass » for the bassoon takes effect also for the
