I had started looking at the idea of a "lilypond code" backend that
would output lilypond source code with repeats unwrapped, transpositions
done etc. I don't know when (or if) I will have produced anything
useful.
/Bernard
On Tue, 2005-04-26 at 01:48 +0200, Han-Wen Nienhuys wrote:
> Op m
On Friday 22 April 2005 10:02 pm, Erik Sandberg wrote:
> Nice! I think something like this really could be useful for many
users.
>
> Some questions:
> - Do you have an example input file demonstrating most features (as a
> tutorial)?
On my website. It's pretty bad. It's in the process of being
Op ma, 25-04-2005 te 19:20 -0400, schreef David Raleigh Arnold:
> The editing tool that I wish LilyPond would furnish is a transposer.
> Of course you can transpose now, but LilyPond will not produce new
> lilypond input in the new key for further editing, except by producing
> midi and then conver
On Saturday 23 April 2005 08:13 am, Bernard Hurley wrote:
> I think one of the nice things about lilypond is that it allows you to
> separate data from presentation. For instance the third note of your
> example is C sharp. This is normally represented by cis' in a lilypond
> score i.e. as data rep
Op za, 23-04-2005 te 10:13 +0100, schreef Bernard Hurley:
> Would there be any mileage in "contributed" scripts being distributed
> with Lily. Making sure they work, are documented and compatible with the
> current version is the author's responsibility, but they would be
The definition of "distri
Erik Sandberg <[EMAIL PROTECTED]> writes:
> Maybe this is something for LSR?
Unfortunately, I cannot, as it does not compile for 2.4.4.
Title:
Entering notes without the chromatic signs specified in the key
signature
Description:
This \autoAlteration music function makes it possible to avoid
e
I can see that a solfeggio notation might be useful. as for you remarks
on relative pitch information. Some people may find it easier to enter
the pitches in this way but it makes the score almost impossible to edit
afterwards. NoteEdit exports lilypond scores in this format and the
first thing I d
On Saturday 23 April 2005 13.31, Nicolas Sceaux wrote:
> David Raleigh Arnold <[EMAIL PROTECTED]> writes:
> > People have asked in the past for the ability to enter
> > notes without having to put in the chromatic signs
> > specified in the key signature.
>
> This should be possible in plain LilyPo
Bernard Hurley <[EMAIL PROTECTED]> writes:
> I think one of the nice things about lilypond is that it allows you to
> separate data from presentation. For instance the third note of your
> example is C sharp. This is normally represented by cis' in a lilypond
> score i.e. as data representing a pa
I think one of the nice things about lilypond is that it allows you to
separate data from presentation. For instance the third note of your
example is C sharp. This is normally represented by cis' in a lilypond
score i.e. as data representing a particular note. How it appears in the
final printed s
David Raleigh Arnold <[EMAIL PROTECTED]> writes:
> People have asked in the past for the ability to enter
> notes without having to put in the chromatic signs
> specified in the key signature.
This should be possible in plain LilyPond. Maybe something like:
--
Would there be any mileage in "contributed" scripts being distributed
with Lily. Making sure they work, are documented and compatible with the
current version is the author's responsibility, but they would be
distributed under the GPL, as is the rest of Lily. I suppose it would
mean someone would h
major. Here it is. daveA:
>
> # keys.sed -- b for flat, w for double flat
> # are optional.
> # Can use h for bn, n for natural.
> # Outer address has no key changes.
> # Write single letters for notes in key sig.
> # Put @key0@ for no key change or
> # put @key[1-7][bs
is. daveA:
# keys.sed -- b for flat, w for double flat
# are optional.
# Can use h for bn, n for natural.
# Outer address has no key changes.
# Write single letters for notes in key sig.
# Put @key0@ for no key change or
# put @key[1-7][bs]@( b|s = flat|sharp )
# anywhere on first line t
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