On Saturday 23 April 2005 08:13 am, Bernard Hurley wrote: > I think one of the nice things about lilypond is that it allows you to > separate data from presentation. For instance the third note of your > example is C sharp. This is normally represented by cis' in a lilypond > score i.e. as data representing a particular note. How it appears in the > final printed score depends on lots of things: key signature, what notes > precede it in the bar, whether or not it is the only part on the stave, > policy on cautionary accidentals etc.. any of which I can change > independently. Suppose you wished to incorporate your example into a > larger work in b flat minor, but did not wish to change the key > signature for a few bars, then you would have to edit the c' to make it > cis'. In the end the standard lilypond representation leads to less > problems and it can't be that difficult for a musician.
There are no problems. I have avoided problems. All the script does is furnish the chromatic signs in the key sig of your choice, which doesn't have to be the one lilypond is using. The range is from, for example, @key4s@ to @[EMAIL PROTECTED] It does not change any note which is already modified, and an 'n' preserves the original pitch. It produces a new lilypond input file. Confusion comes from trying to make a transposer out of a simple editing tool. Of course I don't use it with the keys of F or G, but I could. In E, it puts "s" on f, c, g, and d, and that's it. It doesn't mess with fs, cf, gx, or dn, except of course to remove the "n". If you have an "!", it stays. Absolutely not confusing, for a musician that is. There are fewer errors, not more, because a musician is always aware of which notes are accidentals and which are not, and the vast majority are not. As I wrote before, the problems come from trying to do more. The editing tool that I wish LilyPond would furnish is a transposer. Of course you can transpose now, but LilyPond will not produce new lilypond input in the new key for further editing, except by producing midi and then converting that back. Several have asked for that feature over the years. daveA -- Practice pie charts, plans and schedules are good. Practice logs, diaries and records are good. When they fail, and they will, do another. How else can repeated failure be a recipe for success? The only technical exercises for all guitarists worth a lifetime of practice: "Dynamic Guitar Technique". Nothing else is close. Free download: http://www.openguitar.com/instruction.html daveA David Raleigh Arnold dra..at..openguitar.com _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
